Jean-François Millet
Encyclopedia
Jean-François Millet was a French painter
and one of the founders of the Barbizon school
in rural France
. Millet is noted for his scenes of peasant
farmers; he can be categorized as part of the naturalism and realism
movements.
(Normandy
). Under the guidance of two village priests, Millet acquired a knowledge of Latin and modern authors, before being sent to Cherbourg in 1833 to study with a portrait painter named Paul Dumouchel. By 1835 he was studying full-time with Lucien-Théophile Langlois, a pupil of Baron Gros, in Cherbourg
. A stipend provided by Langlois and others enabled Millet to move to Paris
in 1837, where he studied at the École des Beaux-Arts
with Paul Delaroche. In 1839 his scholarship was terminated, and his first submission to the Salon
was rejected.
, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre
with Catherine Lemaire, whom he would marry in a civil ceremony in 1853; they would have nine children, and remain together for the rest of Millet's life. In Le Havre he painted portraits and small genre pieces for several months, before moving back to Paris.
_005.jpg)
It was in Paris in the middle 1840s that Millet befriended Constant Troyon
, Narcisse Diaz, Charles Jacque
, and Théodore Rousseau
, artists who, like Millet, would become associated with the Barbizon school; Honoré Daumier
, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer. In 1847 his first Salon success came with the exhibition of a painting Oedipus Taken down from the Tree, and in 1848 his Winnower was bought by the government.
The Captivity of the Jews in Babylon, Millet's most ambitious work at the time, was unveiled at the Salon of 1848, but was scorned by art critics and the public alike. The painting eventually disappeared shortly thereafter, leading historians to believe that Millet destroyed it. In 1984, scientists at the Museum of Fine Arts in Boston
x-rayed Millet's 1870 painting The Young Sherpherdess looking for minor changes, and discovered that it was painted over Captivity. It is now believed that Millet reused the canvas when materials were in short supply during the Franco-Prussian War
.
with Catherine and their children.
_013.jpg)
In 1850 Millet entered into an arrangement with Sensier, who provided the artist with materials and money in return for drawings and paintings, while Millet simultaneously was free to continue selling work to other buyers as well. At that year's Salon he exhibited Haymakers and The Sower, his first major masterpiece and the earliest of the iconic trio of paintings that would include The Gleaners and The Angelus.
From 1850 to 1853 Millet worked on Harvesters Resting (Ruth and Boaz), a painting he would consider his most important, and on which he worked the longest. Conceived to rival his heroes Michelangelo
and Poussin
, it was also the painting that marked his transition from the depiction of symbolic imagery of peasant life to that of contemporary social conditions. It was the only painting he ever dated, and was the first work to garner him official recognition, a second-class medal at the 1853 salon.
This is one of the most well known of Millet's paintings, The Gleaners
(1857). Walking the fields around Barbizon one theme returned to Millet's pencil and brush for seven years—gleaning—the centuries old right of poor women and children to remove the bits of grain left in the fields following the harvest. He found the theme an eternal one, linked to stories from the Old Testament. In 1857, he submitted the painting The Gleaners to the Salon to an unenthusiastic, even hostile, public.
(Earlier versions include a vertical composition painted in 1854, an etching of 1855-56 which directly presaged the horizontal format of the painting now in the Musée d'Orsay.)
A warm golden light suggests something sacred and eternal in this daily scene where the struggle to survive takes place. During his years of preparatory studies Millet contemplated how to best convey the sense of repetition and fatigue in the peasants' daily lives. Lines traced over each woman’s back lead to the ground and then back up in a repetitive motion identical to their unending, backbreaking labor. Along the horizon, the setting sun silhouettes the farm with its abundant stacks of grain, in contrast to the large shadowy figures in the foreground. The dark homespun dresses of the gleaners cut robust forms against the golden field, giving each woman a noble, monumental strength.
