Jodai Tokushu Kanazukai
Encyclopedia
is an archaic kanazukai
used to write Japanese
during the Nara period
. Its primary feature is to distinguish between two groups of syllables as discussed below that later merged together.
.
Those syllables marked in gray are known as jōdai tokushu kanazukai.
, and the phonetic difference is unclear. Therefore an ad-hoc transcription system is employed.
Syllables written with subscript 1 are known as type and those with subscript 2 as type (these are the first two celestial stems, and are used for such numbering in Japanese).
There are several competing transcription systems. One popular system places a dieresis
above the vowel: ï, ë, ö. This typically represents i2, e2, and o2, and assumes that unmarked i, e, and o are i1, e1, and o1. It does not necessarily have anything to do with pronunciation. There are several problems with this system.
Another system uses superscripts instead of subscripts.
However, it is not clear whether the distinction applied to the consonant, vowel, or something else.
There is no general academic agreement.
See Old Japanese
for more information.
For example, /kami1/ "above" and /kami2/ "god". While both words consists of an /m/ and an /i/, mi1 can not substitute for mi2 or vice versa. This strict distinction exists for all of the syllables marked in gray.
This usage is also found in the verb morphology. The quadrigrade conjugation is as follows:
The verb
/sak-/ "bloom" has quadrigrade conjugation class. Thus, its conjugation is as follows:
Before the jōdai tokushu kanazukai discovery, it was thought that quadrigrade realis and imperative shared the same form: -e. However, after the discovery, it became clear that realis was -e2 while imperative was -e1.
Also, jōdai tokushu kanazukai has a profound effect on etymology. It was once thought that /kami/ "above" and /kami/ "god" shared the same etymology, a god being an entity high above. However, after the discovery, it is known that "above" is /kami1/ while "god" is /kami2/. Thus, they are distinct words.
. After that, they merged into /mo/.
In later texts, confusion between type A and B can be seen. Nearly all of the A/B distinctions had vanished by the Classical Japanese
period. As seen in early Heian Period
texts such as Kogo Shūi
, the final syllables to be distinguished were /ko1, go1/ and /ko2, go2/. After the merger, CV1 and CV2 became CV.
Kanazukai
are the orthographic rules for spelling Japanese in kana. All phonographic systems attempt to account accurately the pronunciation in their spellings. However, pronunciation and accents change over time and phonemic distinctions are often lost...
used to write Japanese
Japanese language
is a language spoken by over 130 million people in Japan and in Japanese emigrant communities. It is a member of the Japonic language family, which has a number of proposed relationships with other languages, none of which has gained wide acceptance among historical linguists .Japanese is an...
during the Nara period
Nara period
The of the history of Japan covers the years from AD 710 to 794. Empress Gemmei established the capital of Heijō-kyō . Except for 5 years , when the capital was briefly moved again, it remained the capital of Japanese civilization until Emperor Kammu established a new capital, Nagaoka-kyō, in 784...
. Its primary feature is to distinguish between two groups of syllables as discussed below that later merged together.
Syllables
Following are the syllabic distinctions made in Old JapaneseOld Japanese language
is the oldest attested stage of the Japanese language.This stage in the development of Japanese is still actively studied and debated, and key Old Japanese texts, such as the Man'yōshū, remain obscure in places.-Dating:...
.
a | i | u | e | o | |||
ka | ki1 | ki2 | ku | ke1 | ke2 | ko1 | ko2 |
ga | gi1 | gi2 | gu | ge1 | ge2 | go1 | go2 |
sa | si | su | se | so1 | so2 | ||
za | zi | zu | ze | zo1 | zo2 | ||
ta | ti | tu | te | to1 | to2 | ||
da | di | du | de | do1 | do2 | ||
na | ni | nu | ne | no1 | no2 | ||
ha | hi1 | hi2 | hu | he1 | he2 | ho | |
ba | bi1 | bi2 | bu | be1 | be2 | bo | |
ma | mi1 | mi2 | mu | me1 | me2 | mo1 | mo2 |
ya | yu | ye | yo1 | yo2 | |||
ra | ri | ru | re | ro1 | ro2 | ||
wa | wi | we | wo |
Those syllables marked in gray are known as jōdai tokushu kanazukai.
Transcription
The two groups merged together by the 9th century. It predates the development of kanaKana
Kana are the syllabic Japanese scripts, as opposed to the logographic Chinese characters known in Japan as kanji and the Roman alphabet known as rōmaji...
