List of compositions by Johann Pachelbel
Encyclopedia
Approximately 530 compositions have been attributed to Johann Pachelbel
. , no standard numbering system exists for Pachelbel's work. This article presents a thematically organized list and provides catalogue numbers from three different catalogues:
For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality. Because the Welter catalogue does not provide incipits, many of the works with identical titles will share a single PC number (which is in such cases denoted by a question mark).
The following symbols are used:
Similarly to catalogues of works by most early music composers, Pachelbel's list of works remains perpetually incomplete as new works are regularly found.
Johann Pachelbel
Johann Pachelbel was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most...
. , no standard numbering system exists for Pachelbel's work. This article presents a thematically organized list and provides catalogue numbers from three different catalogues:
- P = catalogue by Jean M. Perreault, 2001
- T = catalogue by Hideo Tsukamoto, 2002, available online
- PC = catalogue by Kathryn J. Welter, 1998
For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality. Because the Welter catalogue does not provide incipits, many of the works with identical titles will share a single PC number (which is in such cases denoted by a question mark).
The following symbols are used:
-
* denotes that the ascription of the piece is questioned - ! denotes that the composition is, apparently, lost
Similarly to catalogues of works by most early music composers, Pachelbel's list of works remains perpetually incomplete as new works are regularly found.
Chorale preludes
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Erster Theil etlicher Choräle Erster Theil etlicher Choräle Erster Theil etlicher Choräle is a collection of liturgical organ music by Johann Pachelbel, published during his lifetime... (Choräle zum praeambuliren) (before 1693) |
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| 45 | 2 | 1 | 58 | Ich ruf zu dir, Herr Jesu Christ (no. 1) |
| 46 | 7 | 2 | 88 | Wie schön leuchtet der Morgenstern (no. 1) |
| 47 | 4 | 3 | 74 | Nun lob, mein Seel', den Herren |
| 48 | 5 | 4 | 77 | Vater unser im Himmelreich (no. 1) |
| 49 | 8 | 5 | 89 | Wir glauben all' an einen Gott |
| 50a | 1 | 6 | 39 | Dies' sind die heil'gen zehn Gebot' (no. 1a) |
| 51 | 3 | 7 | 63 | Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt |
| 52 | 6 | 8 | 79 | Vom Himmel hoch, da komm' ich her (no. 1) |
| 1 | 9 | 9 | 20 | Ach Gott, vom Himmel sieh darein (no. 1) |
| 2 | 10 | 9? | 21 | Ach Gott, vom Himmel sieh darein (no. 2) |
| 3 | 11 | 10 | 22 | Ach Herr, mich armen Sünder (no. 1) |
| 4 | 12 | 11 | 23 | Ach Herr, mich armen Sünder (no. 2) |
| 5* | - | 10? | - | Ach Herr, mich armen Sünder (no. 3) |
| 8* | - | - | - | Ach, was soll ich Sünder machen |
| 9* | - | 14 | - | Ach wir armen Sünder |
| 10* | 14 | 15? | 25 | Allein Gott in der Höh' sei Ehr' (no. 1) (possibly by Johann Heinrich Buttstett Johann Heinrich Buttstett Johann Heinrich Buttstett was a German Baroque organist and composer... ) |
| 11* | 15 | 15? | 26 | Allein Gott in der Höh' sei Ehr' (no. 2) (possibly by Johann Heinrich Buttstett) |
| 12* | - | 15? | - | Allein Gott in der Höh' sei Ehr' (no. 3) |
| 13 | 16 | 16? | 27 | Allein zu dir, Herr Jesu Christ (no. 1) |
| 14 | 17 | 16? | 28 | Allein zu dir, Herr Jesu Christ (no. 2) [alio modo] |
| 15* | - | 16? | - | Allein zu dir, Herr Jesu Christ (no. 3) |
| 16* | - | 17 | - | Als der gütige Gott |
| 17 | 18 | 19 | 29 | An Wasserflüssen Babylon (no. 1) |
| 18 | 19 | 18/19 | 30 | An Wasserflüssen Babylon (no. 2) |
| 20 | - | 18 | - | An Wasserflüssen Babylon (no. 4) |
| 30* | 20 | 107 | 31 | Auf meinen lieben Gott (no. 1) (possibly by Johann Michael Bach Johann Michael Bach Johann Michael Bach was a German composer of the Baroque period. He was the brother of Johann Christoph Bach, as well as father-in-law of Johann Sebastian Bach... ) |
| 31* | - | 20 | - | Auf meinen lieben Gott (no. 2) |
| 34* | - | 21 | - | Aus Jakobs Stamm ein Stern sehr klar |
| 35 | 13 | 12/13? | 24 | Aus tiefer Not schrei ich zu dir (no. 1), also known as Ach wie elend ist unsre Zeit |
| 36* | - | 22/36? | - | Aus tiefer Not schrei ich zu dir (no. 2) |
| 55* | - | 25? | - | Christ, der du bist der helle Tag |
| 58* | 22 | 198 | 33 | Christ lag in Todesbanden (no. 1) (possibly by Johann Sebastian Bach) |
| 59* | - | 108 | - | Christ lag in Todesbanden (no. 2) (possibly by Heinrich Bach Heinrich Bach Heinrich Bach was a German organist, composer and a member of the Bach family.Heinrich Bach was born at Wechmar, Germany, and is the father of the so-called Arnstädt Line. After the early death of his father, his older brother Johannes Bach continued his music education and teaching him organ... (1615–1692)) |
| 59bis* | - | 23 | - | Christ lag in Todesbanden (no. 3) (possibly by Johann Heinrich Buttstett or Heinrich Bach) |
| 61 | 23 | 24 | 34 | Christ unser Herr zum Jordan kam (no. 1) |
| 62* | - | 24? | - | Christ unser Herr zum Jordan kam (no. 2) |
| 63* | 21 | 25? | 32 | Christe, der du bist Tag und Licht (no. 1) (possibly by Johann Sebastian Bach Johann Sebastian Bach Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity... , BWV BWV The Bach-Werke-Verzeichnis is the numbering system identifying compositions by Johann Sebastian Bach. The prefix BWV, followed by the work's number, is the shorthand identification for Bach's compositions... 1096 is an extended version possibly by Bach) |
| 64* | - | 25? | - | Christe, der du bist Tag und Licht (no. 2) |
| 65* | - | 27 | - | Christe, du Lamm Gottes (no. 1) |
| 66* | - | 26 | - | Christe, du Lamm Gottes (no. 2) |
| 67* | - | 28 | - | Christe, wollst uns hören |
| 69* | - | 29? | - | Christus, der uns selig macht |