_001.jpg)
The painting was commissioned by Thomas Gold Appleton, an American art collector who was based in Boston, Massachusetts, and who had previously studied with Barbizon painter, Constant Troyon
, a friend of Millet's. It was completed during the summer of 1857. Millet added a steeple and changed the initial title of the work, Prayer for the Potato Crop to The Angelus when the purchaser failed to take possession in 1859. Displayed to the public for the first time in 1865, the painting changed hands several times, increasing only modestly in value, since some considered the artist's political sympathies suspect. Upon Millet's death a decade later, a bidding war between the US and France ensued, ending some years later with a price tag of 800,000 gold francs.
The disparity between the apparent value of the painting and the poor estate of Millet's surviving family was a major impetus in the invention of the droit de suite
, intended to compensate artists or their heirs when works are resold.
hosted a major showing of his work, with the Gleaners, Angelus, and Potato Planters among the paintings exhibited. The following year Frédéric Hartmann commissioned Four Seasons for 25,000 francs, and Millet was named Chevalier de la Légion d'Honneur.
In 1870 Millet was elected to the Salon jury. Later that year he and his family fled the Franco-Prussian War
, moving to Cherbourg and Gréville, and did not return to Barbizon until late in 1871. His last years were marked by financial success and increased official recognition, but he was unable to fulfill government commissions due to failing health. On January 3, 1875 he married Catherine in a religious ceremony. Millet died on January 20, 1875.
, particularly during his early period. Millet and his work are mentioned many times in Vincent's letters to his brother Theo. Millet's late landscapes would serve as influential points of reference to Claude Monet
's paintings of the coast of Normandy
; his structural and symbolic content influenced Georges Seurat as well.
Millet is the main protagonist of Mark Twain
's play Is He Dead?
(1898), in which he is depicted as a struggling young artist who fakes his death to score fame and fortune. Most of the details about Millet in the play are fictional.
Millet's painting L'homme à la houe inspired the famous poem "The Man With the Hoe
" (1898) by Edwin Markham
.
The Angelus was reproduced frequently in the 19th and 20th centuries. Salvador Dalí
was fascinated by this work, and wrote an analysis of it, The Tragic Myth of The Angelus of Millet. Rather than seeing it as a work of spiritual peace, Dalí believed it held messages of repressed sexual aggression. Dalí was also of the opinion that the two figures were praying over their buried child, rather than to the Angelus
. Dalí was so insistent on this fact that eventually an X-ray was done of the canvas, confirming his suspicions: the painting contains a painted-over geometric shape strikingly similar to a coffin. However, it is unclear whether Millet changed his mind on the meaning of the painting, or even if the shape actually is a coffin.
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
and one of the founders of the Barbizon school
Barbizon school
The Barbizon school of painters were part of a movement towards realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870...
in rural France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
. Millet is noted for his scenes of peasant
Peasant
A peasant is an agricultural worker who generally tend to be poor and homeless-Etymology:The word is derived from 15th century French païsant meaning one from the pays, or countryside, ultimately from the Latin pagus, or outlying administrative district.- Position in society :Peasants typically...
farmers; he can be categorized as part of the naturalism and realism
Realism (arts)
Realism in the visual arts and literature refers to the general attempt to depict subjects "in accordance with secular, empirical rules", as they are considered to exist in third person objective reality, without embellishment or interpretation...
movements.
Youth
Millet was the first child of Jean-Louis-Nicolas and Aimée-Henriette-Adélaïde Henry Millet, members of the peasant community in the village of Gruchy, in Gréville-HagueGréville-Hague
Gréville-Hague is a commune in the Manche department in Normandy in north-western France.-See also:*Communes of the Manche department...
(Normandy
Normandy
Normandy is a geographical region corresponding to the former Duchy of Normandy. It is in France.The continental territory covers 30,627 km² and forms the preponderant part of Normandy and roughly 5% of the territory of France. It is divided for administrative purposes into two régions:...
). Under the guidance of two village priests, Millet acquired a knowledge of Latin and modern authors, before being sent to Cherbourg in 1833 to study with a portrait painter named Paul Dumouchel. By 1835 he was studying full-time with Lucien-Théophile Langlois, a pupil of Baron Gros, in Cherbourg
Cherbourg-Octeville
-Main sights:* La Glacerie has a race track.* The Cité de la Mer is a large museum devoted to scientific and historical aspects of maritime subjects.* Cherbourg Basilica* Jardin botanique de la Roche Fauconnière, a private botanical garden.* Le Trident theatre...
