Indeterminacy in music
Encyclopedia
Indeterminacy in music, which began early in the twentieth century in the music of Charles Ives
, and was continued in the 1930s by Henry Cowell
and carried on by his student, the experimental music
composer John Cage
beginning in 1951 (Griffiths 2001), came to refer to the (mostly American) movement which grew up around Cage. This group included the other members of the so-called New York School: Earle Brown
, Morton Feldman
and Christian Wolff
. Others working in this way included the Scratch Orchestra
in the United Kingdom (1968 until the early 1970s) and the Japanese composer Toshi Ichiyanagi
(born 1933).
at the same time. Subsequently, Cage added still more stories, and published a selection of them, partly as an article, "Indeterminacy" (Cage 1961, 260–73), and partly as scattered interludes throughout his first collection of writings, Silence (Cage 1961).
One strand of indeterminacy in music sees it as an aesthetic endeavour that strives to dissolve any fixed properties of music sound into a fluid process and do away with the traditional control of the composer over the material. In its most radical form, all sounds have equal value: sounds chosen by the composer, by the performer, and all the unforeseen and unpredictable sounds that surround us every day. Indeterminacy in this view is philosophically opposed to aleatoric music
: there the indeterminate element was kept under careful control by the composer, usually by offering the performers a limited number of possibilities from which to choose.
Charles Ives
Charles Edward Ives was an American modernist composer. He is one of the first American composers of international renown, though Ives' music was largely ignored during his life, and many of his works went unperformed for many years. Over time, Ives came to be regarded as an "American Original"...
, and was continued in the 1930s by Henry Cowell
Henry Cowell
Henry Cowell was an American composer, music theorist, pianist, teacher, publisher, and impresario. His contribution to the world of music was summed up by Virgil Thomson, writing in the early 1950s:...
and carried on by his student, the experimental music
Experimental music
Experimental music refers, in the English-language literature, to a compositional tradition which arose in the mid-20th century, applied particularly in North America to music composed in such a way that its outcome is unforeseeable. Its most famous and influential exponent was John Cage...
composer John Cage
John Cage
John Milton Cage Jr. was an American composer, music theorist, writer, philosopher and artist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde...
beginning in 1951 (Griffiths 2001), came to refer to the (mostly American) movement which grew up around Cage. This group included the other members of the so-called New York School: Earle Brown
Earle Brown
Earle Brown was an American composer who established his own formal and notational systems...
, Morton Feldman
Morton Feldman
Morton Feldman was an American composer, born in New York City.A major figure in 20th century music, Feldman was a pioneer of indeterminate music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown...
and Christian Wolff
Christian Wolff (composer)
Christian G. Wolff is an American composer of experimental classical music.-Biography:Wolff was born in Nice in France to German literary publishers Helen and Kurt Wolff, who had published works by Franz Kafka, Robert Musil, and Walter Benjamin. After relocating to the U.S...
. Others working in this way included the Scratch Orchestra
Scratch Orchestra
The Scratch Orchestra was an experimental musical ensemble founded in the spring of 1969 by Cornelius Cardew, Michael Parsons and Howard Skempton....
in the United Kingdom (1968 until the early 1970s) and the Japanese composer Toshi Ichiyanagi
Toshi Ichiyanagi
is a Japanese composer of avant-garde music. He studied with Tomojiro Ikenouchi and John Cage.One of his most notable works is the 1960 composition, Kaiki, which combined Japanese instruments, shō and koto, and western instruments, harmonica and saxophone. Another work Distance requires the...
(born 1933).
Definition
Any part of a musical work is indeterminate if it is chosen by chance, or if its performance is not precisely specified. The former case is called "indeterminacy of composition"; the latter is called "indeterminacy of performance" (Simms 1986, 357).History
In 1958 Cage gave two lectures in Europe, the first at Darmstadt, titled simply "Indeterminacy" (Cage 1961, 35–40), the second in Brussels called "Indeterminacy: New Aspect of Form in Instrumental and Electronic Music" (given again in an expanded form in 1959 at Teacher's College, Columbia). This second lecture consisted of a number of short stories (originally 30, expanded to ninety in the second version), each story read by Cage in exactly one minute; because of this time limit the speed of Cage's delivery varied enormously (Cage 1961, 260). The second performance and a subsequent recording (Cage 1959) contained music, also by Cage, played by David TudorDavid Tudor
David Eugene Tudor was an American pianist and composer of experimental music.- Biography :Tudor was born in Philadelphia, Pennsylvania. He studied piano with Irma Wolpe and composition with Stefan Wolpe and became known as one of the leading performers of avant garde piano music. He gave the...
at the same time. Subsequently, Cage added still more stories, and published a selection of them, partly as an article, "Indeterminacy" (Cage 1961, 260–73), and partly as scattered interludes throughout his first collection of writings, Silence (Cage 1961).
One strand of indeterminacy in music sees it as an aesthetic endeavour that strives to dissolve any fixed properties of music sound into a fluid process and do away with the traditional control of the composer over the material. In its most radical form, all sounds have equal value: sounds chosen by the composer, by the performer, and all the unforeseen and unpredictable sounds that surround us every day. Indeterminacy in this view is philosophically opposed to aleatoric music
Aleatoric music
Aleatoric music is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer...
: there the indeterminate element was kept under careful control by the composer, usually by offering the performers a limited number of possibilities from which to choose.
Discography
- Cage, John. 1959. Indeterminacy: New Aspects of Form in Instrumental and Electronic Music. Ninety Stories by John Cage, with Music. John Cage, reading; David Tudor, music (Cage, Solo for Piano from Concert for Piano and Orchestra, with Fontana Mix). Folkways FT 3704 (2 LPs). Reissued 1992 on Smithsonian/Folkways CD DF 40804/5 (2 CDs).