L'Olimpiade is a dramma per musica

Dramma per musica

Dramma per musica is a term which was used by dramatists in Italy and elsewhere between the late-17th and mid-19th centuries...

 in three acts that was composed by Antonio Vivaldi

Antonio Vivaldi

Antonio Lucio Vivaldi , nicknamed because of his red hair, was an Italian Baroque composer, priest, and virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe...

. The opera

Opera

Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 uses an Italian libretto

Libretto

A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Pietro Metastasio that was originally written for Antonio Caldara

Antonio Caldara

Antonio Caldara was an Italian Baroque composer.Caldara was born in Venice , the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi...

's 1733 opera of the same name. Vivaldi's version premiered in Venice

Venice

Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...

 at the Teatro Sant'Angelo on 17 February 1734.

Roles

Role	Voice type	Premiere cast 17 February 1734
Clistene, king of Sicione	tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...	Marc'Antonio Mareschi
Aristea, daughter of Clistene	contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...	Anna Cattarina della Parte
Argene, lover of Licida	soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...	Marta Arrigoni
Licida, son of the king of Clay	(mezzo soprano)	Angela Zannucchi
Megacle, lover of Aristea and friend of Licida	(soprano castrato Castrato A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's... )	Francesco Bilanzoni
Aminta, servant of Licida	(soprano castrato Castrato A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's... )	Mariano Nicolini
Alcandro, friend of Clistene	bass	Massimiliano Miller

Act I

Megacles arrives in Sicyon just in time to enter the Olympic Games under the name of Lycidas, a friend who once saved his life. Unknown to Megacles, Lycidas is in love with Aristaea, whose hand is to be offered to the winner of the games by her father, King Cleisthenes. Lycidas, once betrothed to Princess Argene of Crete, is unaware that Megacles and Aristaea already love each other, and he subsequently tells his friend of the prize. Aristaea and Megacles greet each other fondly, but Megacles now feels bound by his promise to compete as Lycidas. Meanwhile Argene arrives in Olympia disguised as a shepherdess, to win back Lycidas.

Act II

Megacles wins the games, confesses the truth to Aristaea and departs, broken-hearted. When Lycidas comes to claim her, Aristaea reproaches him, as does the disguised Argene, much to his dismay. Amyntas, tutor to Lycidas, reports that Megacles has drowned himself, and King Cleisthenes, apprised of the deception, banishes Lycidas.

Act III

Argene prevents the desperate Aristaea from suicide, Megacles is rescued by a fisherman, and Lycidas contemplates the assassination of the king. Aristaea pleads mercy for Lycidas and Argene offers herself in his place; as proof that she is a princess, she shows Cleisthenes a chain given her by Lycidas. He recognizes it as belonging to his son, abandoned in infancy to forestall the prophecy that he would kill his father. Lycidas, reinstated, accepts Argene, leaving his sister to Megacles.

External links

• Online libretto