La fiamma
Encyclopedia
La fiamma is an opera in three acts by Ottorino Respighi
to a libretto
by Claudio Guastalla based on Hans Wiers-Jenssen
's 1908 play Anne Pedersdotter, The Witch. The plot is loosely based on the story of Anne Pedersdotter
, a Norwegian woman who was accused of witchcraft and burnt at the stake in 1590. However, Respighi and Guastalla changed the setting of the opera to 7th century Ravenna
. Its melodramatic tale involves the illicit love of Silvana, the daughter of a witch, for her stepson Donello. When her husband Basilio dies of a heart attack, Silvana is accused of causing his death by witchcraft and is condemned to death. La fiamma premiered to considerable success on 23 January 1934 at the Teatro Reale dell'Opera
in Rome
in a performance conducted by Respighi himself. The production was directed by Alessandro Sanine with sets designed by Nicola Benois.
Ottorino Respighi
Ottorino Respighi was an Italian composer, musicologist and conductor. He is best known for his orchestral "Roman trilogy": Fountains of Rome ; Pines of Rome ; and Roman Festivals...
to a libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
by Claudio Guastalla based on Hans Wiers-Jenssen
Hans Wiers-Jenssen
Hans Wiers-Jenssen was a Norwegian novelist, playwright, stage producer and theatre historian. Wiers-Jenssen was employed at the theatres Christiania Theatre, Nationaltheatret and Den Nationale Scene.-Personal life:...
's 1908 play Anne Pedersdotter, The Witch. The plot is loosely based on the story of Anne Pedersdotter
Anne Pedersdotter
Anne Pedersdotter was an alleged Norwegian witch. Her case was one of the most documented of the many witch trials in Norway in the 16th and 17th centuries...
, a Norwegian woman who was accused of witchcraft and burnt at the stake in 1590. However, Respighi and Guastalla changed the setting of the opera to 7th century Ravenna
Ravenna
Ravenna is the capital city of the Province of Ravenna in the Emilia-Romagna region of Italy and the second largest comune in Italy by land area, although, at , it is little more than half the size of the largest comune, Rome...
. Its melodramatic tale involves the illicit love of Silvana, the daughter of a witch, for her stepson Donello. When her husband Basilio dies of a heart attack, Silvana is accused of causing his death by witchcraft and is condemned to death. La fiamma premiered to considerable success on 23 January 1934 at the Teatro Reale dell'Opera
Teatro dell'Opera di Roma
The Teatro dell'Opera di Roma is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat Costanzi Theatre, it has undergone several changes of name as well modifications and improvements...
in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
in a performance conducted by Respighi himself. The production was directed by Alessandro Sanine with sets designed by Nicola Benois.
Roles
Role | Voice type | Premiere Cast, January 23, 1934 (Conductor: Ottorino Respighi) |
---|---|---|
Silvana | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Giuseppina Cobelli |
Donello | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
Angelo Minghetti |
Basilio | baritone Baritone Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or... |
Carlo Tagliabue Carlo Tagliabue Carlo Tagliabue was an Italian baritone.After studies with Leopoldo Gennai and Annibale Guidotti he made his debut in Lodi, Lombardy, in Loreley and Aida. His debuts in Genoa , Torino, La Scala , Rome , and Naples were all in Tristan und Isolde... |
Eudossia | mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... |
Eudora Buades d'Alessio |
Monica | soprano | Laura Pasini |
Agata | soprano | Matilde Arbuffo |
Lucilla | mezzo-soprano | Giuseppina Sani |
Sabina | mezzo-soprano | Giorgina Tremari |
Zoe | mezzo-soprano | Anna Maria Mariani |
Agnese di Cervia | mezzo-soprano | Angelica Cravcenco |
Exorcist | bass Bass (voice type) A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C... |
Augusto Romani |
A bishop | bass | Pierantonio Prodi |
A mother | soprano | Anna Maria Martucci |
A cleric | tenor | Adelio Zagonara |
A workman | tenor | Augusto Prot |
Chorus (s,a,t,b) |
Sources
- Casaglia, Gherardo, "23 Gennaio 1934", Almanacco Amadeus, 2005. Accessed 2 March 2010 (in Italian).
- Crutchfield, WillWill CrutchfieldWill Crutchfield is a noted American conductor, musicologist, and vocal coach. He is currently the Director of Opera at the Caramoor International Music Festival and a frequent guest conductor at the Polish National Opera...
, "Rare Respighi Opera at Carnegie", New York Times, 4 December 1987. Accessed 2 March 2010. - Gelli, Piero (ed.), "Fiamma, La", Dizionario dell'Opera, Baldini Castoldi Dalai, 2007, ISBN 88-6073-184-4. Accessed online 2 March 2010.
- Lace, Ian "La Fiamma - Love and Witchcraft", MusicWeb International. Accessed 2 March 2010.