Il mondo della luna
Encyclopedia
Il mondo della luna Hob.
28/7, is an opera buffa
by Joseph Haydn
with a libretto by Carlo Goldoni
, first performed at Eszterháza
, Hungary
on 3 August 1777. Goldoni's libretto had previously been set by four other composers, first by the composer Baldassare Galuppi and performed in Venice in the carnival
of 1750. It was then adapted for Haydn's version of the opera, which would be performed during the wedding celebrations of Count Nikolaus Esterházy, the younger son of Haydn's patron, Prince Nikolaus Esterházy
, and the Countess Maria Anna Wissenwolf. It is sometimes performed as a singspiel
under its German title Die Welt auf dem Monde.
The roles of Ecclitico and Lisetta were written for Guglielmo Jermoli and his wife Maria Jermoli, but they left Eszterháza shortly before the premiere.
The opera is scored for two oboes, two bassoons, two horns, two trumpets, timpani, strings, continuo.
Ecclitico and his four students sing a hymn to the moon, and Ecclitico boasts of how he can dupe the foolish - such as Buonafede, who now appears. Buonafede does not have a clue what the moon is. Ecclitico explains to him that through his powerful telescope he will be able to see the moon's transparent surface all the way through the houses and able to spy on ladies as they undress before going to bed. Buonafede then attempts to view the moon through Ecclitico's telescope while Ecclitico's servants move caricatures in front of the telescope's lens. The trick works: Buonafede describes what he thinks he has seen: a very beautiful young girl caressing an old man, a husband ready to punish his wife for her infidelity, and a man who completely dominates his female lover.
He rewards Ecclitico with some coins and leaves.
Alone, Ecclitico muses that it is not the old man's money he wants, but to wed his daughter Clarice. Ernesto, a nobleman who is in love with Clarice's sister Flaminia, and his servant Cecco (in love with Buonafede's servant, Lisetta) now join Ecclitico. Buonafede intends to marry the sisters off to rich suitors.
Ecclitico assures Ernesto and Cecco that with a little money all their difficulties will be solved. In a more serious aria ("Begli occhi vezzosi"), Ernesto sings of Flaminia's eyes and awaits impatiently the moment in which the two of them will spend their lives together. Cecco, for his part, is convinced that everyone's playing games and insistently points out the comic side of life.
A room in Buonafede's house:
The sisters Clarice and Flaminia dream of escaping their tyrannical father. In a long aria, Flaminia recognises that even if reason is to dominate the soul, when love intervenes it takes control of everything. Buonafede mocks Clarice's stubbornness but she answers back, threatening him that she will find a husband for herself if he is not capable of providing one for her. The two sisters are clearly differentiated: Clarice is down to earth and her arias are full of determined pragmatism. Buonafede invites Lisetta (his daughters' maid) to share the wonders he has seen through the telescope, in an attempt to win her over. Interested in his money, she reassures him of her love for him, her fidelity and her virtues, none of which is true.
Ecclitico arrives and tells Buonafede that the Emperor of the Moon has invited him to his court. By drinking an elixir he will be transported to the moon.
Buonafede is tempted to travel with him and, therefore, asks for some of the liquor. Ecclitico agrees and, pretending to drink half of it, gives the rest to Buonafede who drinks it, falls asleep, and dreams of flying to the moon. Clarice and Lisetta believe at first that he is dead, then console themselves with the inheritance they will be getting.
Ecclitico and Ernesto discuss the progress of their plot, and when Buonafede awakens he is convinced he is on the moon. He is entertained by a ballet and clothed in elegant gowns. Ecclitico tells him that he will be joined by his daughters and servant. According to lunar custom the women will be meek. Cecco appears disguised as the Emperor of the Moon, with Ernesto as the star Hesperus. Buonafede, delighted with life on the moon, is entertained by another ballet. When Lisetta enters, Buonafede tries to court her, but Cecco asks her to become Empress of the Moon. Lisetta, not fully aware of the plot, is at first puzzled. The two daughters arrive and pay homage to the Emperor in a nonsense ceremony. Flaminia goes off with Ernesto and Clarice with Ecclitico, while Cecco prepares to crown Lisetta as Empress. In the confusion of the masquerade, Buonafede is tricked into consenting to the three marriages, only realising that he has been duped when it is too late.
