Love Spirals Downwards
Overview
 
Love Spirals Downwards was an ethereal darkwave
Ethereal Wave
Ethereal Wave, also called ethereal darkwave in Europe and ethereal goth or simply ethereal in the US, is a term that describes a subgenre of Dark Wave music...

, dream pop
Dream pop
Dream pop is a subgenre of alternative rock that originated in the United Kingdom in the mid-1980s, when bands like The Passions, Dif Juz, Lowlife and A.R. Kane began fusing post-punk and ethereal experiments with bittersweet pop melodies into dreamy, sensual soundscapes. The term was almost...

, Atmospheric drum'n'bass and electronica
Electronica
Electronica includes a wide range of contemporary electronic music designed for a wide range of uses, including foreground listening, some forms of dancing, and background music for other activities; however, unlike electronic dance music, it is not specifically made for dancing...

 recording act from California
California
California is a state located on the West Coast of the United States. It is by far the most populous U.S. state, and the third-largest by land area...

.
Love Spirals Downwards was begun by multi-instrumentalist Ryan Lum and then-girlfriend Suzanne Perry. In 1991, Lum and Perry recorded a demo, which led to a contract with Projekt Records
Projekt Records
This is the article for the record label. You might be looking for Pro-jekt, ProjeKct, Project Pitchfork, or Projekt RevolutionProjekt is a Brooklyn, New York-based independent record label specializing in gothic rock, ambient, ethereal, darkwave, shoegaze, dream-pop, and dark cabaret created by...

. Over its 8-year history, the band released four full-length albums, a career retrospective, and a CD single, selling (by their own account) in excess of 40,000 CDs http://www.lovespirals.com/lsd/history.html.
Quotations

I really don't think we sound like them, to be completely honest. I'm not in denial or self-deception, it's my honest belief that if you listen to our music, we don't sound like the Cocteau Twins.

Raygun Magazine (June/July 1992)

It's hard to think of a band name; we had to think of one rather quickly to send our demo tape out. We should have just sent it as Ryan and Suzanne! Anyway, our choice of band name didn't follow from our wanting to associate ourselves with the drug.

KUCI 88.9 fm Program Guide (Winter 1997)

We weren't trying to be a band, so we were shocked and surprised when there was any response at all. We mailed out the tape to three companies: 4AD, Creation, and Projekt - who we didn't know about, we heard of it through a friend of a friend. Sam wrote us back a letter of interest. He didn't say he would sign us or anything, but he wanted to hear more stuff.

The Ninth Wave: A Journal of Nocturnal Culture 5 (May 1995)

Why did we even send it out? I guess I was recording another band here and they were making a tape to send out places, so we figured, 'Hey, we can do that!'

Tear Down the Sky (June 1994)

It's been an important pursuit of mine, but I never had any intention of pursuing music as a sort of career, on a 'professional' level. I just always made music for myself. It made me happy. I'd been doing that for years, until Suzanne came into the picture.

Fond Affexxions Version 1.2 (Indian Summer 1993)

We were boyfriend/girlfriend for maybe a year or two before I had her sing on my music. I knew her two years and I never knew she sang that well!

Carpe Noctem Vol. 2, Issue 2 (1995)

I'll come up with some chord sequences that I like on acoustic guitar and build from there. After that, it's all very intuitive. An idea comes in the studio and it's recorded right then.

The Muse: The Journal of Women and Music (February/March 1995)

It's really weird to have these songs - some on Idylls have been out for years - and going back and playing them now. The only time they existed is us recording them -- we never rehearsed the songs once in our lives. I'm not kidding.

Ink Spots 19 (April 1995)

 
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