. A stipend provided by Langlois and others enabled Millet to move to Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
in 1837, where he studied at the École des Beaux-Arts
École des Beaux-Arts
École des Beaux-Arts refers to a number of influential art schools in France. The most famous is the École nationale supérieure des Beaux-Arts, now located on the left bank in Paris, across the Seine from the Louvre, in the 6th arrondissement. The school has a history spanning more than 350 years,...
with Paul Delaroche. In 1839 his scholarship was terminated, and his first submission to the Salon
Paris Salon
The Salon , or rarely Paris Salon , beginning in 1725 was the official art exhibition of the Académie des Beaux-Arts in Paris, France. Between 1748–1890 it was the greatest annual or biannual art event in the Western world...
was rejected.
Paris
After his first painting, a portrait, was accepted at the Salon of 1840, Millet returned to Cherbourg to begin a career as a portrait painter. However, the following year he married Pauline-Virginie Ono, and they moved to Paris. After rejections at the Salon of 1843 and Pauline's death by consumptionTuberculosis
Tuberculosis, MTB, or TB is a common, and in many cases lethal, infectious disease caused by various strains of mycobacteria, usually Mycobacterium tuberculosis. Tuberculosis usually attacks the lungs but can also affect other parts of the body...
, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre
Le Havre
Le Havre is a city in the Seine-Maritime department of the Haute-Normandie region in France. It is situated in north-western France, on the right bank of the mouth of the river Seine on the English Channel. Le Havre is the most populous commune in the Haute-Normandie region, although the total...
with Catherine Lemaire, whom he would marry in a civil ceremony in 1853; they would have nine children, and remain together for the rest of Millet's life. In Le Havre he painted portraits and small genre pieces for several months, before moving back to Paris.
Constant Troyon
Constant Troyon , French painter, was born in Sèvres, near Paris, where his father was connected with the famous manufactory of porcelain....
, Narcisse Diaz, Charles Jacque
Charles Jacque
Charles-Emile Jacque was a French painter of animals and engraver who was, with Jean-François Millet, part of the Barbizon School...
, and Théodore Rousseau
Théodore Rousseau
Pierre Étienne Théodore Rousseau , French painter of the Barbizon school, was born in Paris, of a bourgeois family.-Youth:At first he received a business training, but soon displayed aptitude for painting...
, artists who, like Millet, would become associated with the Barbizon school; Honoré Daumier
Honoré Daumier
Honoré Daumier was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century....
, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer. In 1847 his first Salon success came with the exhibition of a painting Oedipus Taken down from the Tree, and in 1848 his Winnower was bought by the government.
The Captivity of the Jews in Babylon, Millet's most ambitious work at the time, was unveiled at the Salon of 1848, but was scorned by art critics and the public alike. The painting eventually disappeared shortly thereafter, leading historians to believe that Millet destroyed it. In 1984, scientists at the Museum of Fine Arts in Boston
Museum of Fine Arts, Boston
The Museum of Fine Arts in Boston, Massachusetts, is one of the largest museums in the United States, attracting over one million visitors a year. It contains over 450,000 works of art, making it one of the most comprehensive collections in the Americas...
x-rayed Millet's 1870 painting The Young Sherpherdess looking for minor changes, and discovered that it was painted over Captivity. It is now believed that Millet reused the canvas when materials were in short supply during the Franco-Prussian War
Franco-Prussian War
The Franco-Prussian War or Franco-German War, often referred to in France as the 1870 War was a conflict between the Second French Empire and the Kingdom of Prussia. Prussia was aided by the North German Confederation, of which it was a member, and the South German states of Baden, Württemberg and...
.
Barbizon
In 1849 Millet painted Harvesters, a commission for the state. In the Salon of that year he exhibited Shepherdess Sitting at the Edge of the Forest, a very small oil which marked a turning away from previous idealized pastoral subjects, in favor of a more realistic and personal approach. In June of that year he settled in BarbizonBarbizon
Barbizon is a commune in the Seine-et-Marne department in north-central France. It is located near the Fontainebleau Forest.-Art history:The Barbizon school of painters is named after the village; Théodore Rousseau and Jean-François Millet, leaders of the school, made their homes and died in the...
with Catherine and their children.