The conspirators, back in normal dress, have locked Buonafede in his own house - the price of his freedom will be forgiveness for his daughters and their dowries. At last he yields.
A starlit night with a full moon:
Clarice and Ecclitico sing of their love. Buonafede repents of his previous strictness and there is general rejoicing and celebration.
, in the opera it finishes on an open cadence.
Throughout the opera the key of E flat is associated with the moon; the 18th century often linked the key with darkness and sleep.
In this opera Haydn moved to a new level of inspiration in the noble arias he writes for his serious characters Flaminia and Ernesto and the evocative music for the flight to the moon in Act 1. Several numbers (vocal and instrumental) combine triple metre and a slow to moderato tempo. Flaminia’s Act I "Ragion nell’alma siede" has the typical form and coloratura of opera seria, while Lisetta’s "Se lo comanda" in Act II mixes comic and serious styles.
The ballet interludes in Act II create an imaginary world with off-stage horns and bassoons and string harmonics. By contrast the G minor sinfonia which starts Act III depicts the inner rage of the duped Buonafede.
Haydn re-used parts of the opera in trios for flute, violin and cello (Hob IV:6-11) and Ernesto’s "Qualche volta non fa male" become the Benedictus of the Mariazeller Mass (Hob XXII:8).
at the Holland Festival
in 1959.
Jeff Clarke's The English Players revived the opera in 1992, and many other small and student opera companies have done so. Clarke's Opera della Luna
, named for the piece, presented the work at the Ilford Opera Festival in 2006.
More recently a co-production was seen at the Berlin Staatsoper
and Innsbruck Festival in 2002 conducted by René Jacobs, the work was presented as part of the 2008 Drottningholm Festival
, and was produced in Vienna
in December 2009, conducted by Nikolaus Harnoncourt
, with Vivica Genaux
. The Gotham Chamber Opera
presented Il mondo della luna at the Hayden Planetarium
in New York City in January 2010, transforming the planetarium into an opera house using the 180-degree dome and projections courtesy of NASA; the director was Diane Paulus
.
Hoboken-Verzeichnis
The Hoboken-Verzeichnis is the catalogue of over 750 works by Joseph Haydn as compiled by Anthony van Hoboken.Unlike Ludwig von Köchel's catalogue of Wolfgang Amadeus Mozart's works, or Otto Erich Deutsch's catalogue of Franz Schubert's works, which are both arranged chronologically by date of...
28/7, is an opera buffa
Opera buffa
Opera buffa is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ‘commedia in musica’, ‘commedia per musica’, ‘dramma bernesco’, ‘dramma comico’, ‘divertimento giocoso' etc...
by Joseph Haydn
Joseph Haydn
Franz Joseph Haydn , known as Joseph Haydn , was an Austrian composer, one of the most prolific and prominent composers of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms...
with a libretto by Carlo Goldoni
Carlo Goldoni
Carlo Osvaldo Goldoni was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty...
, first performed at Eszterháza
Eszterháza
Esterháza is a palace in Fertőd, Hungary, built by Prince Nikolaus Esterházy. Sometimes called the "Hungarian Versailles", it is Hungary's grandest Rococo edifice.-History:...
, Hungary
Hungary
Hungary , officially the Republic of Hungary , is a landlocked country in Central Europe. It is situated in the Carpathian Basin and is bordered by Slovakia to the north, Ukraine and Romania to the east, Serbia and Croatia to the south, Slovenia to the southwest and Austria to the west. The...
on 3 August 1777. Goldoni's libretto had previously been set by four other composers, first by the composer Baldassare Galuppi and performed in Venice in the carnival
Carnival of Venice
The Carnival of Venice is an annual festival, held in Venice, Italy. The Carnival starts 40 days before easter and ends on Shrove Tuesday , the day before Ash Wednesday.-History:...
of 1750. It was then adapted for Haydn's version of the opera, which would be performed during the wedding celebrations of Count Nikolaus Esterházy, the younger son of Haydn's patron, Prince Nikolaus Esterházy
Nikolaus Esterházy
Nikolaus Esterházy was a Hungarian prince, a member of the famous Esterházy family. His building of palaces, extravagant clothing, and taste for opera and other grand musical productions led to his being given the title "the Magnificent"...