| 69bis* | - | - | - | Christus, der uns selig macht (partita, possibly by Nicolaus Vetter Nicolaus Vetter Andreas Nicolaus Vetter was a German organist and composer.He was born in Herschdorf, Thuringia. He first studied music with G.K. Wecker in Nuremberg and was a student at the Rudolstadt Gymnasium from 1683 to 1688... ) |
| 70* | 24 | 30 | 35 | Da Jesus an dem Kreuze stund (no. 1) (possibly by Heinrich Bach) |
| 71* | - | 109 | - | Da Jesus an dem Kreuze stund (no. 2) (possibly by Heinrich Bach, modified and extended version of P70) |
| 73* | - | 31 | - | Das alte Jahr vergangen ist |
| 80* | 25 | 32 | 36 | Der Herr ist mein getreuer Hirt (no. 1) |
| 81 | 26 | 33 | 37 | Der Herr ist mein getreuer Hirt (no. 2) |
| 82* | - | 32? | - | Der Herr ist mein getreuer Hirt (no. 3) (possibly by Johann Peter Heuschkel Johann Peter Heuschkel Johann Peter Heuschkel , was a German oboist, organist, music teacher and composer.... ) |
| 83 | - | 32? | - | Der Herr ist mein getreuer Hirt (no. 4) (only incipit survives) |
| 85 | 27 | 34 | 38 | Der Tag, der ist so freudenreich |
| 50b | - | - | - | Dies' sind die heil'gen zehn Gebot' (no. 1), arrangement of P50a by Johann Gottfried Walther Johann Gottfried Walther Johann Gottfried Walther was a German music theorist, organist, composer, and lexicographer of the Baroque era.Walther was born at Erfurt... |
| 101* | - | - | - | Dies' sind die heil'gen zehn Gebot' (no. 2) |
| 103 | 28 | 35? | 40 | Durch Adams Fall ist ganz verderbt (no. 1) |
| 104 | 29 | 35? | 41 | Durch Adams Fall ist ganz verderbt (no. 2) |
| 105 | 30 | 36 | 42 | Durch Adams Fall ist ganz verderbt (no. 3) |
| 106 | 31 | 37 | 43 | Ein feste Burg ist unser Gott (no. 1) |
| 107 | - | - | - | Ein feste Burg ist unser Gott (no. 2) |
| 108* | - | 37? | - | Ein feste Burg ist unser Gott (no. 3) |
| 109 | 32 | 38 | 44 | Erbarm dich mein, o Herre Gott (no. 1) |
| 110* | - | 38? | - | Erbarm dich mein, o Herre Gott (no. 2) |
| 111* | 33 | 39? | 44 | Erhalt uns, Herr, bei deinem Wort (no. 1) (possibly by Georg Böhm Georg Böhm Georg Böhm was a German Baroque organist and composer. He is notable for his development of the chorale partita and for his influence on the young J. S. Bach.-Life:Böhm was born in 1661 in Hohenkirchen, near Ohrdruf... or Dieterich Buxtehude Dieterich Buxtehude Dieterich Buxtehude was a German-Danish organist and composer of the Baroque period. His organ works represent a central part of the standard organ repertoire and are frequently performed at recitals and in church services... ) |
| 112* | - | 39? | - | Erhalt uns, Herr, bei deinem Wort (no. 2) (possibly by Georg Böhm or Dieterich Buxtehude) |
| 114* | 34 | 40? | 46 | Es spricht der Unweisen Mund wohl (no. 1) |
| 115 | 35 | 41? | 47 | Es spricht der Unweisen Mund wohl (no. 2) |
| 116* | - | 40? | - | Es spricht der Unweisen Mund wohl (no. 3) |
| 117* | - | 42 | - | Es stehn vor Gottes Thron |
| 118 | 36 | 43? | 48 | Es woll' uns Gott genädig sein (no. 1) |
| 119 | 37 | 43? | 49 | Es woll' uns Gott genädig sein (no. 2) |
| 120* | - | 43? | - | Es woll' uns Gott genädig sein (no. 3) |
| 121* | - | 59 | - | Esaia, dem Propheten das geschah |
| 166* | 38 | 44? | 50 | Gelobet seist du, Jesu Christ (no. 1) |
| 167* | - | 44? | - | Gelobet seist du, Jesu Christ (no. 2) |
| 169* | - | 45 | - | Gleich wie ein Hirsch begehret |
| 170* | - | 46 | - | Gleich wie sich fein ein Vögelein |
| 171 | 39 | 47? | 51 | Gott der Vater wohn uns bei (no. 1) |
| 172* | - | 47? | - | Gott der Vater wohn uns bei (no. 2) |
| 174* | 40 | 111 | 52 | Gott hat das Evangelium (possibly by Johann Michael Bach) |
| 178* | 41 | 112 | 53 | Gott Vater, der du deine Sonn' (possibly by Johann Michael Bach) |
| 179* | - | 48 | - | Gottes Sohn ist kommen |
| 181 | 42 | 49? | 54 | Herr Christ, der einig' Gottes Sohn (no. 1) (also known as Herr Christ, Gnadensonne) |
| 182* | - | - | - | Herr Christ, der einig' Gottes Sohn (no. 2) |
| 182bis* | - | 113? | - | Herr Christ, der einig' Gottes Sohn (no. 3) (possibly by Johann Heinrich Buttstett or Christian Friedrich Witt Christian Friedrich Witt Christian Friedrich Witt, or Witte was a German composer, music editor and teacher.-Biography:He was born in Altenburg, where his father, Johann Ernst Witt, was court organist; he had come from Denmark around 1650 when a Danish princess married into the house of Saxe-Altenburg... ) |
| 183 | 43 | 51 | 55 | Herr Gott, dich loben alle wir (no. 1) |
| 184* | - | 50 | - | Herr Gott, dich loben alle wir (no. 2) |
| 185* | - | - | - | Herr Gott, dich loben wir |
| 186* | - | - | - | Herr Gott nun schleuss den Himmel auf |
| 188* | - | 52 | - | Herr Jesu Christ, dich zu uns wend |
| 189* | 44 | 114 | 56 | Herr Jesu Christ, ich weiss gar wohl |
| 191* | - | - | - | Herr, wie du willst (opening fughetta lost) |
| 192* | - | 53 | - | Herzliebster Jesu, was hast du verbrochen |
| 202 | 45 | 54/55 | 57 | Ich hab' mein' Sach' Gott heimgestellt (no. 1) |
| 203* | - | 55 | - | Ich hab' mein' Sach' Gott heimgestellt (no. 2) |
| 205 | 46 | - | 59 | Ich ruf' zu dir, Herr Jesu Christ (no. 2) |
| 206* | - | 56 | - | Ich ruf' zu dir, Herr Jesu Christ (no. 3) |
| 209* | 47 | 57? | 60 | In dich hab ich gehoffet, Herr (no. 1) (possibly by Johann Michael Bach) |
| 210* | - | 57? | - | In dich hab ich gehoffet, Herr (no. 2) (possibly by Johann Michael Bach, modified and extended version of P209) |
| 211* | - | 58 | - | In dir ist Freude |
| 218* | 48 | 60? | 61 | Jesus Christus, unser Heiland, der den Tod überwand (no. 1) (possibly by Andreas Armsdorf Andreas Armsdorf Andreas Armsdorff was a German composer and organist. He was born in Mühlberg, near Gotha, and studied music and law. At some point in his early life he moved to nearby Erfurt where he may have studied with Johann Pachelbel. He worked as organist in various churches in Erfurt: Reglerkirche,... ) |
| 219* | 49 | 60? | 62 | Jesus Christus, unser Heiland, der den Tod überwand (no. 2) |
| 220* | - | 60? | - | Jesus Christus, unser Heiland, der den Tod überwand (no. 3) |
