This is a thematic list of paraphrases and arranged works by Franz Liszt

Franz Liszt

Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...

, based on the catalogue of Humphrey Searle

Humphrey Searle

Humphrey Searle was a British composer.-Biography:He was born in Oxford where he was a classics scholar before studying — somewhat hesitantly — with John Ireland at the Royal College of Music in London, after which he went to Vienna on a six month scholarship to become a private pupil of Anton...

 – The Music of Liszt, 1966; and on the additions by Sharon Winklhofer and Leslie Howard

Leslie Howard (musician)

Leslie Howard AM is an Australian pianist and composer. He is best known for being the only pianist to have recorded the complete solo piano works of Franz Liszt, a project which included more than 300 premiere recordings...

.

This is the second half of the list, from S.351 to S.999, and spans paraphrases and arrangements; original works are covered in the first 350 entries.

Cornelius

• S.352, Second Overture to The Barber of Baghdad
  Der Barbier von Bagdad
  Der Barbier von Bagdad is a comic opera in two acts by Peter Cornelius to a German libretto by the composer, based on The Tale of the Tailor and The Barber’s Stories of his Six Brothers in A Thousand and One Nights...
  
  [completed from Cornelius's sketches] (1877)

Liszt

• S.354, Deux légendes (1863)
• S.355, Vexilla regis prodeunt (1864)
• S.356, Festvorspiel (1857)
• S.357, Huldigungsmarsch [first/second version] (1853, 1857)
• S.358, Vom Fels zum Meer. Deutscher Siegesmarsch (1860)
• S.359, 6 Rapsodies hongroises
  Hungarian Rhapsodies
  Hungarian Rhapsody redirects here. For the 1979 Hungarian film Hungarian Rhapsody . For the 1928 German film Ungarische Rhapsodie.The Hungarian Rhapsodies, S.244, R106, is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846-1853, and later in 1882 and 1885...
  
  (Hungarian Rhapsodies) (?)
• S.360, A la chapelle Sixtine (Liszt, Allegri & Mozart) [orchestral arrangement of S461, based on Mozart's Ave verum corpus
  Ave verum corpus (Mozart)
  Wolfgang Amadeus Mozart's Ave verum corpus in D major was written for Anton Stoll who was musical co-ordinator in the parish of Baden bei Wien, near Vienna. This setting of the Ave verum corpus text was composed to celebrate the feast of Corpus Christi and the autograph is dated 17 June 1791...
  
   and Allegri
  Gregorio Allegri
  Gregorio Allegri was an Italian composer of the Roman School and brother of Domenico Allegri; he was also a priest and a singer. He lived mainly in Rome, where he would later die.-Life:...
  
  's Misere
  Miserere (Allegri)
  Miserere, full name "Miserere mei, Deus" by Italian composer Gregorio Allegri, is a setting of Psalm 51 composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel during matins, as part of the exclusive Tenebrae service on Wednesday and Friday of Holy...
  
  ] (1862)
• S.361, Pio IX. Der Papsthymnus (ca. 1863)
• S.362, Benedictus and Offertorium from the Hungarian Coronation Mass [from S11] (1875)

Liszt

• S.365, Grand solo de concert
  Concerto pathetique
  The Concerto pathétique, written in 1865, , is Franz Liszt's most substantial and ambitious two-piano work . At least two piano concerto arrangements of the work by other composers have the same title....
  
  [prepared by Leslie Howard
  Leslie Howard (musician)
  Leslie Howard AM is an Australian pianist and composer. He is best known for being the only pianist to have recorded the complete solo piano works of Franz Liszt, a project which included more than 300 premiere recordings...
  
  ] (1850)
• S.365a, Concerto pathétique (No. 4) in E minor
  Concerto pathetique
  The Concerto pathétique, written in 1865, , is Franz Liszt's most substantial and ambitious two-piano work . At least two piano concerto arrangements of the work by other composers have the same title....
  
  [Liszt, Reuss version] (1885–86)
• S.365b, Hexaméron, Morceau de concert
  Hexameron (musical composition)
  Hexaméron, Morceau de concert, S.392, is a collaborative work for solo piano, consisting of six variations on a theme, along with an introduction, connecting interludes and a finale. The theme is the "March of the Puritans" from Vincenzo Bellini's opera I puritani...
  
  [orchestration completed by Leslie Howard] (ca. 1839)

Schubert

• S.366, Wanderer-Fantasie
  Wanderer Fantasy
  The Fantasie in C major, Op. 15 , popularly known as the Wanderer Fantasy, is a four-movement fantasy for solo piano composed by Franz Schubert in November 1822. It is considered Schubert's most technically demanding composition for the piano...
  
  (Fantasia in C major, Op. 15) (1851)

Weber

• S.367, Polonaise brillante, Op. 72 (1849)
• S.367a, Konzertstuck in Fm,Op.79

Liszt

• S.369, Die Lorelei (Heine) (1860)
• S.370, Mignons Lied (Kennst du das Land) (Goethe) (1860)
• S.371, Die Vätergruft (Uhland) (1886)
• S.372, Songs from Schillers Wilhelm Tell (ca. 1855)
• S.373, Jeanne d'Arc au bûcher (Dumas) [first/second version] (1858, 1874)
• S.374, Die drei Zigeuner (Lenau) (1860)

Liszt

• S.377a, La notte (Odes funèbre No. 2) (1864–66)
• S.378, Angelus! - Priere aux anges gardiens [first/second version] (1877, 1880)
• S.379, Rapsodie hongroise No. 9 (Pester Karneval) (?)
• S.379a, Rapsodie hongroise No. 12 (1850–59)
• S.379b, Puszta-Wehmut (A Puszta Keserve) (ca. 1871)
• S.380, O du mein holder Abendstern from Tannhäuser (Wagner) (1852)
• S.381, Benedictus and Offertorium from the Hungarian Coronation Mass [from S11] (1862)
• S.381a, Ungarns Gott. A magyarok Istene (Petófi) (1882)
• S.382, Die Zelle im Nonnenwerth (ca. 1880-86)
• S.383, Die drei Zigeuner (Lenau) (1864)

Alyabyev

Alexander Alyabyev

Alexander Aleksandrovich Alyabyev, also rendered as Alabiev or Alabieff was a Russian composer. He wrote seven operas, twenty musical comedies, more than 200 songs, and many other pieces. His most famous work is The Nightingale, a song based on a poem by Anton Delvig. It was composed while...