, and the phonetic difference is unclear. Therefore an ad-hoc transcription system is employed.
Syllables written with subscript 1 are known as type and those with subscript 2 as type (these are the first two celestial stems, and are used for such numbering in Japanese).
There are several competing transcription systems. One popular system places a dieresis
Umlaut (diacritic)
The diaeresis and the umlaut are diacritics that consist of two dots placed over a letter, most commonly a vowel. When that letter is an i or a j, the diacritic replaces the tittle: ï....
above the vowel: ï, ë, ö. This typically represents i2, e2, and o2, and assumes that unmarked i, e, and o are i1, e1, and o1. It does not necessarily have anything to do with pronunciation. There are several problems with this system.
- It implies a particular pronunciation, indirectly on the vowel.
- It neglects to distinguish between words where the 1 / 2 distinction is not clear, such as the /to/ in /toru/ as well as in /kaditori/.
Another system uses superscripts instead of subscripts.
Meaning
There are many hypotheses to explain the distinction.However, it is not clear whether the distinction applied to the consonant, vowel, or something else.
There is no general academic agreement.
See Old Japanese
Old Japanese language
is the oldest attested stage of the Japanese language.This stage in the development of Japanese is still actively studied and debated, and key Old Japanese texts, such as the Man'yōshū, remain obscure in places.-Dating:...
for more information.
Usage
A word is consistently, without exception, written with syllables from a specific group.For example, /kami1/ "above" and /kami2/ "god". While both words consists of an /m/ and an /i/, mi1 can not substitute for mi2 or vice versa. This strict distinction exists for all of the syllables marked in gray.
This usage is also found in the verb morphology. The quadrigrade conjugation is as follows:
Verb Class | Irrealis | Adverbial | Conclusive | Attributive | Realis | Imperative |
---|---|---|---|---|---|---|
Quadrigrade | -a | -i1 | -u | -u | -e2 | -e1 |
The verb
Verb
A verb, from the Latin verbum meaning word, is a word that in syntax conveys an action , or a state of being . In the usual description of English, the basic form, with or without the particle to, is the infinitive...
/sak-/ "bloom" has quadrigrade conjugation class. Thus, its conjugation is as follows:
Verb Class | Irrealis | Adverbial | Conclusive | Attributive | Realis | Imperative |
---|---|---|---|---|---|---|
Verb Verb A verb, from the Latin verbum meaning word, is a word that in syntax conveys an action , or a state of being . In the usual description of English, the basic form, with or without the particle to, is the infinitive... |
saka | saki1 | saku | saku | sake2 | sake1 |
Before the jōdai tokushu kanazukai discovery, it was thought that quadrigrade realis and imperative shared the same form: -e. However, after the discovery, it became clear that realis was -e2 while imperative was -e1.
Also, jōdai tokushu kanazukai has a profound effect on etymology. It was once thought that /kami/ "above" and /kami/ "god" shared the same etymology, a god being an entity high above. However, after the discovery, it is known that "above" is /kami1/ while "god" is /kami2/. Thus, they are distinct words.
Man'yōgana chart
Following is a chart listing syllable and man'yōgana correspondences./a/ | 阿 | 安 | 婀 | 鞅 | 英 | 吾 | 足 | 嗚呼 | ||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
/i/ | 伊 | 夷 | 怡 | 以 | 異 | 已 | 移 | 易 | 揖 | 因 | 印 | 壹 | 射 | 胆 | 五十 | 馬聲 | ||||||||||||||