| 222* | - | 61 | - | Kaiser Augustus leget an |
| 223* | 50 | 116 | 64 | Komm Gott Schöpfer, heiliger Geist (no. 1) (possibly by Johann Michael Bach) |
| 225* | 51 | 62 | 65 | Komm heiliger Geist, Herre Gott (no. 1) (possibly by Andreas Armsdorf or Johann Gottfried Walther) |
| 226* | - | 117 | - | Komm heiliger Geist, Herre Gott (no. 2) (possibly by Andreas Armsdorf) |
| 227 | 52 | 63? | 66 | Kommt her zu mir, spricht Gottes Sohn (no. 1) |
| 228* | - | 63? | - | Kommt her zu mir, spricht Gottes Sohn (no. 2) |
| 231* | - | 64 | - | Kyrie eleison |
| 232* | - | 65 | - | Kyrie, Gott, heiliger Geist |
| 233* | - | 66 | - | Kyrie, Gott Vater in Ewigkeit |
| 235* | - | 67 | - | Lob sei dem allmächtigen Gott |
| 236 | 53 | 68 | 67 | Lob sei Gott in des Himmels Thron (no. 1) |
| 237* | - | 68? | - | Lob sei Gott in des Himmels Thron (no. 2) |
| 239* | - | 69 | - | Lobt Gott, ihr Christen allzugleich |
| 241* | 54 | 70? | 68 | Mag ich Unglück nicht widerstahn (possibly by Johann Michael Bach) |
| 361* | - | 71 | - | Mein' Seel', o Gott, muss loben dich |
| 362 | 55 | 72/319 | 69 | Meine Seele erhebt den Herren (no. 1) [Magnificat peregrini toni] |
| 363 | 56 | 363 | 70 | Meine Seele erhebt den Herren (no. 2) [alio modo] |
| 365* | - | 73 | - | Meinen Jesum lass ich nicht |
| 369* | - | 74 | - | Mit Fried' und Freud' ich fahr dahin |
| 380* | - | 75 | - | Nun bitten wir den heil'gen Geist Nun bitten wir den Heiligen Geist Nun bitten wir den Heiligen Geist is a chorale in four stanzas. The first stanza dates from the 13th century and alludes to the Latin sequence Veni Sancte Spiritus, three other stanzas were written by Martin Luther... (possibly by Johann Heinrich Buttstett) |
| 382* | 57 | 119 | 71 | Nun freut euch, lieben Christen g'mein (no. 1) |
| 383* | - | 76 | - | Nun freut euch, lieben Christen g'mein (no. 2) |
| 384 | - | - | - | Nun freut euch, lieben Christen g'mein (no. 3) |
| 385* | - | 77 | - | Nun jauchzet, all ihr Frommen |
| 386 | 58 | 78 | 72 | Nun komm' der Heiden Heiland (no. 1) |
| 387* | - | 78? | - | Nun komm' der Heiden Heiland (no. 2) |
| 388* | 59 | - | 73 | Nun lasst uns Gott, dem Herren (no. 1) (possibly by Johann Michael Bach) |
| 389* | - | 79/120? | - | Nun lasst uns Gott, dem Herren (no. 2) |
| 393 | 60 | 81 | 75 | O Lamm Gottes unschuldig (no. 1) |
| 394* | - | 82 | - | O Lamm Gottes unschuldig (no. 2) |
| 396* | 61 | 83 | 76 | O Mensch bewein dein Sünde gross (no. 1) |
| 397* | - | 83? | - | O Mensch bewein dein Sünde gross (no. 2) |
| 398* | - | 84 | - | O Traurigkeit, o Herzeleid |
| 405* | - | - | - | Preis, Lob, und Herrlichkeit |
| 422* | - | 85 | - | Schaffe in mir, Gott, ein reines Herz |
| 423* | - | 86 | - | Sei gegrüsset Jesu gütig |
| 475 | 62 | 87 | 78 | Vater unser im Himmelreich (no. 2) |
| 476* | - | - | - | Vater unser im Himmelreich (no. 3) |
| 478 | 63 | 88 | 80 | Vom Himmel hoch, da komm' ich her (no. 2) |
| 479* | - | 88? | - | Vom Himmel hoch, da komm' ich her (no. 3) |
| 480* | - | 89 | - | Vom Himmel kam ein Engelschar |
| 481* | - | 90 | - | Von Gott will ich nicht lassen |
| 482* | - | 91 | - | Wär Gott nicht mit uns diese Zeit |
| 483 | 64 | 92 | 81 | Warum betrübst du dich, mein Herz (no. 1) |
| 484 | 65 | 93 | 82 | Warum betrübst du dich, mein Herz (no. 2) |
| 485* | - | 92? | - | Warum betrübst du dich, mein Herz (no. 3) |
| 488 | 66? | 94/121? | 83? | Was mein Gott will, das geschah' allzeit (no. 1) |
| 489 | 67? | 94/121? | 84? | Was mein Gott will, das geschah' allzeit (no. 2) |
| 490* | - | 94/121? | - | Was mein Gott will, das geschah' allzeit (no. 3) |
| 491 | 68? | 95? | 85? | Wenn mein Stündlein vorhanden ist (no. 1) |
| 492* | 68? | 95? | 85? | Wenn mein Stündlein vorhanden ist (no. 2) |
| 493* | - | 96 | - | Wenn meine Sünd' mich kranken |
| 494 | 70 | 97? | 87 | Wenn wir in höchsten Nöten sein (no. 1) |
| 495 | 69 | 97? | 86 | Wenn wir in höchsten Nöten sein (no. 2) |
| 497* | - | 98/9? | - | Wer Gott vertraut |
| 498bis* | - | 100 | - | Werde munter, meine Gemüte |
| 501 | - | - | - | Wie schön leuchtet der Morgenstern (no. 2) |
| 502* | - | - | - | Wie schön leuchtet der Morgenstern (no. 3) |
| 502bis* | - | - | - | Wie schön leuchtet der Morgenstern (no. 4) (broadly accepted as being by Johann Sebastian Bach, BWV 739) |
| 503 | - | 101? | - | Wir danken dir, Herr Jesu Christ (no. 1) |
| 504* | - | 101? | - | Wir danken dir, Herr Jesu Christ (no. 2) (apparently lost, only incipit survives) |
| 505* | - | 102 | - | Wir glauben all' an einen Gott (no. 2) |
| 506* | - | - | - | Wir glauben all' an einen Gott (no. 3) |
| 507 | 71 | 103 | 90 | Wo Gott der Herr nicht bei uns hält (no. 1) |
| 508* | 72 | 104? | 91 | Wo Gott der Herr nicht bei uns hält (no. 2) (possibly by Johann Michael Bach) |
| 509 | 73 | 104? | 82 | Wo Gott der Herr nicht bei uns hält (no. 3) |
| 510* | - | 122? | - | Wo Gott der Herr nicht bei uns hält (no. 4) |
| 511 | 74 | - | 93 | Wo Gott der Herr nicht gibt sein' Gunst (no. 1) |
| 512 | 75 | 105 | 94 | Wo Gott der Herr nicht gibt sein' Gunst (no. 2) |
| 513* | - | 105? | - | Wo Gott der Herr nicht gibt sein' Gunst (no. 3) |
| 514* | - | 106 | - | Wo soll ich fliehen hin (possibly by Andreas Armsdorf) |
Chorale variations
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Musicalische Sterbens-Gedancken Musicalische Sterbens-Gedancken Musicalische Sterbens-Gedanken is a collection of keyboard music by Johann Pachelbel. It was first published in 1683 and contains four sets of chorale variations.-General information:... (1683) |
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| 376 | 81 | 123 | 101 | Christus, der ist mein Leben (12 variations) |
| 377a | 82 | 124 | 102 | Alle Menschen müssen sterben (8 variations) |
| 377b | - | - | - | Alle Menschen müssen sterben (5 variations), arrangement by Johann Gottfried Walther Johann Gottfried Walther Johann Gottfried Walther was a German music theorist, organist, composer, and lexicographer of the Baroque era.Walther was born at Erfurt... |