• S.384, Mazurka pour piano composée par un amateur de St. Petersbourg (1863)
• S.384a, Variations on Tiszántúli szép leány [anonymous, not by Liszt?] (1846)

Auber

• S.385, Grande Fantaisie sur la Tyrolienne de l'opéra La Fiancée [first/second/third version] (1829, 1835, 1842)
• S.385a, Tyrolean Melody (b. 1856)
• S.386, Tarantelle di bravura d'après la Tarantelle de La Muette de Portici [original/Sophie Menter version] (1846, 1869)
• S.387, Three Pieces on themes by Auber [with intro piece] (a. 1846)
• S.387a, Piece on an unknown theme (1847)

Beethoven

• S.388, Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes) (1846)
• S.388a, Marche turque des Ruines d'Athènes (1846)
• S.388b, Fantasie über Beethoven's Ruinen von Athen [first version] (1837)
• S.389, Fantasie über Beethoven's Ruinen von Athen [second version] (1852)
• S.389a, Cadenza to the first movement of Beethoven's Piano Concerto No. 3 (1879)

Bellini

• S.390, Réminiscences des Puritains [first/second version] (1836, 1837)
• S.391, I Puritani. Introduction and Polonaise (1840)
• S.392, Hexaméron, Morceau de Concert
  Hexameron (musical composition)
  Hexaméron, Morceau de concert, S.392, is a collaborative work for solo piano, consisting of six variations on a theme, along with an introduction, connecting interludes and a finale. The theme is the "March of the Puritans" from Vincenzo Bellini's opera I puritani...
  
  (1837)
• S.393, Fantaisie sur des motifs favoris de l'opéra La Sonnambula [first/second/third version] (1839, 1840–41, 1874)
• S.394, Réminiscences de Norma (1841–43)

Berlioz

• S.395, L'idée fixe: Andate amoroso [first/second version] (1833 or 1846?, 1865)
• S.396, Bénédiction et Serment de Benvenuto Cellini (1852)

Donizetti, Gaetano

• S.397, Réminiscences de Lucia di Lammermoor (1839)
• S.398, Marche funèbre et Cavatine de Lucie de Lammermoor (1839)
• S.399, Nuit d'Été à Pausilippe [3 pieces] (1839)
• S.399a, Lucrezia Borgia - Grande fantaisie [first version of S400ii] (1840)
• S.400, Réminiscences de Lucrezia Borgia [first/second version] 1840
• S.401, Valse a capriccio sur deux motifs de Lucrezia et Parisina [first version of S214/3] (1841)
• S.402, Marche funèbre de Dom Sébastien (1844)

Donizetti, Giuseppe

• S.403, Marche pour le Sultan Abdul Medjid-Khan [first/simplified version] (1847, 1848)

Festetics

• S.405a, Pásztor Lakodalmus Variations - Mélodies hongroises [elaboration by Liszt] (1858)

Glinka

• S.406, Tscherkessenmarsch from Ruslan i Lyudmila [first/second version] (1843, 1875)

Gounod

• S.407, Valse de l'opéra Faust (b. 1861)
• S.408, Les Sabéennes. Berceuse de l'opéra La Reine de Saba (1861)
• S.409, Les Adieux. Rêverie sur un motif de l'opéra Romeo et Juliette (1867)

Mendelssohn

• S.410, Hochzeitsmarsch und Elfenreigen aus dem Sommernachtstraum (1847–50)

Meyerbeer

• S.412, Réminiscences des Huguenots - Grande fantaisie dramatique [first/second version] (1836, 1842)
• S.412a, Réminiscences de Robert le Diable - Cavatine (1846?)
• S.413, Réminiscences de Robert le Diable - Valse infernale (1840)
• S.414, Illustrations du Prophète [4 pieces, 4th=S624] 1849-50
• S.415, Illustrations de l'Africaine [2 pieces] 1865
• S.416, Le Moine (1841)

Raff

• S.421, Andante Finale and March from the opera König Alfred [2 pieces] (1853)

Rossini

• S.421a, Introduction et variations from "Siège de Corinth" [introduction only] (1839?)
• S.422, Première grande fantaisie (Soirées musicales) [first/second version] (1836)
• S.422i, La serenate e l'orgia - Première grande fantaisie (Soirées musicales) [first version] (1836)
• S.423, Deuxième grande fantaisie (Soirées musicales) (1836)
• S.424, Soirées musicales [12 pieces] (1837)

Schubert

• S.425, Mélodies hongroises [3 pieces] (1839–40)
• S.425a, Mélodies hongroises [revised versions] (1846)
• S.426, Schubert's Marches [3 pieces] (1846)
• S.426a, Marche militaire
  Three Marches militaires (Schubert)
  The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano 4-hands by Franz Schubert.The first of the three is far more famous than the others...
  
  (ca. 1870)
• S.427, Soirées de Vienne [9 pieces] (1852)

Verdi

• S.431, Salve Maria de Jérusalem [first/second version] (1848, 1882)
• S.431a, Ernani - Première paraphrase de concert (1847)
• S.432, Ernani - Paraphrase de concert (No. 2) [first/second version] (b. 1849, 1860)
• S.433, Miserere du Trovatore (1860)
• S.434, Rigoletto Paraphrase de Concert (1859)
• S.435, Don Carlos Coro e Marcia funebre (1867–68)
• S.436, Aida Danza sacra e duetto finale (1877)
• S.437, Agnus Dei (from Requiem
  Requiem (Verdi)
  The Messa da Requiem by Giuseppe Verdi is a musical setting of the Roman Catholic funeral mass for four soloists, double choir and orchestra. It was composed in memory of Alessandro Manzoni, an Italian poet and novelist much admired by Verdi. The first performance in San Marco in Milan on 22 May...
  
  ; 1877)
• S.438, Réminiscences de Boccanegra (1882)

Wagner

• S.439, Phantasiestück über Motive aus Rienzi (1859)
• S.440, Spinnerlied aus Der fliegende Holländer (1860)
• S.441, Ballade aus Der fliegende Holländer (1872)
• S.442, Ouvertüre zu R. Wagners Tannhäuser (1848)
• S.443, Pilgerchor aus Tannhäuser [first/second version] (1861, 1885)
• S.444, O du mein holder Abendstern aus Tannhäuser (1848)
• S.445, Zwei stücke aus Tannhäuser und Lohengrin (1852)
• S.446, Aus Lohengrin [3 pieces] (1854)
• S.447, Isoldens Liebestod aus Tristan und Isolde [first/revised version] (1867, 1875)
• S.448, Am stillen Herd aus Die Meistersinger (1871)
• S.449, Walhall aus Der Ring des Nibelungen (1875)
• S.450, Feierlicher Marsch zum heiligen Graal aus Parsifal (1882)

Weber

• S.451, Freischütz-Fantasie (1840–41)
• S.452, Leyer und Schwert [4 pieces] (1848)
• S.453, Einsam bin ich, nicht alleine, from Preciosa (1848)
• S.454, Schlummerlied mit Arabesken (1848)
• S.455, Polonaise brillante (1851)

Unknown

• S.458, Fantasy on Il Giuramento (Mercadante) (1838?)
• S.460, Kavallerie-Geschwindmarsch [anonymous] (?)