From 1850 to 1853 Millet worked on Harvesters Resting (Ruth and Boaz), a painting he would consider his most important, and on which he worked the longest. Conceived to rival his heroes Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
and Poussin
Poussin
Poussin refers to:*Charles Jean de la Vallée-Poussin Belgian mathematician*Charles-Louis-Joseph-Xavier de la Vallée-Poussin Belgian geologist and mineralogist, father of Charles Jean*Nicolas Poussin , French painter...
, it was also the painting that marked his transition from the depiction of symbolic imagery of peasant life to that of contemporary social conditions. It was the only painting he ever dated, and was the first work to garner him official recognition, a second-class medal at the 1853 salon.
The Gleaners
The Gleaners
The Gleaners is an oil painting by Jean-François Millet completed in 1857. It depicts three peasant women gleaning a field of stray grains of wheat after the harvest...
(1857). Walking the fields around Barbizon one theme returned to Millet's pencil and brush for seven years—gleaning—the centuries old right of poor women and children to remove the bits of grain left in the fields following the harvest. He found the theme an eternal one, linked to stories from the Old Testament. In 1857, he submitted the painting The Gleaners to the Salon to an unenthusiastic, even hostile, public.
(Earlier versions include a vertical composition painted in 1854, an etching of 1855-56 which directly presaged the horizontal format of the painting now in the Musée d'Orsay.)
A warm golden light suggests something sacred and eternal in this daily scene where the struggle to survive takes place. During his years of preparatory studies Millet contemplated how to best convey the sense of repetition and fatigue in the peasants' daily lives. Lines traced over each woman’s back lead to the ground and then back up in a repetitive motion identical to their unending, backbreaking labor. Along the horizon, the setting sun silhouettes the farm with its abundant stacks of grain, in contrast to the large shadowy figures in the foreground. The dark homespun dresses of the gleaners cut robust forms against the golden field, giving each woman a noble, monumental strength.
The Angelus
Constant Troyon
Constant Troyon , French painter, was born in Sèvres, near Paris, where his father was connected with the famous manufactory of porcelain....
, a friend of Millet's. It was completed during the summer of 1857. Millet added a steeple and changed the initial title of the work, Prayer for the Potato Crop to The Angelus when the purchaser failed to take possession in 1859. Displayed to the public for the first time in 1865, the painting changed hands several times, increasing only modestly in value, since some considered the artist's political sympathies suspect. Upon Millet's death a decade later, a bidding war between the US and France ensued, ending some years later with a price tag of 800,000 gold francs.
The disparity between the apparent value of the painting and the poor estate of Millet's surviving family was a major impetus in the invention of the droit de suite
Droit de suite
Droit de suite is a right granted to artists or their heirs, in some jurisdictions, to receive a fee on the resale of their works of art...
, intended to compensate artists or their heirs when works are resold.
Later years
Despite mixed reviews of the paintings he exhibited at the Salon, Millet's reputation and success grew through the 1860s. At the beginning of the decade he contracted to paint 25 works in return for a monthly stipend for the next three years, and in 1865 another patron, Emile Gavet, began commissioning pastels for a collection that would eventually include 90 works. In 1867 the Exposition UniverselleExposition Universelle (1867)
The Exposition Universelle of 1867 was a World Exposition held in Paris, France, in 1867.-Conception:In 1864, Emperor Napoleon III decreed that an international exposition should be held in Paris in 1867. A commission was appointed with Prince Jerome Napoleon as president, under whose direction...
hosted a major showing of his work, with the Gleaners, Angelus, and Potato Planters among the paintings exhibited. The following year Frédéric Hartmann commissioned Four Seasons for 25,000 francs, and Millet was named Chevalier de la Légion d'Honneur.
