Kogo Noda
Encyclopedia
was a Japanese
screenwriter
most famous for collaborating with Yasujirō Ozu
on many of the director's films.
Born in Hakodate, Noda was the son of the head of the local tax bureau and younger brother to Kyūho, a Nihonga
painter. He moved to Nagoya after completing elementary school and later went to Waseda University
. After graduating, he worked for the city of Tokyo while also serving as a reporter for Katsudō kurabu, one of the major film magazines, using the pen name Harunosuke Midorikawa. On the recommendation of a scriptwriter friend from junior high, Takashi Oda, he joined the script department at Shōchiku
after the Great Kanto Earthquake. He soon became one of the studio's central screenwriters, penning for instance Aizen katsura (1938), one of its biggest prewar hits.
He is most known for his collaborations with Ozu, which began with Noda supplying the script for the director's first feature Sword of Penitence
(1927) and led to such postwar masterpieces as Tokyo Story
(1953). He co-wrote thirteen of Ozu's fifteen postwar films.
When the Writers Association of Japan was formed in 1950, Noda served as its first chair.
Japanese people
The are an ethnic group originating in the Japanese archipelago and are the predominant ethnic group of Japan. Worldwide, approximately 130 million people are of Japanese descent; of these, approximately 127 million are residents of Japan. People of Japanese ancestry who live in other countries...
screenwriter
Screenwriter
Screenwriters or scriptwriters or scenario writers are people who write/create the short or feature-length screenplays from which mass media such as films, television programs, Comics or video games are based.-Profession:...
most famous for collaborating with Yasujirō Ozu
Yasujiro Ozu
was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work...
on many of the director's films.
Born in Hakodate, Noda was the son of the head of the local tax bureau and younger brother to Kyūho, a Nihonga
Nihonga
or literally "Japanese-style paintings" is a term used to describe paintings that have been made in accordance with traditional Japanese artistic conventions, techniques and materials...
painter. He moved to Nagoya after completing elementary school and later went to Waseda University
Waseda University
, abbreviated as , is one of the most prestigious private universities in Japan and Asia. Its main campuses are located in the northern part of Shinjuku, Tokyo. Founded in 1882 as Tokyo Senmon Gakko, the institution was renamed "Waseda University" in 1902. It is known for its liberal climate...
. After graduating, he worked for the city of Tokyo while also serving as a reporter for Katsudō kurabu, one of the major film magazines, using the pen name Harunosuke Midorikawa. On the recommendation of a scriptwriter friend from junior high, Takashi Oda, he joined the script department at Shōchiku
Shochiku
is a Japanese movie studio and production company for kabuki. It also produces and distributes anime films. Its best remembered directors include Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Keisuke Kinoshita and Yōji Yamada...
after the Great Kanto Earthquake. He soon became one of the studio's central screenwriters, penning for instance Aizen katsura (1938), one of its biggest prewar hits.
He is most known for his collaborations with Ozu, which began with Noda supplying the script for the director's first feature Sword of Penitence
Sword of Penitence
is a 1927 Japanese silent film by Yasujirō Ozu. It is the first film directed by Ozu and was also the first of his many collaborations with screenwriter Kogo Noda.- Production :...
(1927) and led to such postwar masterpieces as Tokyo Story
Tokyo Story
is a 1953 Japanese film directed by Yasujirō Ozu. It tells the story of an aging couple who travel to Tokyo to visit their grown children. The film contrasts the behavior of their biological children, who are too busy to pay them much attention, and their daughter-in-law, who treats them with...
(1953). He co-wrote thirteen of Ozu's fifteen postwar films.
When the Writers Association of Japan was formed in 1950, Noda served as its first chair.