Allegri and Mozart

• S.461, A la chapelle Sixtine [first/second version] (1862, ?)
• S.461a, Ave verum corpus, Kv618 (1862)

Bach

• S.462, Sechs Praeludien und Fugen für Orgel [6 pieces] (1850)
• S.463, Organ Fantasy and Fugue in G minor [first/second version] (1860, set for pianoforte 1869)

Beethoven

• S.463a, Symphonie No.5 [first version] (1837)
• S.463b, Symphonie No.6 [first version] (1837)
• S.463c, Symphonie No.6 [second version. Alternative 5th movement] (1863–64)
• S.463d, Symphonie No.7 [first version] (1837)
• S.463e, Marche funèbre [Beethoven's Eroica Symphony, first version] (1843)
• S.464, Symphonies de Beethoven [9 pieces] (1863–64)
• S.465, Grand Septuor, Op. 20 (1841)
• S.466, Adelaïde
  Adelaide (Beethoven)
  "Adelaïde" is a song for solo voice and piano by Ludwig van Beethoven. It was written in 1795/1796, when the composer was about 25 years old, and published as his Opus 46....
  
  [third version] (1847)
• S.466a, Adelaïde
  Adelaide (Beethoven)
  "Adelaïde" is a song for solo voice and piano by Ludwig van Beethoven. It was written in 1795/1796, when the composer was about 25 years old, and published as his Opus 46....
  
  [first version] (1839)
• S.466b, Adelaïde
  Adelaide (Beethoven)
  "Adelaïde" is a song for solo voice and piano by Ludwig van Beethoven. It was written in 1795/1796, when the composer was about 25 years old, and published as his Opus 46....
  
  [second version] (1840)
• S.467, Sechs Geistlicher Lieder (Gellert) [6 pieces] (1840)
• S.468, Sechs Lieder von Goethe [6 pieces] (b. 1849)
• S.469, An die ferne Geliebte - Liederkreis
  An die ferne Geliebte
  , opus 98, is a composition by Ludwig van Beethoven in April 1816. It is considered to be the first example of a song cycle by a major composer.-Beethoven's :...
  
  [6 pieces] (1849)

Berlioz

• S.470, Symphonie Fantastique
  Symphonie Fantastique
  Symphonie Fantastique: Épisode de la vie d'un Artiste...en cinq parties , Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is one of the most important and representative pieces of the early Romantic period, and is still very popular with concert audiences...
  
  (1833)
• S.471, Overture from Les francs-juges
  Les francs-juges
  Les francs-juges is the title of an unfinished opera by the French composer Hector Berlioz written to a libretto by his friend Humbert Ferrand in 1826. The opera itself was abandoned by Berlioz, who destroyed most of the music...
  
  (1833)
• S.472, Harold en Italie (with viola) (1837)
• S.473, Marche des pèlerins from Harold en Italie [first/second version] (1837?, 1862)
• S.474, Ouverture Le Roi Lear (1837)
• S.475, Valse des Sylphes de la Damnation de Faust (1860)

Chopin

• S.480, Six Chants polonais, Op. 74 [6 pieces] (1847–60)

Franz

• S.488, Er ist gekommen in Sturm und Regen 1848
• S.489, Zwölf Lieder [12 pieces] (1848)

Lassen

• S.494, Löse, Himmel, meine Seele [first/second version] (1861, 1872)
• S.495, Ich weil' in tiefer Einsamkeit (1872)
• S.496, Hebbel's Nibelungen & Goethe's Faust [4 pieces] (1878–79)
• S.497, Symphonisches Zwischenspiel ('Über allen Zauber Liebe') (ca. 1882-83)

Liszt

• S.498a, Drei Stücke aus der heilige Elisabeth (1857–62)
• S.498b, Zwei Orchesterstücke aus Christus (1862–66)
• S.498c, San Francesco - Preludio (1862–66)
• S.499, Cantico del Sol di San Francesco d'Assisi (1881)
• S.499a, San Francesco - Preludio per il Cantico del Sol (1880)
• S.500, Excelsior! - Preludio (1875)
• S.501, Benedictus und Offertorium (Missa Coronationalis) (1867)
• S.502, Weihnachtslied II (1864)
• S.503, Slavimo Slavno Slaveni!
  Slavimo Slavno Slaveni!
  Slavimo Slavno Slaveni! , R 196, S 503, LW A223, is a piece by Franz Liszt based on a work by the Dubrovnik poet Medo Pucić, composed for the Millennium celebration of the arrival of Slavic apostles Saint Cyril and Saint Methodius to the area of present-day Slovakia...
  
  (1863)
• S.504, Ave Maria II (in D) [first/second version in D flat] (1870, 1873)
• S.504a, Via Crucis [15 pieces] (1878–79)
• S.504b, Choräle [11 pieces] (1878–79)
• S.505, Zum Haus des Herrn (In domum Domini ibimus) (1884)
• S.506, Ave maris stella (1868)
• S.507, Klavierstück aus der Bonn Beethoven-Cantata (?)
• S.507a, Schnitterchor (Pastorale - Schnitterchor aus Prometheus) (1850)
• S.508, Pastorale. Schnitterchor aus dem Entfesselten Prometheus (1861)
• S.509, Gaudeamus igitur - Humoreske (1870)
• S.510, Marche héroïque (?)
• S.511, Geharnischte Lieder [3 pieces] (1861)
• S.511a, Les Préludes (Poème symphonique No. 3) [arranged by Karl Klauser, revised by Liszt] (1863)
• S.511b, Orpheus (Poème symphonique No. 4) [arranged by Fredrich Spiro, revised by Liszt] (1879)
• S.511c, Mazeppa (Poème symphonique No. 6) [arranged by Theodor Forchhammer, revised by Liszt] (1870–79)
• S.511d, Festklänge (Poème symphonique No. 7) [arranged by Ludwig Stark, revised by Liszt] (1870–79)
• S.511e, Hungaria (Poème symphonique No. 9) [arranged by Fredrich Spiro, revised by Liszt] (1872)
• S.512, Von der Wiege bis zum Grabe (Poème symphonique No. 13) (1881)
• S.513, Gretchen aus Faust-Simpfonie (b 1867 )
• S.513a, Der nächtliche Zug (?)
• S.514, Erster Mephisto-Walzer
  Mephisto Waltzes
  The Mephisto Waltzes are four waltzes composed by Franz Liszt in 1859-62, 1880–81, 1883 and 1885. Nos. 1-2 were composed for orchestra, later arranged for piano, piano duet and two pianos, whereas 3 and 4 were written for piano only...
  