, and the Countess Maria Anna Wissenwolf. It is sometimes performed as a singspiel
Singspiel
A Singspiel is a form of German-language music drama, now regarded as a genre of opera...
under its German title Die Welt auf dem Monde.
Roles
Role | Voice type | Premiere Cast, August 3, 1777 (Conductor: Joseph Haydn) |
---|---|---|
Ecclitico, a would-be astrologer | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
|
Ernesto, a cavalier | contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above... castrato Castrato A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's... |
Pietro Gherardi |
Buonafede | bass | Benedetto Bianchi |
Clarice, daughter of Buonafede | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Catarina Poschwa |
Flaminia, another daughter of Buonafede | soprano | Marianna Puttler |
Lisetta, maid of Buonafede | mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... |
|
Cecco, servant of Ernesto | tenor | Leopold Dichtler |
Four scholars and noblemen |
The roles of Ecclitico and Lisetta were written for Guglielmo Jermoli and his wife Maria Jermoli, but they left Eszterháza shortly before the premiere.
The opera is scored for two oboes, two bassoons, two horns, two trumpets, timpani, strings, continuo.
Act 1
A terrace in the house of the bogus astronomer Ecclitico; an observatory tower with a telescope. A starlit night, with full moon:Ecclitico and his four students sing a hymn to the moon, and Ecclitico boasts of how he can dupe the foolish - such as Buonafede, who now appears. Buonafede does not have a clue what the moon is. Ecclitico explains to him that through his powerful telescope he will be able to see the moon's transparent surface all the way through the houses and able to spy on ladies as they undress before going to bed. Buonafede then attempts to view the moon through Ecclitico's telescope while Ecclitico's servants move caricatures in front of the telescope's lens. The trick works: Buonafede describes what he thinks he has seen: a very beautiful young girl caressing an old man, a husband ready to punish his wife for her infidelity, and a man who completely dominates his female lover.
He rewards Ecclitico with some coins and leaves.
Alone, Ecclitico muses that it is not the old man's money he wants, but to wed his daughter Clarice. Ernesto, a nobleman who is in love with Clarice's sister Flaminia, and his servant Cecco (in love with Buonafede's servant, Lisetta) now join Ecclitico. Buonafede intends to marry the sisters off to rich suitors.
Ecclitico assures Ernesto and Cecco that with a little money all their difficulties will be solved. In a more serious aria ("Begli occhi vezzosi"), Ernesto sings of Flaminia's eyes and awaits impatiently the moment in which the two of them will spend their lives together. Cecco, for his part, is convinced that everyone's playing games and insistently points out the comic side of life.
A room in Buonafede's house:
The sisters Clarice and Flaminia dream of escaping their tyrannical father. In a long aria, Flaminia recognises that even if reason is to dominate the soul, when love intervenes it takes control of everything. Buonafede mocks Clarice's stubbornness but she answers back, threatening him that she will find a husband for herself if he is not capable of providing one for her. The two sisters are clearly differentiated: Clarice is down to earth and her arias are full of determined pragmatism. Buonafede invites Lisetta (his daughters' maid) to share the wonders he has seen through the telescope, in an attempt to win her over. Interested in his money, she reassures him of her love for him, her fidelity and her virtues, none of which is true.
Ecclitico arrives and tells Buonafede that the Emperor of the Moon has invited him to his court. By drinking an elixir he will be transported to the moon.
Buonafede is tempted to travel with him and, therefore, asks for some of the liquor. Ecclitico agrees and, pretending to drink half of it, gives the rest to Buonafede who drinks it, falls asleep, and dreams of flying to the moon. Clarice and Lisetta believe at first that he is dead, then console themselves with the inheritance they will be getting.