In 1870 Millet was elected to the Salon jury. Later that year he and his family fled the Franco-Prussian War
Franco-Prussian War
The Franco-Prussian War or Franco-German War, often referred to in France as the 1870 War was a conflict between the Second French Empire and the Kingdom of Prussia. Prussia was aided by the North German Confederation, of which it was a member, and the South German states of Baden, Württemberg and...
, moving to Cherbourg and Gréville, and did not return to Barbizon until late in 1871. His last years were marked by financial success and increased official recognition, but he was unable to fulfill government commissions due to failing health. On January 3, 1875 he married Catherine in a religious ceremony. Millet died on January 20, 1875.
Legacy
Millet was an important source of inspiration for Vincent van GoghVincent van Gogh
Vincent Willem van Gogh , and used Brabant dialect in his writing; it is therefore likely that he himself pronounced his name with a Brabant accent: , with a voiced V and palatalized G and gh. In France, where much of his work was produced, it is...
, particularly during his early period. Millet and his work are mentioned many times in Vincent's letters to his brother Theo. Millet's late landscapes would serve as influential points of reference to Claude Monet
Claude Monet
Claude Monet was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. . Retrieved 6 January 2007...
's paintings of the coast of Normandy
Normandy
Normandy is a geographical region corresponding to the former Duchy of Normandy. It is in France.The continental territory covers 30,627 km² and forms the preponderant part of Normandy and roughly 5% of the territory of France. It is divided for administrative purposes into two régions:...
; his structural and symbolic content influenced Georges Seurat as well.
Millet is the main protagonist of Mark Twain
Mark Twain
Samuel Langhorne Clemens , better known by his pen name Mark Twain, was an American author and humorist...
's play Is He Dead?
Is He Dead?
Is He Dead? is a play by Mark Twain. It was first published in print in 2003, after Mark Twain scholar Shelley Fisher Fishkin read the manuscript in the archives of the Mark Twain Papers at the University of California at Berkeley. The play was long known to scholars but never attracted much...
(1898), in which he is depicted as a struggling young artist who fakes his death to score fame and fortune. Most of the details about Millet in the play are fictional.
Millet's painting L'homme à la houe inspired the famous poem "The Man With the Hoe
The Man With the Hoe
The Man With the Hoe is a famous poem written by Edwin Markham inspired by the painting L'homme à la houe by Jean-François Millet; it was first presented as a public poetry reading at a New Year's Eve party in 1898, and published soon afterwards...
" (1898) by Edwin Markham
Edwin Markham
Charles Edwin Anson Markham was an American poet. From 1923 to 1931 he was Poet Laureate of Oregon.-Life:Edwin Markham was born in Oregon City, Oregon and was the youngest of 10 children; his parents divorced shortly after his birth...
.
The Angelus was reproduced frequently in the 19th and 20th centuries. Salvador Dalí
Salvador Dalí
Salvador Domènec Felip Jacint Dalí i Domènech, Marquis de Púbol , commonly known as Salvador Dalí , was a prominent Spanish Catalan surrealist painter born in Figueres,Spain....
was fascinated by this work, and wrote an analysis of it, The Tragic Myth of The Angelus of Millet. Rather than seeing it as a work of spiritual peace, Dalí believed it held messages of repressed sexual aggression. Dalí was also of the opinion that the two figures were praying over their buried child, rather than to the Angelus
Angelus
The Angelus is a Christian devotion in memory of the Incarnation. The name Angelus is derived from the opening words: Angelus Domini nuntiavit Mariæ The Angelus (Latin for "angel") is a Christian devotion in memory of the Incarnation. The name Angelus is derived from the opening words: Angelus...
. Dalí was so insistent on this fact that eventually an X-ray was done of the canvas, confirming his suspicions: the painting contains a painted-over geometric shape strikingly similar to a coffin. However, it is unclear whether Millet changed his mind on the meaning of the painting, or even if the shape actually is a coffin.
External links
of the workshop of Jean-François Millet, Barbizon in France- jeanmillet.org; 125 works by Jean-François Millet
- Maura Coughlin's article on Millet's Norman milkmaids
- Influence on Van Gogh
- Influence on Dali - grieving parents or praying peasants in The Angelus?