  (Mephisto Waltz No. 1, Der Tanz in der Dorfschenke) [original version] (1859–62)
• S.514a, Erster Mephisto-Walzer (Mephisto Waltz No. 1) [with later additions] (1859–62)
• S.515, Zweiter Mephisto-Walzer (Mephisto Waltz No. 2) (1881)
• S.516, Les Morts (Ode Funèbre No. 1) (1860)
• S.516a, La notte (Ode Funèbre No. 2) (?)
• S.517, Le Triomphe funèbre du Tasse (Odes Funèbre No. 3) (1866)
• S.518, Salve Polonia (a. 1863)
• S.519, Deux Polonaises de St Stanislaus (1870–79)
• S.520, Künstlerfestzug [first/second version] (1857–60, 1883)
• S.521, Festmarsch zur Goethejubiläumsfeier [first/second version] (1857, 1872)
• S.522, Festmarsch nach motiven von E.H.z.S.-C.-G (1857)
• S.523, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (1870)
• S.524, Ungarischer Sturmmarsch [first/second version] (?, 1875)
• S.525, Totentanz. Paraphrase on Dies Irae
  Totentanz (Liszt)
  Totentanz : Paraphrase on Dies irae , S.126, is the name of a symphonic piece for solo piano and orchestra by Franz Liszt, which is notable for being based on the Gregorian plainchant melody Dies Irae as well as for daring stylistic innovations...
  
  (1860–65)
• S.526, Epithalam zu Eduard Reményis Vermählungsfeier (?)
• S.527, Romance oubliée (?)
• S.527bis, Romance oubliée [short draft] (1880)
• S.529, Fantasie und Fuge über das Thema BACH [first/second version] (1856, 1870)
• S.530, L'Hymne du Pape. Inno del Papa. Der Papsthymnus (1864)
• S.531, Buch der Lieder I [5 pieces] (?)
• S.532, Die Lorelei (Heine) [second version] (1861)
• S.533, Il m'aimait tant (Delphine Gay) (1842)
• S.534, Die Zelle in Nonnenwerth (Felix Lichnowski) [first/second/fourth version] (1842, 1860, 1880)
• S.535, Comment, disaient-ils [Buch der Lieder II] (1845?)
• S.536, O quand je dors [Buch der Lieder II] (1847?)
• S.537, Enfant, si j'étais roi [Buch der Lieder II] (1847?)
• S.538, S'il est un charmant gazon [Buch der Lieder II] (1847?)
• S.539, La tombe et la rose [Buch der Lieder II] (1847?)
• S.540, Gastibelza [Buch der Lieder II] (1847?)
• S.541, Liebesträume. Drei Notturnos
  Liebesträume
  Liebesträume , is a set of three solo piano works by Franz Liszt, published in 1850. Liszt called each of the three pieces Liebesträume, but often they are referred to incorrectly in the singular as Liebestraum...
  
  (ca. 1850)
• S.542, Weimars Volkslied [first/second version] (1857, ?)
• S.542a, Ich liebe dich (?)
• S.542b, Fanfare zur Enthüllung des Carl-Augusts Monument (?)
• S.543, Ungarns Gott. A magyarok Istene (Petófi) [original/(S543bis)left-hand version] (1881)
• S.544, Ungarisches Königslied. Magyar Király-dal (Ábrányi) (1883)
• S.545, Ave Maria IV (1881)
• S.546, Der blinde Sänger (Alexei Tolstoy) [solo version] (1878)
• S.546a, O Roma nobilis (1879)

Mendelssohn

• S.547, Sieben Lieder (from Opp. 19, 34, 47) [7 pieces] (1840)
• S.548, Wasserfahrt and Der Jäger Abschied (from Op. 50) [2 pieces] (1848)

Mozart

• S.550, Zwei Transcriptionen über Themen aus Mozart's Requiem, K.626
  Requiem (Mozart)
  The Requiem Mass in D minor by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the...
  
  [2 pieces] (1862)

Rossini

• S.552, Ouverture de l'opéra Guillaume Tell
  William Tell Overture
  The William Tell Overture is the instrumental introduction to the opera Guillaume Tell by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement, although he continued to compose cantatas, sacred music and secular vocal...
  
  (1838)
• S.552a, Caritas [La charité, first version] (1847)
• S.552b, La caritá [La charité, simplified version] (1847)
• S.553, Deux Transcriptions [2 pieces] (1847)

Rubinstein

• S.554, Zwei Lieder [2 pieces] (1880)
• S.554a, Einleitung und Coda sur des notes fausses (1880)

Saint-Saëns

• S.555, Danse macabre, Op. 40
  Danse Macabre (Saint-Saëns)
  Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by French composer Camille Saint-Saëns. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based in an old French superstition...
  
  (1876)

Schubert

• S.556, Die Rose [first/intermediate/second version] (1832, ca. 1837, 1838)
• S.557, Lob der Tränen (1837)
• S.557a, Erlkönig [first version] (?)
• S.557b, Meeresstille [first version] (?)
• S.557b/bis, Meeresstille [first version, ossia] (?)
• S.557c, Frühlingsglaube [first version] (?)
• S.557d, Ave Maria
  Ellens dritter Gesang
  Ellens dritter Gesang , in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Opus 52, a setting of seven songs from Walter Scott's popular epic poem The Lady of the Lake, loosely translated into German.It has become one of Schubert's most popular works under the...
  
  (Ellens dritter Gesang) [first version] (?)
• S.558, 12 Lieder (1837–38)
• S.558bis, 12 Lieder [revised versions of Nos. 3, 4, 7, 8, 9, 11] (ca. 1839)
• S.559, Der Gondelfahrer, Op. 28 (1838)
• S.559a, Sérénade [Ständchen, first version] (1837)
• S.560, Schwanengesang
  Schwanengesang
  Schwanengesang is the title of a posthumous collection of songs by Franz Schubert.Unlike the earlier Die schöne Müllerin and Winterreise, it uses poems by three poets, Ludwig Rellstab , Heinrich Heine and Johann Gabriel Seidl . Schwanengesang has the number D 957 in the Deutsch catalogue...
  
  [14 pieces] (1838–39)
• S.560bis, Schwanengesang
  Schwanengesang
  Schwanengesang is the title of a posthumous collection of songs by Franz Schubert.Unlike the earlier Die schöne Müllerin and Winterreise, it uses poems by three poets, Ludwig Rellstab , Heinrich Heine and Johann Gabriel Seidl . Schwanengesang has the number D 957 in the Deutsch catalogue...
  