| 378 | 83 | 125 | 103 | Herzlich tut mich verlangen (7 variations) |
| 379 | 84 | 126 | 104 | Was Gott tut, das ist wohlgetan (9 variations) |
| 7a | 85 | 127 | 105 | Ach, was soll ich Sünder machen [theme and 6 variations] |
| 7b | - | - | - | Ach, was soll ich Sünder machen (arrangement by Johann Gottfried Walther) |
| 129 | 87 | 129? | 107 | Freu dich sehr, o meine Seele |
| 498 | 86 | 130 | 106 | Werde munter, mein Gemüte (chorale and 4 partitas) |
Magnificat fugues
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Magnificat Fugues primi toni (mode I) | ||||
| 257 | 101 | 227 | 151 | Magnificat fugue primi toni No. 1 (D minor) |
| 258 | 102 | 228 | 152 | Magnificat fugue primi toni No. 2 (D minor) |
| 259 | 103 | 229 | 153 | Magnificat fugue primi toni No. 3 (D minor) |
| 260 | 104 | 230 | 154 | Magnificat fugue primi toni No. 4 (D minor) |
| 261 | 105 | 259 | 155 | Magnificat fugue primi toni No. 5 (D minor) |
| 262 | 106 | 260 | 156 | Magnificat fugue primi toni No. 6 (D minor) |
| 263 | 107 | 261 | 157 | Magnificat fugue primi toni No. 7 (D minor) |
| 264 | 108 | 262 | 158 | Magnificat fugue primi toni No. 8 (D minor) |
| 265 | 109 | - | 159 | Magnificat fugue primi toni No. 9 (D minor) |
| 266 | 110 | 291 | 160 | Magnificat fugue primi toni No. 10 (D minor) |
| 267 | 111 | 292 | 161 | Magnificat fugue primi toni No. 11 (D minor) |
| 268 | 112 | 293 | 162 | Magnificat fugue primi toni No. 12 (D minor) |
| 269 | 113 | 294 | 163 | Magnificat fugue primi toni No. 13 (D minor) |
| 270 | 114 | 295 | 164 | Magnificat fugue primi toni No. 14 (D minor) |
| 271 | 115 | 296 | 165 | Magnificat fugue primi toni No. 15 (D minor) |
| 272 | 116 | 297 | 166 | Magnificat fugue primi toni No. 16 (D minor) |
| 273 | 117 | 298 | 167 | Magnificat fugue primi toni No. 17 (D minor) |
| 274 | 118 | 299 | 168 | Magnificat fugue primi toni No. 18 (D minor) |
| 275 | 119 | - | 169 | Magnificat fugue primi toni No. 19 (D minor) |
| 276 | 120 | 300 | 170 | Magnificat fugue primi toni No. 20 (D minor) |
| 277 | 121 | - | 171 | Magnificat fugue primi toni No. 21 (D minor) |
| 278 | 122 | - | 172 | Magnificat fugue primi toni No. 22 (D minor) |
| 279 | 123 | - | 173 | Magnificat fugue primi toni No. 23 (D minor) |
| 280 | - | 325 | - | Magnificat fugue primi toni No. 24 (D minor) |
| 281* | - | - | - | Magnificat fugue primi toni No. 25 (D minor) |
| 282 | - | - | - | Magnificat fugue primi toni No. 26 (D minor) |
| 283 | - | - | - | Magnificat fugue primi toni No. 27 (D minor) |
| Magnificat Fugues secundi toni (mode II) | ||||
| 284 | 124 | 231 | 174 | Magnificat fugue secundi toni No. 1 (G minor) |
| 285 | 125 | 232 | 175 | Magnificat fugue secundi toni No. 2 (G minor) |
| 286 | 126 | 233 | 176 | Magnificat fugue secundi toni No. 3 (G minor) |
| 287 | 127 | 234 | 177 | Magnificat fugue secundi toni No. 4 (G minor) |
| 288 | 128 | 263 | 178 | Magnificat fugue secundi toni No. 5 (G minor) |
| 289 | 129 | 264 | 179 | Magnificat fugue secundi toni No. 6 (G minor) |
| 290 | 130 | 265 | 180 | Magnificat fugue secundi toni No. 7 (G minor) |
| 291 | 131 | 266 | 181 | Magnificat fugue secundi toni No. 8 (G minor) |
| 292 | 132 | 301 | 182 | Magnificat fugue secundi toni No. 9 (G minor) |
| 293 | 133 | 302 | 183 | Magnificat fugue secundi toni No. 10 (G minor) |
| Magnificat Fugues tertii toni (mode III) | ||||
| 294 | 134 | 235 | 184 | Magnificat fugue tertii toni No. 1 (C major) |
| 295 | 135 | 236 | 185 | Magnificat fugue tertii toni No. 2 (C major) |
| 296 | 136 | 237 | 186 | Magnificat fugue tertii toni No. 3 (C major) |
| 297 | 137 | 238 | 187 | Magnificat fugue tertii toni No. 4 (G major) |
| 298 | 138 | 267 | 188 | Magnificat fugue tertii toni No. 5 (G major) |
| 299 | 139 | 268 | 189 | Magnificat fugue tertii toni No. 6 (G major) |
| 300 | 140 | 269 | 190 | Magnificat fugue tertii toni No. 7 (G major) |
| 301 | 141 | 270 | 191 | Magnificat fugue tertii toni No. 8 (G major) |
| 302 | 142 | 303 | 192 | Magnificat fugue tertii toni No. 9 (C major) |
| 303 | 143 | 304 | 193 | Magnificat fugue tertii toni No. 10 (C major) |
| 304 | 144 | 305 | 194 | Magnificat fugue tertii toni No. 11 (C major) |
| 305 | - | - | - | Magnificat fugue tertii toni No. 12 (G major; only the incipit is preserved; not a fugue) |
| Magnificat Fugues quarti toni (mode IV) | ||||
| 306 | 145 | 239 | 195 | Magnificat fugue quarti toni No. 1 (A minor) |
| 307 | 146 | 240 | 196 | Magnificat fugue quarti toni No. 2 (E minor) |
| 308 | 147 | 241 | 197 | Magnificat fugue quarti toni No. 3 (A minor) |
| 309 | 148 | 242 | 198 | Magnificat fugue quarti toni No. 4 (A minor) |
| 310 | 149 | 271 | 199 | Magnificat fugue quarti toni No. 5 (A minor) |
| 311 | 150 | 272 | 200 | Magnificat fugue quarti toni No. 6 (A minor) |
| 312 | 151 | 273 | 201 | Magnificat fugue quarti toni No. 7 (E minor) |
| 313 | 152 | 274 | 202 | Magnificat fugue quarti toni No. 8 (A minor) |
| Magnificat Fugues quinti toni (mode V) | ||||
| 314 | 153 | 243 | 203 | Magnificat fugue quinti toni No. 1 (F major) |
| 315 | 154 | 244 | 204 | Magnificat fugue quinti toni No. 2 (F major) |
| 316 | 155 | 245 | 205 | Magnificat fugue quinti toni No. 3 (F major) |
| 317 | 156 | 246 | 206 | Magnificat fugue quinti toni No. 4 (F major) |
| 318 | 157 | 275 | 207 | Magnificat fugue quinti toni No. 5 (F major) |
| 319 | 158 | 276 | 208 | Magnificat fugue quinti toni No. 6 (B-flat major) |
| 320 | 159 | 277 | 209 | Magnificat fugue quinti toni No. 7 (B-flat major) |
| 321 | 160 | 278 | 210 | Magnificat fugue quinti toni No. 8 (F major) |
| 322 | 161 | 306 | 211 | Magnificat fugue quinti toni No. 9 (F major) |
| 323 | 162 | 307 | 212 | Magnificat fugue quinti toni No. 10 (F major) |
| 324 | 163 | 308 | 213 | Magnificat fugue quinti toni No. 11 (F major) |
| 325 | 164 | 309 | 214 | Magnificat fugue quinti toni No. 12 (F major) |