Act 2
Ecclitico's garden, decorated so as to convince Buonafede that he is on the moon:Ecclitico and Ernesto discuss the progress of their plot, and when Buonafede awakens he is convinced he is on the moon. He is entertained by a ballet and clothed in elegant gowns. Ecclitico tells him that he will be joined by his daughters and servant. According to lunar custom the women will be meek. Cecco appears disguised as the Emperor of the Moon, with Ernesto as the star Hesperus. Buonafede, delighted with life on the moon, is entertained by another ballet. When Lisetta enters, Buonafede tries to court her, but Cecco asks her to become Empress of the Moon. Lisetta, not fully aware of the plot, is at first puzzled. The two daughters arrive and pay homage to the Emperor in a nonsense ceremony. Flaminia goes off with Ernesto and Clarice with Ecclitico, while Cecco prepares to crown Lisetta as Empress. In the confusion of the masquerade, Buonafede is tricked into consenting to the three marriages, only realising that he has been duped when it is too late.
Act 3
A room in Ecclitico's house:The conspirators, back in normal dress, have locked Buonafede in his own house - the price of his freedom will be forgiveness for his daughters and their dowries. At last he yields.
A starlit night with a full moon:
Clarice and Ecclitico sing of their love. Buonafede repents of his previous strictness and there is general rejoicing and celebration.
Music
The overture in C major is notable for its long development section and symphonic character. Re-used with reduced orchestration as the first movement of his Symphony No 63Symphony No. 63 (Haydn)
The Symphony No. 63 in C major, Hoboken I/63, is a symphony by Joseph Haydn written sometime between 1779 and 1781. It is often known by the title of the second movement, La Roxelane, named for Roxelana, the influential wife of Suleiman the Magnificent of the Ottoman Empire...
, in the opera it finishes on an open cadence.
Throughout the opera the key of E flat is associated with the moon; the 18th century often linked the key with darkness and sleep.
In this opera Haydn moved to a new level of inspiration in the noble arias he writes for his serious characters Flaminia and Ernesto and the evocative music for the flight to the moon in Act 1. Several numbers (vocal and instrumental) combine triple metre and a slow to moderato tempo. Flaminia’s Act I "Ragion nell’alma siede" has the typical form and coloratura of opera seria, while Lisetta’s "Se lo comanda" in Act II mixes comic and serious styles.
The ballet interludes in Act II create an imaginary world with off-stage horns and bassoons and string harmonics. By contrast the G minor sinfonia which starts Act III depicts the inner rage of the duped Buonafede.
Haydn re-used parts of the opera in trios for flute, violin and cello (Hob IV:6-11) and Ernesto’s "Qualche volta non fa male" become the Benedictus of the Mariazeller Mass (Hob XXII:8).
Performance history
The opera was conducted by GiuliniCarlo Maria Giulini
Carlo Maria Giulini was an Italian conductor.-Biography:Giulini was born in Barletta, Italy, to a father born in Lombardy and a mother born in Naples; but he was raised in Bolzano, which at the time of his birth was part of Austria...
at the Holland Festival
Holland Festival
The Holland Festival is The Netherlands' oldest and largest performing arts festival, and takes place every June in Amsterdam. It comprises theater, music, opera and modern dance. In recent years, multimedia, visual arts, film and architecture were added to the festival roster...
in 1959.
Jeff Clarke's The English Players revived the opera in 1992, and many other small and student opera companies have done so. Clarke's Opera della Luna
Opera della Luna
Opera della Luna, founded in 1994, is a British touring theatre troupe of actor-singers focusing on comic works. Led by artistic director Jeff Clarke, it takes its name from Haydn's operatic setting of Goldoni's farce Il mondo della luna...
, named for the piece, presented the work at the Ilford Opera Festival in 2006.
More recently a co-production was seen at the Berlin Staatsoper
Berlin State Opera
The Staatsoper Unter den Linden is a German opera company. Its permanent home is the opera house on the Unter den Linden boulevard in the Mitte district of Berlin, which also hosts the Staatskapelle Berlin orchestra.-Early years:...
and Innsbruck Festival in 2002 conducted by René Jacobs, the work was presented as part of the 2008 Drottningholm Festival
Drottningholm Palace Theatre
The Drottningholm Palace Theatre is an opera house located at Drottningholm Palace in Stockholm, Sweden, which has been described by Per-Erik Öhrn, the theatre’s former artistic director, as "the Swedish jewel in our European cultural heritage crown of centuries-old theatres".Currently the...