  [14 pieces, alternative versions] (ca. 1839)
• S.561, Winterreise
  Winterreise
  Winterreise is a song cycle for voice and piano by Franz Schubert , a setting of 24 poems by Wilhelm Müller. It is the second of Schubert's two great song cycles on Müller's poems, the earlier being Die schöne Müllerin...
  
  [12 pieces] (1839)
• S.561, Winterreise
  Winterreise
  Winterreise is a song cycle for voice and piano by Franz Schubert , a setting of 24 poems by Wilhelm Müller. It is the second of Schubert's two great song cycles on Müller's poems, the earlier being Die schöne Müllerin...
  
  [alternative versions of Nos. 2, 3, 7, 10,] (ca. 1839)
• S.562, Geistliche Lieder [4 pieces] (1841)
• S.563, Six mélodies célèbres [6 pieces, 1st by Weyrauch] (1844)
• S.564, Die Forelle [second version] (1846)
• S.565, Six Mélodies favorites de La belle meunière [6 pieces] (1846)
• S.565bis, Müllerlieder [6 pieces, revised versions] (ca. 1879)
• S.565a, Wandererfantasie (Grosse Fantasie in C-dur)
  Wanderer Fantasy
  The Fantasie in C major, Op. 15 , popularly known as the Wanderer Fantasy, is a four-movement fantasy for solo piano composed by Franz Schubert in November 1822. It is considered Schubert's most technically demanding composition for the piano...
  
  (ca. 1868)
• S.565b, Schubert's Impromptus
  Impromptus (Schubert)
  Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first set was published in the composer's lifetime as Op. 90, and the second set was published posthumously as Op. posth. 142. They are now...
  
  [2 pieces, Op. 90/2-3] (ca. 1868)

Schumann

• S.566, Widmung, Liebeslied (1848)
• S.566a, Widmung, Liebeslied [sketch of a more literal transcription] (1848)
• S.567, An den Sonnenschein, Rotes Röslein (1861)
• S.568, Frühlingsnacht (Überm Garten durch die Lüfte) (1872)
• S.569, Zehn Lieder von Robert und Clara Schumann [10 pieces] (1872)
• S.570, Provençalisches Minnelied (1881)

Smetana

• S.570a, Einleitung und Coda zu Smetanas Polka (de salon, opus 7/1) (1880)

Tausig

• S.571a, Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice (1880)

Weber

• S.574, Ouverture Oberon
  Oberon (opera)
  Oberon, or The Elf King's Oath is a 3-act romantic opera in English with spoken dialogue and music by Carl Maria von Weber. The libretto by James Robinson Planche was based on a German poem, Oberon, by Christoph Martin Wieland, which itself was based on the epic romance Huon de Bordeaux, a French...
  
  (1846?)
• S.575, Ouverture Der Freischütz
  Der Freischütz
  Der Freischütz is an opera in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin...
  
  (1840–41)
• S.576, Jubelouverture (1846)
• S.576a, Konzertstück in F minor, Op. 79 (ca. 1868)

Liszt

• S.578, 4 Pieces from St. Elisabeth (1862)
• S.579, Christus Oratorio 4th and 5th section (?)
• S.580, Excelsior! - Preludio (?)
• S.581, Benedictus and Offertorium from the Hungarian Coronation Mass (1869)
• S.582, O Lamm Gottes, unschuldig (1878–79)
• S.583, Via Crucis (?)
• S.584, Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn
  Beethoven Monument, Bonn
  The Beethoven Monument is a large bronze statue of Ludwig van Beethoven that stands on the Münsterplatz in Bonn, Beethoven's birthplace. It was unveiled on 12 August 1845, in honour of the 75th anniversary of the composer's birth.-Background:...
  
  (1845)
• S.585, Pastorale. Schnitterchor aus dem Entfesselten Prometheus (1861)
• S.586, Gaudeamus igitur. Humoreske (1870)
• S.587, Marche héroique (?)
• S.588, Weimars Volkslied (Cornelius) (1857)
• S.589, Ce qu'on entend sur la montagne (Poème symphonique No. 1)
  Ce qu'on entend sur la montagne
  Ce qu'on entend sur la montagne , sometimes referred to as 'Bergsymphonie', is the first of thirteen symphonic poems by Hungarian composer Franz Liszt...
  
  (1874)
• S.590, Tasso, Lamento e Trionfo (Poème symphonique No. 2) (1858)
• S.591, Les Préludes (Poème symphonique No. 3) (ca. 1858)
• S.592, Orpheus (Poème symphonique No. 4) (ca. 1858)
• S.593, Prometheus (Poème symphonique No. 5) (1858)
• S.594, Mazeppa (Poème symphonique No. 6) (1874)
• S.595, Festklänge (Poème symphonique No. 7) (1854–61)
• S.596, Hungaria (Poème symphonique No. 9) (1874?)
• S.569a, Héroïde funèbre (Poème symphonique No. 8) (ca. 1877)
• S.596b, Hunnenschlacht (Poème symphonique No. 11)
  Hunnenschlacht (Liszt)
  Hunnenschlacht , S.105, is a symphonic poem by Franz Liszt, written in 1857 after a painting of the same name by Wilhelm von Kaulbach.The painting depicts the battle of the Catalaunian Fields in 451 AD, where the Hun armies led by Attila fought a savage battle against a Roman coalition led by Roman...
  
  (ca. 1877)
• S.596c, Die Ideale (Poème symphonique No. 12) (ca. 1874-77)
• S.597, Hamlet (Poème symphonique No. 10) (1874)
• S.598, Von der Wiege bis zum Grabe (Poème symphonique No. 13) (From the Cradle to the Grave) (1881)
• S.599, Two episodes from Lenau's Faust (1861–62)
• S.600, Mephisto Waltz No. 2
  Mephisto Waltzes
  The Mephisto Waltzes are four waltzes composed by Franz Liszt in 1859-62, 1880–81, 1883 and 1885. Nos. 1-2 were composed for orchestra, later arranged for piano, piano duet and two pianos, whereas 3 and 4 were written for piano only...
  