| Magnificat Fugues sexti toni (mode VI) | ||||
| 326 | 165 | 247 | 215 | Magnificat fugue sexti toni No. 1 (F major) |
| 327 | 166 | 248 | 216 | Magnificat fugue sexti toni No. 2 (F major) |
| 328 | 167 | 249 | 217 | Magnificat fugue sexti toni No. 3 (F major) |
| 329 | 168 | 250 | 218 | Magnificat fugue sexti toni No. 4 (F major) |
| 330 | 169 | 279 | 219 | Magnificat fugue sexti toni No. 5 (F major) |
| 331 | 170 | 280 | 220 | Magnificat fugue sexti toni No. 6 (F major) |
| 332 | 171 | 310 | 221 | Magnificat fugue sexti toni No. 7 (F major) |
| 333 | 172 | 311 | 222 | Magnificat fugue sexti toni No. 8 (F major) |
| 334 | 173 | 312 | 223 | Magnificat fugue sexti toni No. 9 (F major) |
| 335 | 174 | 313 | 224 | Magnificat fugue sexti toni No. 10 (F major) |
| Magnificat Fugues septimi toni (mode VII) | ||||
| 336 | 175 | 251 | 225 | Magnificat fugue septimi toni No. 1 (C minor) |
| 337 | 176 | 252 | 226 | Magnificat fugue septimi toni No. 2 (C minor) |
| 338 | 177 | 253 | 227 | Magnificat fugue septimi toni No. 3 (C minor) |
| 339 | 178 | 254 | 228 | Magnificat fugue septimi toni No. 4 (C minor) |
| 340 | 179 | 283 | 229 | Magnificat fugue septimi toni No. 5 (C minor) |
| 341 | 180 | 284 | 230 | Magnificat fugue septimi toni No. 6 (C minor) |
| 342 | 181 | 285 | 231 | Magnificat fugue septimi toni No. 7 (C minor) |
| 343 | 182 | 286 | 232 | Magnificat fugue septimi toni No. 8 (C minor) |
| Magnificat Fugues octavi toni (mode VIII) | ||||
| 344 | 183 | 255 | 233 | Magnificat fugue octavi toni No. 1 (G major) |
| 345 | 184 | 256 | 234 | Magnificat fugue octavi toni No. 2 (G major) |
| 346 | 185 | 257 | 235 | Magnificat fugue octavi toni No. 3 (G major) |
| 347 | 186 | 258 | 236 | Magnificat fugue octavi toni No. 4 (G major) |
| 348 | 187 | 287 | 237 | Magnificat fugue octavi toni No. 5 (G major) |
| 349 | 188 | 288 | 238 | Magnificat fugue octavi toni No. 6 (G major) |
| 350 | 189 | 289 | 239 | Magnificat fugue octavi toni No. 7 (G major) |
| 351 | 190 | 290 | 240 | Magnificat fugue octavi toni No. 8 (G major) |
| 352 | 191 | 314 | 241 | Magnificat fugue octavi toni No. 9 (G major) |
| 353 | 192 | 315 | 242 | Magnificat fugue octavi toni No. 10 (G major) |
| 354 | 193 | 316 | 243 | Magnificat fugue octavi toni No. 11 (G major) |
| 355 | 194 | 317 | 244 | Magnificat fugue octavi toni No. 12 (G major) |
| 356 | 195 | 318 | 245 | Magnificat fugue octavi toni No. 13 (G major) |
| - | - | 319 | - | Magnificat fugue peregrini toni |
Chaconnes
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 38 | 201 | 144 | 11 | Chaconne in C major (25 variations) |
| 39 | 202 | 146 | 12 | Chaconne in D major (1) (16 variations) |
| 40 | 203 | 145 | 13 | Chaconne in D major (2) (13 variations) |
| 41 | 204 | 147 | 14 | Chaconne in D minor Chaconne in D minor (Pachelbel) Chaconne in D minor is an organ chaconne by Johann Pachelbel. It is one of the six surviving chaconnes by the composer, and one of his best known organ works.... (16 variations) |
| 42 | 205 | 148 | 15 | Chaconne in F major (33 variations) |
| 43 | 206 | 149 | 16 | Chaconne in F minor Chaconne in F minor (Pachelbel) Chaconne in F minor is an organ chaconne by Johann Pachelbel. One of the six surviving chaconnes by the composer, it is one of his best known organ works.... (22 variations) |
| 44* | - | - | - | Chaconne in A minor (incomplete, incipit only) |
Arias with variations
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Hexachordum Apollinis Hexachordum Apollinis Hexachordum Apollinis is a collection of keyboard music by Johann Pachelbel, published in 1699. It comprises six arias with variations, on original themes, and is generally regarded as one of the pinnacles of Pachelbel's oeuvre... (1699) |
||||
| 193 | 211 | 131 | 1 | Aria and 6 variations in D minor, Aria prima |
| 194 | 212 | 132 | 2 | Aria and 5 variations in E minor, Aria secunda |
| 195 | 213 | 133 | 3 | Aria and 6 variations in F major, Aria tertia |
| 196 | 214 | 134 | 4 | Aria and 6 variations in G minor, Aria quarta |
| 197 | 215 | 135 | 5 | Aria and 6 variations in A minor, Aria quinta |
| 198 | 216 | 136 | 6 | Aria and 8 variations in F minor, Aria sexta (Aria Sebaldina) |
| 21* | - | 137 | - | Aria and 3 variations in C minor (incomplete, aria alone survives) |
| 22 | 217 | 138 | 8 | Aria and 6 variations in D major |
| 24* | - | 139 | - | Aria and 7 variations in G major (incomplete, aria alone survives) |
| 25 | 218 | 148 | 9 | Aria and 3 variations in A major |
| 26 | 219? | 140? | 10? | Aria and 4 variations in A minor |
| 27 | 219? | 141? | 10? | Aria and 6 variations in A minor |
| 29 | 220 | 143 | 7 | Arietta and 9 variations in F major |
Preludes
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 401* | - | - | - | Preamble in C major |
| 402* | - | - | - | Preamble in E minor |
| 402bis* | - | - | - | Preamble in E minor [no. 2] |
| 403* | - | - | - | Preamble in F major |
| 403bis* | - | - | - | Preamble in F major |
| 404* | - | - | - | Preamble in A minor |
| 406 | 221 | 153/154 | 250 | Prelude in D minor (no. 1) |
| 407 | 222 | 153 | 256 | Prelude in D minor (no. 2) |
| 408 | 223 | 155 | 251 | Prelude in E flat major |
| 409 | 224 | 156/157 | 252 | Prelude in G major |
| 410 | 225 | 158 | 253 | Prelude in G minor |
| 411 | 226 | 159 | 254 | Prelude in A major |
| 412 | 227 | 160 | 255 | Prelude in A minor |
| 412bis* | - | 160? | - | Prelude in A minor [no. 2] |
Preludes and fugues
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 413 | - | 152 | - | Prelude and Fugue in C major |
| 414* | - | 326 | - | Prelude and Fugue in C minor |
| 414bis* | - | - | - | Prelude and Fugue in D major |
| 415 | - | - | - | Prelude and Fugue in D minor |
| 416 | 228 | 156 | - | Prelude and Fugue in E minor (no. 1) |
| 417 | - | 214 (fugue) | - | Prelude and Fugue in E minor (no. 2) (the prelude is a transposition of P406) |
Toccatas
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 454 | 231 | 162 | 270 | Toccata in C major (no. 1) |