Selected filmography
Year | Japanese Title | Rōmaji | English Title | Director |
---|---|---|---|---|
1927 | 懺悔の刃 | Zange no yaiba | Sword of Penitence Sword of Penitence is a 1927 Japanese silent film by Yasujirō Ozu. It is the first film directed by Ozu and was also the first of his many collaborations with screenwriter Kogo Noda.- Production :... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1929 | 和製喧嘩友達 | Wasei kenka tomodachi | Fighting Friends Japanese Style | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
会社員生活 | Kaishain seikatsu | The Life of an Office Worker | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
|
1930 | 結婚学入門 | Kekkongaku nyumon | An Introduction to Marriage | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
進軍 | Shingun | Marching On | Kiyohiko Ushihara Kiyohiko Ushihara was a Japanese film director most famous for his gendaigeki of the silent era.-Career:Born in Kumamoto Prefecture and graduating from Tokyo University, Ushihara joined the Shochiku studio in 1920 on the invitation of Kaoru Osanai... |
|
その夜の妻 | Sono yo no tsuma | That Night's Wife | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
|
エロ神の怨霊 | Erogami no onryo | The Revengeful Spirit of Eros | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
|
足に触った幸運 | Ashi ni sawatta koun | The Luck Which Touched the Leg | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
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1931 | 東京の合唱 | Tokyo no gassho | Tokyo Chorus Tokyo Chorus was a 1931 silent movie produced by Shochiku Company, directed by acclaimed and influential Japanese director Yasujirō Ozu and starring Tokihiko Okada and Emiko Yagumo. It was based on various stories in the Shoshimin-gai series and also shares influences with King Vidor's The Crowd... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1932 | 靑春の夢いまいづこ | Seishun no yume imaizuko | Where Now Are the Dreams of Youth? | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
また逢ふ日まで | Mata au hi made | Until the Day We Meet Again | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
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1933 | 東京の女 | Tokyo no onna | Woman of Tokyo | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1935 | 箱入娘 | Hakoiri musume | An Innocent Maid | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1938 | 愛染かつら | Aizen katsura | The Tree of Love | Hiromasa Nomura |
1939 | 続 愛染かつら | Zoku aizen katsura | The Tree of Love, Part II | Hiromasa Nomura |
愛染かつら 完結篇 | Aizen katsura kanketsuhen | The Tree of Love: The Conclusion | Hiromasa Nomura | |
1949 | 晩春 | Banshun | Late Spring Late Spring is a critically acclaimed black-and-white Japanese film drama, directed by Yasujirō Ozu , first released in Japan in September 1949. Based on the novel Father and Daughter by Kazuo Hirotsu, the story concerns a young woman who lives happily in Kamakura with her kindly professor father, a widower... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1950 | 宗方姉妹 | Munekata shimai | The Munekata Sisters | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1951 | 麥秋 | Bakushu | Early Summer Early Summer is a 1951 film by Yasujiro Ozu. Like most of Ozu's post-war films, Early Summer deals with many issues ranging from communication problems between generations and the rising role of women in post-war Japan.... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1952 | お茶漬けの味 | Ochazuke no aji | The Flavor of Green Tea over Rice The Flavor of Green Tea over Rice is a 1952 Japanese film directed by Yasujiro Ozu about a wealthy middle-aged couple who have marital difficulties... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1953 | 東京物語 | Tokyo monogatari | Tokyo Story Tokyo Story is a 1953 Japanese film directed by Yasujirō Ozu. It tells the story of an aging couple who travel to Tokyo to visit their grown children. The film contrasts the behavior of their biological children, who are too busy to pay them much attention, and their daughter-in-law, who treats them with... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1956 | 早春 | Soshun | Early Spring Early Spring is a 1956 film by Yasujiro Ozu about a married office worker who has a fling with a typist, a fellow commuter, and the fallout that ensues with his friends and wife... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1957 | 東京暮色 | Tōkyō boshoku | Tokyo Twilight Tokyo Twilight is a 1957 film by Yasujirō Ozu. The film is considered amongst Ozu's darkest postwar films.-Synopsis:Akiko Sugiyama is a young college graduate girl learning English shorthand. Her elder sister Takako , running away from an unhappy marriage, has returned home to stay with Akiko and their father... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1958 | 彼岸花 | Higanbana | Equinox Flower Equinox Flower is a 1958 color Japanese film directed by Yasujiro Ozu. It is Yasujiro Ozu's first film in color while Japan's first color film, Keisuke Kinoshita's Carmen Comes Home, had been released in 1951. The film is based on a novel by Ton Satomi... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1959 | お早よう | Ohayo | Good Morning Good Morning (film) is a 1959 comedy film by Japanese director Yasujiro Ozu. It is a loose remake of his own 1932 silent film I Was Born, But..., and one of only six films that Ozu made in color.-Plot:... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
浮草 | Ukigusa | Floating Weeds Floating Weeds is a 1959 film by Yasujiro Ozu and shot in colour by Kazuo Miyagawa, one of Japan's most highly regarded cinematographers. It is a remake of Ozu's own black-and-white silent film A Story of Floating Weeds .... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
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1960 | 秋日和 | Akibiyori | Late Autumn | Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1961 | 小早川家の秋 | Kohayagawa-ke no aki | The End of Summer The End of Summer is a 1961 film directed by Yasujirō Ozu. It was entered into the 12th Berlin International Film Festival. The film was his penultimate film; only An Autumn Afternoon followed it.... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
1962 | 秋刀魚の味 | Sanma no aji | An Autumn Afternoon An Autumn Afternoon is a 1962 Japanese drama film directed by Yasujirō Ozu. It stars Ozu regular Chishu Ryu as the patriarch of the Hirayama family who oversees the wedding of his daughter, played by Shima Iwashita. It was Ozu's last film; he died in the following year... |
Yasujirō Ozu Yasujiro Ozu was a prominent Japanese film director and script writer. He is known for his distinctive technical style, developed during the silent era. Marriage and family, especially the relationships between the generations, are among the most persistent themes in his body of work... |
External links
- Noda Kōgo's grave, Rekishi ga nemuru Tama Reien