  (1881)
• S.601, Les Morts (Ode Funébre No. 1) (1866)
• S.602, La Notte (Ode Funébre No. 2) (1866)
• S.603, Le Triomphe Funèbre du Tasse (Ode Funébre No. 3) (1866?)
• S.604, Salve Polonia (1863)
• S.605, Künstlerfestzug zur Schillerfeier (1859)
• S.606, Festmarsch zur Goethejubiläumsfeier (ca. 1858)
• S.607, Festmarsch nach Motiven von E.H. zu S.-C.-G. (ca. 1859)
• S.608, Rákóczy March (1870)
• S.609, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (1870)
• S.610, Ungarischer Sturmmarsch (1875)
• S.611, Epithalam (1872)
• S.612, Elégie (1874)
• S.613, Weihnachtsbaum (1876)
• S.614, Dem Andenken Petöfis (Petófi Szellemének) (1877)
• S.615, Grande Valse di Bravura (1836)
• S.616, Grand Galop Chromatique (1838)
• S.617, Csárdás macabre (1882)
• S.618, Csárdás obstiné (ca. 1884)
• S.618a, Vom Fels zum Meer. Deutscher Siegesmarsch (?)
• S.619, Bülow-Marsch (ca. 1883)
• S.619a, Festpolonaise (1876)
• S.620, Hussitenlied (Melody by J.Krov) (1840)
• S.621, 6 Hungarian Rhapsodies
  Hungarian Rhapsodies
  Hungarian Rhapsody redirects here. For the 1979 Hungarian film Hungarian Rhapsody . For the 1928 German film Ungarische Rhapsodie.The Hungarian Rhapsodies, S.244, R106, is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846-1853, and later in 1882 and 1885...
  
  [from the orchestral version, S359] (1874)
• S.622, Rapsodie hongroise No. 16 (1882)
• S.623, Rapsodie hongroise No. 18 (1885)
• S.623a, Rapsodie hongroise No. 19 (ca. 1885)
• S.624, Fantasy and Fugue on the chorale Ad nos, ad salutarem undam
  Fantasy and Fugue on the chorale Ad nos ad salutarem undam
  The Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam", S.259, is a piece of organ music composed by Franz Liszt in the winter of 1850 when he was in Weimar...
  
  (1850)
• S.625, L'Hymne du Pape (Der Papsthymnus) (1865)
• S.626, Ungarisches Königslied. Magyar Király-dal (Ábrányi) (1883)
• S.627, Fantaisie sur des motifs de l'opéra La Sonnambula (Bellini) (1852)
• S.628, Bénédiction et serment (Berlioz's 'Benvenuto Cellini') (1852)
• S.628a, Marche et cavatine (Donizetti's Lucia) (?)
• S.628b, Szózat und Hymnus (Egressy and Erkel) (1873)
• S.629, Tscherkessenmarsch (Glinka's Ruslan i Lyudmila) (1843)
• S.630, Réminiscences de Robert le Diable - Valse infernale (Meyerbeer) (1841–43)
• S.631, Andante finale und Marsch (Raff's 'König Alfred') (1853)
• S.632, 4 Marches (Schubert) (1879)
• S.633, A la chapelle Sixtine (Allegri Mozart) (1865)
• S.634, Grand Septuor Op. 20 (Beethoven) (1841)

Liszt

• S.635, Ce qu'on entend sur la montagne (Poème symphonique No. 1)
  Ce qu'on entend sur la montagne
  Ce qu'on entend sur la montagne , sometimes referred to as 'Bergsymphonie', is the first of thirteen symphonic poems by Hungarian composer Franz Liszt...
  
  (ca. 1854-57)
• S.636, Tasso, Lamento e Trionfo (Poème symphonique No. 2) (ca. 1857)
• S.637, Les Préludes (Poème symphonique No. 3)
  Les Préludes (Liszt)
  Les préludes is the third of Franz Liszt's thirteen symphonic poems. Directed by Liszt himself, in April 1856 the score, and in January 1865 the orchestral parts, were published by Breitkopf & Härtel, Leipzig. Among Liszt's symphonic poems, Les préludes is the most popular...
  
  (ca. 1854-56)
• S.638, Orpheus (Poème symphonique No. 4) (ca. 1854-56)
• S.639, Prometheus (Poème symphonique No. 5) (1855–56)
• S.640, Mazeppa (Poème symphonique No. 6) (1855)
• S.641, Festklänge (Poème symphonique No. 7) (ca. 1853-56)
• S.642, Héroide Funèbre (Poème symphonique No. 8) (ca. 1854-56)
• S.643, Hungaria (Poème symphonique No. 9) (ca. 1854-61)
• S.644, Hamlet (Poème symphonique No. 10) (ca. 1858-61)
• S.645, Hunnenschlacht (Poème symphonique No. 11)
  Hunnenschlacht (Liszt)
  Hunnenschlacht , S.105, is a symphonic poem by Franz Liszt, written in 1857 after a painting of the same name by Wilhelm von Kaulbach.The painting depicts the battle of the Catalaunian Fields in 451 AD, where the Hun armies led by Attila fought a savage battle against a Roman coalition led by Roman...
  
  (1857)
• S.646, Die Ideale (Poème symphonique No. 12) (1857–58)
• S.647, A Faust Symphony, in three character pictures
  Faust Symphony
  A Faust Symphony in three character pictures , S.108, or simply the "Faust Symphony", was written by Hungarian composer Franz Liszt and was inspired by Johann von Goethe's drama, Faust...
  
  (1856)
• S.648, A Symphony to Dante's Devina Commedia
  Dante Symphony
  A Symphony to Dante's Divine Comedy, S.109, or simply the "Dante Symphony", is a program symphony composed by Franz Liszt. Written in the high romantic style, it is based on Dante Alighieri's journey through Hell and Purgatory, as depicted in The Divine Comedy...
  
  (ca. 1856-59)
• S.649, Fantasie über Beethovens Ruinen von Athen (1865)
• S.650, Piano Concerto No. 1 in E flat major
  Piano Concerto No. 1 (Liszt)
  Franz Liszt composed his Piano Concerto No. 1 in E-flat major, S.124 over a 26-year period; the main themes date from 1830, while the final version dates 1849. The concerto consists of four movements, which are performed without breaks in between, and lasts approximately 20 minutes...
  
  (1853)
• S.651, Piano Concerto No. 2 in A major
  Piano Concerto No. 2 (Liszt)
  Franz Liszt wrote drafts for his Concerto for Piano and Orchestra No. 2 in A major, S.125, during his virtuoso period, in 1839 to 1840. He then put away the manuscript for a decade. When he returned to the concerto, he revised and scrutinized it repeatedly. The fourth and final period of revision...
  
  (1859)
• S.652, Totentanz. Paraphrase on Dies Irae
  Totentanz (Liszt)
  Totentanz : Paraphrase on Dies irae , S.126, is the name of a symphonic piece for solo piano and orchestra by Franz Liszt, which is notable for being based on the Gregorian plainchant melody Dies Irae as well as for daring stylistic innovations...
  
  (1859)
• S.653, Wandererfantasie (Schubert)
  Wanderer Fantasy
  The Fantasie in C major, Op. 15 , popularly known as the Wanderer Fantasy, is a four-movement fantasy for solo piano composed by Franz Schubert in November 1822. It is considered Schubert's most technically demanding composition for the piano...
  