| 455 | 232 | 163 | 273 | Toccata in C major (no. 2) |
| 456 | 233 | 164 | 274 | Toccata in C major (no. 3) |
| 457 | 234 | 165 | 278 | Toccata in C major (no. 4) |
| 458 | 235 | 166 | 285 | Toccata in C major (no. 5) |
| 459 | 236 | 167 | 279 | Toccata in C minor |
| 460 | 237 | 168 | 272 | Toccata in D major (key erroneously listed in PC as D minor) |
| 461 | 238 | 169 | 271 | Toccata in D minor |
| 462 | 240 | 171 | 281 | Toccata in E minor |
| 463 | 242 | 172/173 | 282 | Toccata in F major (no. 1) |
| 464 | 241 | 172/173 | 276 | Toccata in F major (no. 2) |
| 464bis* | - | - | - | Toccata in G major (broadly accepted as being by Wilhelm Hieronymus Pachelbel Wilhelm Hieronymus Pachelbel Wilhelm Hieronymus Pachelbel was a German composer and organist, elder son of Johann Pachelbel.Born in Erfurt near Eisenach , Pachelbel studied with his father. The first printed reference to either Pachelbel is in Johann Mattheson's Ehrenpforte... ) |
| 465 | 243 | 174 | 277 | Toccata in G minor (no. 1) |
| 466 | 244 | 175 | 280 | Toccata in G minor (no. 2) |
| 467 | 245 | 176 | 283 | Toccata in G minor (no. 3) |
| 468 | 246 | 177 | 284 | Toccata in G minor (no. 4) |
| 471 | - | - | - | Toccatina in D minor |
| 472 | - | - | - | Toccatina in G major |
| 473 | - | - | - | Toccatina in G minor |
Toccatas and fugues
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 469 | 239 | 170 | 275 | Toccata and Fugue in D minor |
| 470 | 247 | 178 | 286 | Toccata and Fugue in B flat major |
Fantasias
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 123 | 251 | 179 | 110 | Fantasia in C major |
| 124 | 253 | 181 | 112 | Fantasia in D minor (no. 1) |
| 125 | 252 | 180 | 111 | Fantasia in D minor (no. 2) |
| 125bis* | - | - | - | Fantasia in D minor (no. 3) |
| 126 | 256 | 184 | 115 | Fantasia in A minor |
| 127 | 254 | 182 | 113 | Fantasia in E flat major |
| 128 | 255 | 183 | 114 | Fantasia in G minor |
| - | - | - | - | Fantasia |
| - | - | - | - | Fantasia |
Fugues
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 131 | 261 | 186 | 122 | Fugue in C major (no. 1) |
| 132 | 272 | - | 143 | Fugue in C major (no. 2) |
| 133 | 275 | 199 | 144 | Fugue in D major (no. 1) |
| 134* | - | - | - | Fugue in D major (no. 2) |
| 135 | 277 | 214? | 123 | Fugue in E minor (no. 1) |
| 136* | - | - | - | Fugue in E minor (no. 2) |
| 137 | 281 | 217? | 145 | Fugue in G major |
| 138* | - | - | - | Fugue in G minor |
| 139 | 283 | 222 | 120 | Fugue in A major |
| 140* | - | - | - | Fugue in A minor |
| 141 | 286 | 225 | 121 | Fugue in B minor |
| 142 | 262 | 188 | 124 | Fugue in C major (no. 1) |
| 143 | 263 | 189 | 125 | Fugue in C major (no. 2, bicinium) |
| 144 | 264 | 190 | 126 | Fugue in C major (no. 3, bicinium) |
| 145 | 267 | 191 | 129 | Fugue in C major (no. 4) |
| 146 | 268 | 192 | 130 | Fugue in C major (no. 5) |
| 147 | 271 | 193 | 137 | Fugue in C major (no. 6) |
| 148 | 265 | 194 | 127 | Fugue in C major (no. 7) |
| 149 | 266 | 195 | 128 | Fugue in C major (no. 8) |
| 150 | 269 | 196 | 131 | Fugue in C major (no. 9) |
| 151 | 270 | 197 | 132 | Fugue in C major (no. 10) |
| 152 | 273 | 198 | 133 | Fugue in C minor |
| 153 | 274 | 200 | 134 | Fugue in D major (no. 1) |
| 153bis | - | - | - | Fugue in D major (no. 2) |
| 154 | 276 | 202 | 141 | Fugue in D minor (no. 1) |
| 155* | - | - | - | Fugue in D minor (no. 2) |
| 155bis | - | - | - | Fugue in D minor (no. 3) |
| 156 | 278 | 156 | 135 | Fugue in F major (no. 1) |
| 156bis | - | - | - | Fugue in F major (no. 2) |
| 157* | - | - | - | Fugue in F minor (identical to P268(1) Magnificat Fugue primi toni No. 12, transposed) |
| 158 | 279 | 218 | 136 | Fugue in G major (no. 1) |
| 159 | 280 | 219 | 142 | Fugue in G major (no. 2) |
| 160 | 282 | 160 | 138 | Fugue in G minor |
| 161 | - | 220 | - | Fugue in A major |
| 162 | 284 | 162 | 139 | Fugue in A minor (no. 1) |
| 163 | 285 | 224 | 140 | Fugue in A minor (no. 2) |
Ricercars
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 418 | 291 | 320/321 | 261 | Ricercare in C major |
| 419 | 292 | 322 | 262 | Ricercare in C minor |
| 420* | - | - | - | Ricercare in D major |
| 421 | 293 | 320 | 261 | Ricercare in F-sharp minor |
Other keyboard music
| P | T | PC | Composition |
|---|---|---|---|
| 164* | - | - | Gavotte in F major |
| 234bis | - | - | Lied in G minor |
| 366 | - | - | Minuet in D minor |
| 367* | - | 346? | Minuet in G major (no. 1) |
| 368* | - | 346? | Minuet in G major (no. 2) |
| 421bis* | - | 347 | Sarabande in G minor |
| 428* | 301 | 327 | Suite in C major (No. 25 in Max Seiffert's catalogue) |
| 429* | 302 | 328 | Suite in C minor (incomplete; 2 mvts. only) |
| 430* | 303 | 329 | Suite in C-sharp minor |
| 431* | 304 | 330 | Suite in D major |
| 432* | 305 | 331 | Suite in D minor (No. 26 in Max Seiffert's catalogue) |
| 433* | 306 | 332 | Suite in E-flat major |
| 434* | 307 | 333 | Suite in E major |
| 435* | 308 | 334 | Suite in E minor (no. 1) (No. 28 in Max Seiffert's catalogue) |
| 436 | 309 | 335 | Suite in E minor (no. 2) (No. 29 in Max Seiffert's catalogue) |
| 437* | 311 | 337a? | Suite in F major (no. 1) (apparently incomplete; 3 mvts. only; No. 32 in Max Seiffert's catalogue) |
| 438 | 310 | 336? | Suite in F major (no. 2) |
| 439* | 312 | 338 | Suite in F-sharp minor |
| 440* | 313? | 339? | Suite in G major (no. 1) (No. 34? in Max Seiffert's catalogue) |
| 441* | 314? | 339? | Suite in G major (no. 2) |
| 442* | 315 | 340a | Suite in G minor (no. 1) (No. 33 in Max Seiffert's catalogue) |
| 443 | 316 | 340b | Suite in G minor (no. 2) (No. 33 in Max Seiffert's catalogue) |
| 444 | 317 | 341 | Suite in A-flat major |
| 445* | 318 | 342 | Suite in A major (No. 36 in Max Seiffert's catalogue) |
| 446* | 319 | 343 | Suite in A minor |
| 447* | 320 | 344 | Suite in B-flat major |
| 448* | 321 | 345 | Suite in B minor |
Chamber music
| P | T | PC | Composition | |