, and was produced in Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
in December 2009, conducted by Nikolaus Harnoncourt
Nikolaus Harnoncourt
Nikolaus Harnoncourt is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble in the 1950s, and became a pioneer of the Early Music movement...
, with Vivica Genaux
Vivica Genaux
Vivica Genaux is an American coloratura mezzo-soprano. Her father, an American of Belgian-Welsh descent, was a biochemistry professor at the University of Alaska Fairbanks and her mother, Mexican-born of Swiss-German extraction, was a language teacher...
. The Gotham Chamber Opera
Gotham Chamber Opera
Gotham Chamber Opera is a professional opera company located in New York City, New York, and is a member of Opera America. The company specializes in producing rarely performed chamber operas from the Baroque era to the present. The company was founded in 2000 under the name of the Henry Street...
presented Il mondo della luna at the Hayden Planetarium
Hayden Planetarium
The Hayden Planetarium is a public planetarium, part of the Rose Center for Earth and Space of the American Museum of Natural History in New York City, currently directed by astrophysicist Dr. Neil deGrasse Tyson....
in New York City in January 2010, transforming the planetarium into an opera house using the 180-degree dome and projections courtesy of NASA; the director was Diane Paulus
Diane Paulus
Diane Paulus is an American director of theater and opera who became Artistic Director of the American Repertory Theater at Harvard University in 2009. Paulus was nominated for the Best Director Tony Award for her revival of Hair...
.
Recordings
- Il mondo della luna: Domenico Trimarchi, Luigi AlvaLuigi AlvaLuis Ernesto Alva y Talledo, better known as Luigi Alva is a Peruvian operatic tenor, active in the third quarter of the 20th century. He was admired for his purity of tone, the elegance of his phrasing and the clarity of his diction...
, Frederica von StadeFrederica von StadeFrederica von Stade is an American mezzo-soprano. Born in Somerville, New Jersey, she acquired the nickname "Flicka" in her childhood. Von Stade attended the Mannes College of Music in New York City. She made her debut with the Metropolitan Opera in 1970 and in 1971 appeared as Cherubino in The...
, Arleen AugerArleen AugerJoyce Arleen Auger was an American soprano singer, admired for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Gluck, and Mozart.-Biography:...
, Edith MathisEdith MathisEdith Mathis is a renowned Swiss soprano and a leading exponent of the works of Mozart. She studied in Lucerne and debuted there in 1956 in The Magic Flute...
, Lucia Valentini TerraniLucia Valentini TerraniLucia Valentini Terrani was an Italian coloratura mezzo-soprano, particularly associated with Rossini roles.-Life and career:...
, Anthony Rolfe JohnsonAnthony Rolfe JohnsonAnthony Rolfe Johnson, CBE was an English operatic tenor.-Life and career:Born in Tackley in Oxfordshire, Rolfe Johnson studied with Ellis Keeler and Vera Rosza at the Guildhall School of Music and Drama. He first appeared in opera in the chorus and in small roles at the Glyndebourne Festival...
, Lausanne Chamber OrchestraOrchestre de Chambre de LausanneThe Orchestre de Chambre de Lausanne is a Swiss chamber orchestra based in Lausanne, Switzerland.The violinist and conductor Victor Desarzens founded the orchestra in 1942, and served as its first artistic director for 30 years...
and Suisse Romande Radio Chorus, conducted by Antal DorátiAntal DorátiAntal Doráti, KBE was a Hungarian-born conductor and composer who became a naturalized American citizen in 1947.-Biography:...
(Philips, 1978)
Sources
- The Viking Opera Guide edited by Amanda Holden (Viking, 1993)
- The Earl of Harewood (Ed.), Kobbés Complete Opera Book. Putnam: London and New York, 1954
- Amadeus Almanac accessed 6 February 2010