  (a. 1859)
• S.654, Hexaméron, Morceau de Concert
  Hexameron (musical composition)
  Hexaméron, Morceau de concert, S.392, is a collaborative work for solo piano, consisting of six variations on a theme, along with an introduction, connecting interludes and a finale. The theme is the "March of the Puritans" from Vincenzo Bellini's opera I puritani...
  
  (1837)
• S.655, Réminiscences de Norma (Bellini) (1841)
• S.656, Réminiscences de Don Juan (Mozart)
  Réminiscences de Don Juan
  Réminiscences de Don Juan is an opera fantasy for piano by Franz Liszt on themes from Mozart's Don Giovanni. It is extremely technically demanding. For this reason, and perhaps also because of its length and dramatic intensity, it does not appear in concert programmes as often as Liszt's lighter...
  
  (1841)
• S.657, Symphony No. 9 (Beethoven)
  Symphony No. 9 (Beethoven)
  The Symphony No. 9 in D minor, Op. 125, is the final complete symphony of Ludwig van Beethoven. Completed in 1824, the symphony is one of the best known works of the Western classical repertoire, and has been adapted for use as the European Anthem...
  
  (1851)
• S.657a/1, Piano Concerto No. 3 (Beethoven)
  Piano Concerto No. 3 (Beethoven)
  The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also debuted. The composition...
  
  (1878)
• S.657a/2, Piano Concerto No. 4 (Beethoven)
  Piano Concerto No. 4 (Beethoven)
  Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806, although no autograph copy survives.-Musical forces and movements:...
  
  (1878)
• S.657a/3, Piano Concerto No. 5 (Beethoven)
  Piano Concerto No. 5 (Beethoven)
  The Piano Concerto No. 5 in E-flat major, Op. 73, by Ludwig van Beethoven, popularly known as the Emperor Concerto, was his last piano concerto. It was written between 1809 and 1811 in Vienna, and was dedicated to Archduke Rudolf, Beethoven's patron and pupil...
  
  (1878)
• S.657b, Bülow-Marsch [2-pianos, 8-hands] (1884)

Bach

• S.660, Einleitung und Fuge aus der Motette Ich hatte viel Bekümmernis und Andante Aus tiefer Not [2 pieces] (1860)
• S.661, Adagio from Bach Violin Sonata No. 4 (BWV1017) (1864)

Liszt

• S.664, Tu es Petrus from Christus (1867)
• S.665, San Francesco (1880)
• S.666, Excelsior! - Preludio (?)
• S.667, Offertorium from the Hungarian Coronation Mass (1867)
• S.668, Slavimo Slavno Slaveni (1863)
• S.669, Zwei Kirchenhymnen [2 pieces] (1877)
• S.670, Rosario [3 pieces] (1879)
• S.671, Zum Haus des Herrn (In domum Domini ibimus) (1884)
• S.672, Weimars Volkslied (Cornelius) (1865)
• S.673, Weinen, Klagen' Variationen (1863)
• S.674, Ungarns Gott. A magyarok Istene (Petőfi) (1882)
• S.674a, O sacrum convivium [2 versions] (?)

Organ with other instruments

• S.677, Hosannah from Cantico del sol di San Francesco d'Assisi (for organ and bass trombone) (1862)
• S.678, Offertorium and Benedictus from the Hungarian Coronation Mass (1869)
• S.679, Aria 'Cujus animam' from Rossini's Stabat Mater (for organ and trombone) (?)

Unfinished works

• S.687, Sardanapale (Byron) [opera, partly sketched, 111 pages] (?)
• S.688, Oratorio - Die Legende vom heiligen Stanislaus [sacred choral] (1873–85)
• S.688a, St Stanislaus fragment [solo piano, Library of Congress] (1880–86)
• S.689, Singe, wem Gesang gegeben [secular choral] (1847)
• S.690, Revolutionary Symphony [unfinished, revised 1848] (1830)
• S.691, De Profundis [piano and orchestra, De Profundis - Psaume instrumental] (1834?)
• S.692, Violin Concerto [only sketched] (1860)
• S.692a, The Four Seasons String quartet (Vivaldi) (1880?)
• S.692b, Anfang einer jugendsonate [solo piano] (1825)
• S.692c, Allegro maestoso [solo piano] (1826)
• S.692d, Rákóczi-Marsch [solo piano, first version, simplified, unfinished] (1839)
• S.692e, Winzerchor (Prometheus) [solo piano] (1850)
• S.693, Deux marches dans le genre hongrois [solo piano, 2 pieces] (1840?)
• S.693a, Zwei Stücke aus der heilige Elisabeth [solo piano] (1862)
• S.694, Fantasie über englische Themen [solo piano] (1840?)
• S.695, Morceau en fa majeur [solo piano] (1843?)
• S.695a, Litanie de Marie [solo piano] (1847)
• S.695b, Zigeuner-Epos [solo piano, 11 pieces] (ca. 1848)
• S.696, Mephisto Waltz No.4
  Mephisto Waltzes
  The Mephisto Waltzes are four waltzes composed by Franz Liszt in 1859-62, 1880–81, 1883 and 1885. Nos. 1-2 were composed for orchestra, later arranged for piano, piano duet and two pianos, whereas 3 and 4 were written for piano only...
  
  (1884)
• S.697, Fantasie über Themen aus Figaro und Don Giovanni (Mozart) [solo piano arrangement] (1842)
• S.698, La Mandragore - Ballade de l'opéra Jean de Nivelle de L. Delibes [solo piano arrangement] (a. 1880)
• S.699, La Notte (Odes Funèbre no. 2) [solo piano arrangement] (1864–66)
• S.700, Grand Fantaisie (Variations) sur des thèmes de Paganini [first/second version; completed by Mezö] (1845)
• S.700a, Variations sur Le Carnaval de Venise (Paganini) [solo piano arrangement] (?)
• S.701, Den Felsengipfel stieg ich einst hinan [song] (?)
• S.701a, Allegro di bravura [orchestra, arrangement] (ca. 1830)
• S.701b, Marie-Poème [solo piano] (1837)
• S.701c, Andante sensibilissimo [solo piano] (1880–86)
• S.701d, Melodie in Dorische Tonart [solo piano] (1860)
• S.701e, Dante fragment [solo piano] (1839)
• S.701f, Glasgow fragment [solo piano] (?)
• S.701g, Polnisch - sketch [solo piano] (1870–79)
• S.701h/1, Operatic aria - and sketched variation [solo piano] (?)
• S.701h/2, Valse infernale (Meyerbeer) - theme [solo piano arrangement] (?)
• S.701j, Harmonie nach Rossini's Carità (La charité) [solo piano arrangement] (1847)
• S.701k, Korrekturblatt (to an earlier version of La lugubre gondola) [solo piano] (1882)

Sacred choral works

• S.702, Tantum Ergo (1822)
• S.703, Psalm 2
  Psalm 2
  Psalm 2 is the second Psalm of the Bible. It tells us that we can either defy God and perish, or submit to him and be blessed. Psalm 2 itself does not identify its author, but Acts 4:25-26 clearly attributes it to David.-In the original Hebrew:...
  