|---|---|---|---|---|
| Musicalische Ergötzung Musicalische Ergötzung Musicalische Ergötzung is a collection of chamber music by Johann Pachelbel. Published during his lifetime, it contains six suites for two violins and basso continuo.... (1691) |
||||
| 370a | 331 | 348 | Suite in F major, 2vn, b.c. | |
| 371 | 332 | 349 | Suite in C minor, 2vn, b.c. | |
| 372 | 333 | 350 | Suite in E-flat major, 2vn, b.c. | |
| 373 | 334 | 351 | Suite in E minor, 2vn, b.c. | |
| 374 | 335 | 352 | Suite in C major, 2vn, b.c. | |
| 375 | 336 | 353 | Suite in B-flat major, 2vn, b.c. | |
| 28 | 341 | - | Aria with 9 variations in A major, vn, 2vg | |
| 37 | 337 | 358 | Canon and gigue in D major, 3vn, b.c. | |
| 427* | - | 359 | Sonata in G major, vn, k.i. | |
| 449 | 340 | 354 | Suite in F-sharp minor, vn, 2va, b.c. | |
| 450 | 339 | 355b? | Suite in G major (no. 1), vn, 2va, vle (Perrault writes: The lack of figuration for the lower part means that it was not a b.c., so that this work may well count as the first true string quartet, at least within the Germanophone domain.) | |
| 451 | 338 | 355a? | Suite in G major (no. 2), 2vn, 2va, b.c. | |
| 453 | - | - | Suite [tonality unspecified], vn, 2va, k.i.(b.c.?) | |
Arias
| P | T | PC | Composition |
|---|---|---|---|
| 32 | 431 | 360 | Auf, werte Gäst, for soprano or tenor, 2vn, b.c. (1 strophe) |
| 33 | 432 | 361 | Augen, streuet Perlentränen, for alto, tenor, 4va, "va pro basso" (4 strophes) |
| 57* | - | - | Christ ist erstanden, for soprano, vn, b.c. (possibly by Achilles) |
| 74 | 433 | 367 | Das angenehmste Wetter, for tenor, 2vn |
| 75 | 434 | 368 | Das Gewitter for tenor, 2vn, b.c. (6 strophes) |
| 76 | 435 | 369 | Das Jahr fängt an, for alto, 2vn, 2va, b.c. (4 strophes) |
| 86 | 436 | 363 | Der Widder Abrahams, for alto, tenor, 2vn, b.c. (5 strophes) |
| 100 | 437 | 370 | Die freuderfüllten Abendstunden, for soprano, 2vn, 2va, b.c. |
| 113 | 438 | 371 | Es muss die Sinne ja erfreuen, for tenor, 2vn, b.c. (7 strophes) |
| 165 | 439 | 372 | Geliebtes Vaterherz, for bass, 2vn, 2va, b.c./vle |
| 180 | 440 | 374 | Guter Walter unsers Rat, for tenor, 2vn, 2va, b.c. |
| 199 | 441 | 375 | Hör, grosser Mäcenat, for alto, 2vn, 2va, b.c. |
| 240 | 442 | 376 | Mäcenas lebet noch, for alto, 2vn, 2va, tr, b.c. (6 strophes) |
| 360 | 443 | 363 | Mein Leben, dessen Kreuz, for tenor, 2vn, 2va, "va pro basso", org (6 strophes) |
| 379bis* | - | - | Nisi Domin[us] aedificaverit, (?)aria, bass, (?)vn, b.c. |
| 391 | 444 | 377 | O grosses Musenlicht, for tenor, 2vn, 2vg, b.c. |
| 425 | 445 | 378 | So ist denn dies der Tag, aria and chorus for soprano, SSATB, 2vn, 3va, 4tr, timp, b.c. (8 strophes) |
| 426 | 446 | 379 | So ist denn nun die Treu, aria and chorus for 2 sopranos, SSATB, 2fl, 2vn, 3va, b.c. (9 strophes) |
| 476bis | - | - | Verzag [Vergess?] doch nicht, du armer Sünder, for tenor, vn, 4va, b.c. |
| 477 | 447 | 364 | Voller Wunder, voller Kunst, for soprano, alto, tenor, bass, b.c. |
| 500 | 448 | 380 | Wie nichtig, ach!, for tenor, 3va, b.c. |
| 515 | 449 | 365 | Wohl Euch, die ihr in Gott verliebt, for soprano, alto, tenor, bass, b.c. |
Motets
| P | T | PC | Composition |
|---|---|---|---|
| 77 | 351 | 382 | Der Herr ist König, darum toben die Völker, SATB, SATB, (?)b.c. |
| 78 | 352 | 383? | Der Herr ist König und herrlich geschmückt, SATB, SATB, b.c. |
| 79 | 353 | 383? | Der Herr ist König und herrlich geschmückt... Hallelluja, SSATB, b.c. |
| 122 | 354 | 388 | Exurgat Deus, SATB, SATB, b.c. |
| 175 | 355 | 384 | Gott ist unser Zuversicht und Stärcke, SATB, SATB, b.c. |
| 213 | 356 | - | Jauchzet dem Herrn, alle Welt, SATB, SATB, b.c. |
| 217 | 357 | - | Jauchzet Gott, alle Lande, SATB, SATB, b.c. |
| 381 | 358 | 385 | Nun danket alle Gott, SATB, SATB, b.c. |
| 400 | 359 | 389 | Paratum cor meum, SATB, SATB, b.c. |
| 424 | 360 | 386 | Singet dem Herrn ein neues Lied, SATB, SATB, b.c. |
| 474 | 361 | 387 | Tröste uns Gott, unser Heiland, SATB, SATB, b.c. |
Sacred concertos
| P | T | PC | Composition |
|---|---|---|---|
| 0* | - | - | Ach Gott, erhör mein Seufzen |
| 60 | 371 | 393 | Christ lag in Todesbanden, SATB, 2vn, 3va, fg, b.c. |
| 84 | 372 | 394 | Der Name des Herren sei gelobet, SAB, 2vn, [fg?], b.c. |
| 173* | - | 395 | Gott du Gott Israel, SSATB, 2vn, 2va, b.c. |
| 176 | 373 | - | Gott ist unser Zuversicht und Stärcke, SATB, 2vn, 3va, fg, b.c. |
| 177 | 374 | - | Gott sei uns gnädig, SSATB, 5tr, timp, 2vn, 4va, fg, b.c., org. |
| 215 | 376 | 395(2) | Jauchzet dem Herrn, alle Welt, in G major, SSATB, 2ob, 2vn, 3va, fg/vle, b.c. |
| 216 | 375 | 411 | Jauchzet dem Herrn, alle Welt, in D major, SSATB, 4tr, timp, 2vn, 3va, fg, b.c. |
| 230 | 377 | - | Kommt her zu mir, spricht Gottes Sohn, SATB, 2 cornetti/clarini, 2vn, [va], b.c. |
| 238 | 378 | - | Lobet den Herrn in seinem Heiligtum, SSATB, 2fl/2ob, 5tr, tb, timp, cymbal, harp, fg, 2vn, 3va, b.c.(org.) |
| 359 | 380 | 396 | Mein Herr Jesu, dir leb ich, SATB, 3va, b.c. |
| 359bis* | - | - | Mein Herz ist bereit |
| 364 | 379 | 397 | Meine Sünden betrüben mich, SATB, ob, 4vg, fg/vle, b.c. |
| 487 | 381 | 399 | Was Gott tut, das ist wohlgetan, SATB, 2vn, 2va, fg, b.c. |
Masses
| P | T | PC | Composition |
|---|---|---|---|
| 357 | 386 | 408 | Mass in C major, SATB, 2clarini, 2vn, b.c. |
| 358 | 387 | 407 | Mass in D major "Missa Brevis", SATB, b.c. |
Ingressus
| P | T | PC | Composition |
|---|---|---|---|
| 87 | 391 | 421 | Deus in adjutorium meum intende Deus in adjutorium meum intende Deus in adjutorium meum intende, with the response: Domine ad adjuvandum me festina are versions of the first verse of Psalm 69... , SATB, 2vn, va, b.c., C major (no. 1) |
| 88 | 392 | 422 | Deus in adjutorium meum intende, SATB, 2vn, 3va, fg, b.c., C major (no. 2) |
| 89 | 393 | 423 | Deus in adjutorium meum intende, SSATB, 4tr, timp, 2vn, 3va, fg, b.c., org, C major (no. 3) |
| 90 | 394? | 424 | Deus in adjutorium meum intende, [SATB(?)solo], 2vn, va, b.c., D major (no. 1) |