/u/ | 汗 | 有 | 宇 | 于 | 羽 | 烏 | 紆 | 萬 | 雲 | 鬱 | 菟 | 鵜 | 卯 | 鸕 | 得 | |||||||||||||||
/e/ | 衣 | 愛 | 依 | 亞 | 哀 | 埃 | 榎 | 荏 | 得 | 可愛 | ||||||||||||||||||||
/o/ | 意 | 於 | 隱 | 飫 | 淤 | 憶 | 應 | 邑 | 磤 | 乙 | ||||||||||||||||||||
/ka/ | 加 | 可 | 賀 | 珂 | 迦 | 訶 | 箇 | 嘉 | 架 | 伽 | 歌 | 舸 | 軻 | 柯 | 介 | 甘 | 敢 | 甲 | 漢 | 干 | 葛 | 香 | 各 | 覺 | 髮 | 鹿 | 蚊 | 芳 | 歟 | |
/ga/ | 奇 | 宜 | 何 | 我 | 賀 | 河 | 蛾 | 餓 | 峨 | 俄 | 鵝 | |||||||||||||||||||
/ki1/ | 支 | 吉 | 岐 | 伎 | 棄 | 枳 | 企 | 耆 | 祇 | 祁 | 寸 | 杵 | 來 | |||||||||||||||||
/ki2/ | 歸 | 貴 | 紀 | 幾 | 奇 | 騎 | 綺 | 寄 | 記 | 基 | 機 | 己 | 既 | 氣 | 城 | 木 | 樹 | 黄 | ||||||||||||
/gi1/ | 藝 | 祇 | 岐 | 伎 | 儀 | 蟻 | 𡺸 | |||||||||||||||||||||||
/gi2/ | 疑 | 宜 | 義 | 擬 | ||||||||||||||||||||||||||
/ku/ | 久 | 玖 | 口 | 句 | 群 | 苦 | 丘 | 九 | 鳩 | 倶 | 區 | 勾 | 矩 | * | 衢 | 窶 | 屨 | 君 | 訓 | 菊 | 來 | |||||||||
/gu/ | 具 | 遇 | 求 | 隅 | 虞 | 愚 | 群 | |||||||||||||||||||||||
/ke1/ | 祁 | 家 | 計 | 鶏 | 介 | 奚 | 谿 | 價 | 係 | 結 | 稽 | 啓 | 兼 | 監 | 險 | 異 | ||||||||||||||
/ke2/ | 居 | 氣 | 希 | 擧 | 既 | 該 | 戒 | 階 | 開 | 愷 | 凱 | 慨 | 概 | 毛 | 食 | 飼 | 消 | 笥 | ||||||||||||
/ge1/ | 下 | 牙 | 雅 | 夏 | 霓 | |||||||||||||||||||||||||
/ge2/ | 義 | 宜 | 㝵 | 礙 | 皚 | |||||||||||||||||||||||||
/ko1/ | 古 | 故 | 高 | 庫 | 祜 | 姑 | 狐 | 枯 | 固 | 顧 | 子 | 兒 | 籠 | 小 | 粉 | |||||||||||||||
/ko2/ | 己 | 許 | 巨 | 居 | 去 | 虚 | 忌 | 擧 | * | 拠 | 渠 | 金 | 今 | 近 | 乞 | 興 | 木 | |||||||||||||
/go1/ | 胡 | 呉 | 候 | 後 | 虞 | 吾 | 誤 | 悟 | 娯 |
Development
The distinction between /mo1/ and /mo2/ is only made in the oldest text: KojikiKojiki
is the oldest extant chronicle in Japan, dating from the early 8th century and composed by Ō no Yasumaro at the request of Empress Gemmei. The Kojiki is a collection of myths concerning the origin of the four home islands of Japan, and the Kami...
. After that, they merged into /mo/.
In later texts, confusion between type A and B can be seen. Nearly all of the A/B distinctions had vanished by the Classical Japanese
Classical Japanese language
The is the literary form of the Japanese language that was the standard until the early Shōwa period . It is based on Early Middle Japanese, the language as spoken during the Heian era , but exhibits some later influences. Its use started to decline during the late Meiji period when novelists...
period. As seen in early Heian Period
Heian period
The is the last division of classical Japanese history, running from 794 to 1185. The period is named after the capital city of Heian-kyō, or modern Kyōto. It is the period in Japanese history when Buddhism, Taoism and other Chinese influences were at their height...
texts such as Kogo Shūi
Kogo Shui
is a historical record of the Inbe clan. It was composed by Inbe no Hironari in 807.-Background:Historically, both the Inbe and Nakatomi clans had long performed religious services for the court. However, at the beginning of the Heian period, the Fujiwara clan, whom the Nakatomi clan are a branch...
, the final syllables to be distinguished were /ko1, go1/ and /ko2, go2/. After the merger, CV1 and CV2 became CV.
See also
- Kogo ShūiKogo Shuiis a historical record of the Inbe clan. It was composed by Inbe no Hironari in 807.-Background:Historically, both the Inbe and Nakatomi clans had long performed religious services for the court. However, at the beginning of the Heian period, the Fujiwara clan, whom the Nakatomi clan are a branch...
, an 807 text that maintains several historical phonetic distinctions - Tōdaiji FujumonkōTōdaiji Fujumonkōis an early ninth century Buddhist text. It is best known as a valuable resource for Japanese historical linguistics as well as Buddhist history.-Manuscript:...
, a c. 9th text that maintains /ko2, ko2/ distinction