  (1851)
• S.704, Requiem on the death of Emperor Maximilian of Mexico (?)
• S.705, The Creation (?)
• S.706, Benedictus [doubtful] (?)
• S.707, Excelsior [arrangement, doubtful] (?)

Orchestral works

• S.709, Salve Polonia [rediscovered, renumbered as S113] (1863)
• S.710, Funeral March (?)
• S.711, Csárdás macabre [arrangement] (?)
• S.712, Romance oubliée [arrangement] (?)

Piano and orchestra

• S.713/1, Piano Concerto in A minor (1825?)
• S.713/2, Piano Concerto (1825?)
• S.714, Piano Concerto in the Hungarian style
  Ungarische Zigeunerweisen
  Ungarische Zigeunerweisen [Hungarian Gypsy Melodies ] is a single-movement work for piano and orchestra of about 17 minutes' duration by Sophie Menter...
  
  [by Sophie Menter
  Sophie Menter
  Sophie Menter was a German pianist and composer who became the favorite female student of Franz Liszt. She was called l'incarnation de Liszt in Paris because of her robust, electrifying playing style and was considered one of the greatest piano virtuosos of her time.Sophie Menter was born in...
  
  , renumbered as S126a] (1885)
• S.715, Piano Concerto in the Italian style (?)
• S.716, Grande fantaisie symphonique [orchestral] (?)

Chamber music

• S.717, Trio (1825)
• S.718, Quintet (1825)
• S.719, The Four Seasons String Quartet (Vivaldi) [rediscovered, renumbered as S692a]
• S.720, Allegro moderato (?)
• S.721, Prelude (?)
• S.722, La notte (Odes funèbre no.2) [rediscovered, renumbered as S377a] (1864–66)
• S.723, Tristia [arrangement, from Vallée d'Obermann S160/6] (1880–86 ?)
• S.723a, Postlude on theme from Orpheus [arrangement] (?)

Pianoforte solo

• S.724 - Rondo and Fantasy (1824)
• S.725 - 3 Sonatas (1825)
• S.726 - Study (?)
• S.726a - Valse (?)
• S.727 - Prélude omnitonique [rediscovered, renumbered as 166e] (1844)
• S.728 - Fünf Klavierstücke, S.192 (Liszt, Franz)|Sospiri! (Fünf Klavierstücke) [rediscovered, renumbered as 192/5] (1879)
• S.729 - Tantum Ergo [rediscovered, renumbered as 42] (1869)
• S.730 - Dem Andenken Petöfis (Petófi Szellemének) [rediscovered, renumbered as 195] (1877)
• S.731 - Valse élégiaque [alternative name for Valse oubliée No.1, 251/1; rediscovered and renumbered as 251/1] (1881)
• S.732 (formerly) - Valses oubliées, S.215 (Liszt, Franz)|Valse oubliée No. 4 [rediscovered, renumbered as 215/4] (1883–84)
• S.733 - Marche hongroise (in E flat minor) [rediscovered, renumbered as 233b] (1844)
• S.734 - Ländler [rediscovered, renumbered as 211a] (1879)
• S.735 - Air cosaque [rediscovered, renumbered as 249c] (1879)
• S.736 - Kerepsi csárdás (?)
• S.737 - 3 morceaux en style de danse ancien hongrois (?)
• S.738 - Spanish folksong arrangement (?)

Arrangements

• S.739, Corolian Overture (Beethoven) (?)
• S.740, Egmont Overture (Beethoven) (?)
• S.741, Le carnaval romain - Overture (Berlioz) (?)
• S.742, Duettino (Donizetti) (?)
• S.743, Soldiers Chorus from Gounod's Faust (?)
• S.743a, Fantasia on themes from Halévy's Guitarero (b. 1841)
• S.744, Paraphrase on Act 4 of Kullak's Dom Sebastien (?)
• S.745, Funeral March (?)
• S.746, Andante Maestoso (?)
• S.747, Poco adagio (from Missa Solemnis) (?)
• S.748, Overture to Mozarts "Die Zauberflöte" (?)
• S.749, Preussischer Armeemarsch (Radovsky) (?)
• S.750, Siege de Corynthe, Introduction (?)
• S.751, Nonetto e Mose, Fantasia on themes by Rossini (?)
• S.752, Gelb rollt (Rubinstein) (?)
• S.753, Alfonso und Estrella, Act 1 (Schubert) (?)
• S.754, Seconda mazurka variata (Tirindelli) [rediscovered, renumbered as S573a] (1880)

Two pianofortes

• S.756, Mosonyis Grabgeleit (?)
• S.757, La triomphe funébre du Tasse (?)

Organ

• S.758, The Organ (Herder) (?)
• S.759, Consolation [arrangement] (?)
• S.760, Cantico del sol di St. Francesco [arrangement] (?)
• S.761, Marche funèbre (Chopin) [arrangement] (?)

Songs

• S.762, Air de Chateaubriand (?)
• S.763, Strophes de Herlossohn (?)
• S.764, Kränze pour chant (?)
• S.765, Glöcken (Müller) (?)
• S.765a, L'aube naît (Hugo) (1842?)
• S.766, Der Papsthymnus (?)
• S.767, Excelsior (?)

Supplement

• S.990, Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam"
  Fantasy and Fugue on the chorale Ad nos ad salutarem undam
  The Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam", S.259, is a piece of organ music composed by Franz Liszt in the winter of 1850 when he was in Weimar...
  
  (played by Liszt to Walter Bache) [solo piano, arrangement] (b. 1862)
• S.991, Waltz in A major [chamber, arrangement] (?)
• S.993, Wartburg Lieder (Scheffel) [orchestral, arrangement] (?)
• S.994, Grand solo caractéristique à propos d'une chansonette de Panseron [solo piano, arrangement] (1830–32)
• S.995, Variations de bravoure sur des thémes de Paganini [unfinished] (1845)
• S.996, Stabat Mater [solo piano] (1870–79 ?)
• S.997, 5 Variationen über Romanze aus 'Joseph' (Méhul) (by Franz Xaver Mozart, attributed to Liszt) (ca. 1834)
• S.998, Adagio in C [solo piano] (1841)
• S.999, Andante Maestoso [organ] (?)

External links

• List of works - The Danish Franz Liszt Project