| 91 | 395? | 425 | Deus in adjutorium meum intende, SATB, 2vn, 3va, fg, b.c., D major (no. 2) |
| 92 | 396 | 426 | Deus in adjutorium meum intende, SSATB, 2vn, 3va, b.c., D minor (key erroneously listed in PC as D major) |
| 93 | 397 | 427 | Deus in adjutorium meum intende, SSATB, 2vn, 4va, fg, b.c., F major |
| 94 | 398 | 430 | Deus in adjutorium meum intende, SATB, 2vn, 3va (ad lib.), b.c., G major |
| 95 | 399? | 428? | Deus in adjutorium meum intende, SATB, 2vn, fg, b.c., G minor (no. 1) |
| 96 | 400? | 429? | Deus in adjutorium meum intende, SSATB, 2vn, va, 2vg, fg, b.c., G minor (no. 2) |
| 97 | 401 | 432 | Deus in adjutorium meum intende, SSATB, 2vn, 3va, fg, b.c., A major |
| 98 | 402 | 431 | Deus in adjutorium meum intende, SSATB, 2vn, 3va, fg, b.c., A minor |
Magnificats
| P | T | PC | Composition |
|---|---|---|---|
| 242 | 413 | 433 | Magnificat in C major (no. 1), SATB, 2tr, 2vn, 2va, b.c. |
| 243 | 411 | 434 | Magnificat in C major (no. 2), SSATB, 2ob, 2vn, 3va, fg, b.c. |
| 244 | 412? | 435? | Magnificat in C major (no. 3), SSATB, 4tr, timp, 2vn, va, 2vg, fg, b.c. |
| 245 | 414? | 436? | Magnificat in C major (no. 4), SSATB, 4tr, timp, 2vn, va, vg, fg, b.c. |
| 246 | 417 | 437 | Magnificat in D major (no. 1), SATB, 4va (ad libitum), b.c. |
| 247 | 415 | 438 | Magnificat in D major (no. 2), SSATB, 2cornetti, 2ob, 2vn, 3va, fg, "con Organo" |
| 248 | 416 | 439 | Magnificat in D major (no. 3), [chor.I]SSATB, 2vn, 3va, fg, b.c., [chor.II]SSATB, 2vn, 3va, fg, b.c. |
| 250 | 418 | 440 | Magnificat in E-flat major, SATB, 2vn, 3va, fg, b.c., org |
| 251 | 419 | 441 | Magnificat in F major (no. 1), SATB, 2vn, fg, b.c. |
| 252 | 420 | 442 | Magnificat in F major (no. 2), SSATB, 2vn, b.c. |
| 253 | 421 | 444 | Magnificat in G major, SATB, 2vn, b.c. |
| 254 | 422 | 443 | Magnificat in G minor, SATB, b.c. |
| 255 | 423 | 445 | Magnificat in B-flat major, SSATB, 2ob, 2vn, 3va, fg, b.c./org |
Chorale preludes
| P | Composition |
|---|---|
| 2bis*! | Ach Gott, vom Himmel sieh darein (no. 3) |
| 19! | An Wasserflüssen Babylon (no. 3) |
| 68! | Christum wir sollen loben schon |
| 72! | Danket dem Herrn, denn er ist sehr freundlich |
| 168! | Gläubiges Herz, freue, chorale-prelude |
| 207! | Ich weiss dass mein Erlöser lebt |
| 221! | Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt (no. 2) |
| 224! | Komm Gott Schöpfer, heiliger Geist |
| 390! | Nun lob' mein Seel' den Herren |
| 392! | O Herre Gott, dein göttlich Wort |
| 395! | O Lamm Gottes unschuldig (no. 3) |
| 499! | Wie nach einer Wasserquelle |
Chorale variations
| P | Composition |
|---|---|
| 217bis!* | Jesu meine Freude |
Chamber music
| P | Composition |
|---|---|
| 370b! | Suite in D major (first suite of Musicalische Ergötzung transposed from F major) |
| 452! | Suite [2vn, 2va, vc, b.c.], G major (no. 3) |
| 516! | Zwillingspartita, 2vn, D major |
Vocal music
| P | Composition |
|---|---|
| 6! | Ach Herr, straff mich nicht, (?)aria, voice, 3 instruments |
| 56! | Christ ist erstanden, (?)aria, voice, "instruments" (no. 1) |
| 102! | Dixit Dominus, (?)motet, "4 vv, 5 insts" |
| 185bis! | Herr Gott, dich loben wir, (?)motet, (?)SATB, SATB |
| 187! | Herr hebe an zu segnen, motet/sacred concerto(?), SSATB, 5va, fg |
| 190! | Herr, wenn deine Wort nicht wäre, (?)motet, "a 5" |
| 200! | Ich bin die Auferstehung, (?)motet |
| 201! | Ich fahr dahin mit Freuden, (?)aria, voice, "5 insts" |
| 204! | Ich kann nicht mehr, (?)aria, "2 vv, 4 insts" |
| 208!* | Ich will den Herrn loben allezeit, (?)motet |
| 212!* | In nomine Jesu, (?)motet |
| 214! | Jauchzet dem Herren, alle Welt, (?)motet, "a 13" |
| 229! | Kommt her zu mir, spricht Gottes Sohn, (?)motet, "a 13" |
| 234! | Laetatus sum, sacred concerto, SSATB, trombetta, 2 cornetti, trombone, 2vn, 2va, fg, org (only instrumental parts survive) |
| 249! | Magnificat, D major (no. 4), "a 13" |
| 256! | Magnificat, [key unknown], "a 13" |
| 486!* | Was Gott tut, das ist wohlgetan, (?)motet, "a 9", SATB, SATB, b.c. |
| 496! | Wenn wir in höchsten Nöten sein, (?)sacred concerto, "a 10. 4 Viol. SATB" |
Miscellany
| P | Composition | Description |
|---|---|---|
| 23 | [deleted] | |
| 53!-54! | "Zwei Chörichte Sonaten, in specie dessen Serenata" | Sonatas for choir and ensemble ("serenades"?). They were mentioned by Johann Heinrich Buttstett Johann Heinrich Buttstett Johann Heinrich Buttstett was a German Baroque organist and composer... in his 1716 treatise Ut, mi, sol, re, fa, la, tota musica et harmonia aeterna, along with Johann Michael Bach Johann Michael Bach Johann Michael Bach was a German composer of the Baroque period. He was the brother of Johann Christoph Bach, as well as father-in-law of Johann Sebastian Bach... 's Revange, as examples of highly refined music. Neither Pachelbel's nor J.M. Bach's works survive. |
| 99 | Deutlich Anweisung. Wie man durchs ganze Jahr bey wehrenden Gottesdienst, so wohl in den Vespern als Tagambt, bey S. Sebald m. der Orgel zu intonieren und zu respondiren sich zu verhalten habe. | A set of liturgical instructions for organists of St. Sebaldus Church St. Sebaldus Church St. Sebaldus Church is a medieval church in Nuremberg, Germany. Along with Frauenkirche and St. Lorenz, it is one of the most important churches of the city, and also one of the oldest. It is located at the Albrecht-Dürer-Platz, in front of the old city hall... . |
| 130 | Fugen und Praeambuln über die gewöhnlichsten Tonos figuratos | "Fugues and Preludes in all church modes", a collection announced in 1704 book fair catalogues. It was to be published in 1705, however, no trace of it remains. Welter identifies this with a manuscript chorale collection, the so-called Weimar Tabulaturbuch. |
| 399 | [deleted] |
External links
- Johann Pachelbel: a comprehensive list of his works, includes easy-to find concordance between the different numbering systems of his works, and also editions