Idiran-Culture War
Encyclopedia
The Idiran-Culture War is a major fiction
al conflict between the Idiran Empire and the Culture
in the midst of which Iain M. Banks' science fiction
novel Consider Phlebas
is set. His later book, Look to Windward
, contains many references to the war: particularly the induced supernova
e of two stars, which resulted in the death of billions of sentient creatures. References to the war can also be found in Excession
, Matter
and Surface Detail
.
It has been commented that the Idiran-Culture war, with its juxtaposition of a religiously fanatic species fighting (and eventually succumbing to) the atheistic Culture, shows the author's theme of "antipathy to religious belief, although nominally not to the believers". The commentator also refers to the war as a clash of civilizations in the sense of Samuel P. Huntington.
.
The conflict was one of principles; the Culture went to war because the Idirans' fanatical imperial expansion, justified on religious grounds, threatened the Culture's "moral right to exist". As the Culture saw it, the Idirans' extending sphere of influence would prevent them from improving the lives of those in less-advanced societies, and thus would greatly curtail the Culture's sense of purpose. As is the case with all major decisions, the decision on the part of the Culture to go to war was through direct vote
of the entire population. Academics who have analysed Bank's universe in comparison with real-world political thought have remarked that the decision of the Culture to go to war was a moral choice, rather than one of necessity, as the Culture could have easily avoided war.
The Idirans' decision to go to war is described as being founded in their philosophical, moral and religious distaste for the almost symbiotic nature of the Culture and the threat that their artificial intelligences were considered to be posing to the primacy and significance of biological life in the universe. Such fears were also found in many of those who supported the Idiran side during the war, as exemplified by Horza
, the protagonist in Consider Phlebas.
As Horza, a mercenary for the Idirans observes: "the conflict was inevitable"; the Idirans would not halt their expansion, because their faith wouldn't allow it; the Culture was so ill-defined, having no borders or laws, that it would also have grown ceaselessly. The two cultures would have been unlikely to forge a peaceful co-existence.
Initial stages of the conflict consisted of encounters in space, with Machine casualties (in the form of Drones and Modules of the Culture, and AI weapons of Idir) being the first losses of the war. During the process of consolidation of territories and volumes by both the Culture and Idir, warfare was initially limited to proxy warfare on selected planets, and the employment of mercenaries on both sides in order to use worlds at low levels of development as experimental laboratories for testing ideologies. Most proxy warfare was inconclusive, though it was coupled with the expansion of the Idiran Sphere.
The later stages of the war began with Culture strikes deep within the new Idiran zones of influence. As the Idirans were religiously committed to holding on to all of their conquests, these strikes forced them to divide their attentions. They were eventually overwhelmed by the Culture, a civilization they had not considered as having the requisite will to fight. Factors involved in the Culture victory were the vast productive capacities implied in its post-scarcity economy, its advanced technological level, and its superior war planning, all largely due to capabilities of Minds, the artificial sentiences leading the Culture.
The final stages of the war involved increasingly desperate attempts by the Idirans to stave off their defeat, the withdrawal of the Homomdan from the Idiran side (after suing for a separate peace with the Culture), and the confinement of the Idirans to limited, carefully watched zones.
and 3 spheres
, as well as the significant mass-loss or sequence-position alteration of 6 stars.
Despite the relatively small scale, in comparison with the rumoured conflicts of the past as referred to by the sublimed species of the galaxy, the Idiran-Culture war is considered one of the more significant events in the galactic history of the Culture setting.
Fiction
Fiction is the form of any narrative or informative work that deals, in part or in whole, with information or events that are not factual, but rather, imaginary—that is, invented by the author. Although fiction describes a major branch of literary work, it may also refer to theatrical,...
al conflict between the Idiran Empire and the Culture
The Culture
The Culture is a fictional interstellar anarchist, socialist, and utopian society created by the Scottish writer Iain M. Banks which features in a number of science fiction novels and works of short fiction by him, collectively called the Culture series....
in the midst of which Iain M. Banks' science fiction
Science fiction
Science fiction is a genre of fiction dealing with imaginary but more or less plausible content such as future settings, futuristic science and technology, space travel, aliens, and paranormal abilities...
novel Consider Phlebas
Consider Phlebas
Consider Phlebas, first published in 1987, is a space opera novel by Scottish writer Iain M. Banks. Written after a 1984 draft, it is the first to feature the Culture.-Overview:...
is set. His later book, Look to Windward
Look to Windward
Look to Windward is a science fiction novel by Scottish writer Iain M. Banks, first published in 2000. It is Banks' sixth published novel to feature The Culture.-Plot introduction:...
, contains many references to the war: particularly the induced supernova
Supernova
A supernova is a stellar explosion that is more energetic than a nova. It is pronounced with the plural supernovae or supernovas. Supernovae are extremely luminous and cause a burst of radiation that often briefly outshines an entire galaxy, before fading from view over several weeks or months...
e of two stars, which resulted in the death of billions of sentient creatures. References to the war can also be found in Excession
Excession
Excession, first published in 1996, is Scottish writer Iain M. Banks's fourth science fiction novel to feature the Culture. It concerns the response of the Culture and other interstellar societies to an unprecedented alien artifact, the Excession of the title.The book is largely about the response...
, Matter
Matter (novel)
Matter is a science fiction novel from Iain Banks, under the name Iain M. Banks in his Culture series. It was published on 25 January 2008.Matter was a finalist for the 2009 Prometheus Award.- Creation :...
and Surface Detail
Surface Detail
Surface Detail by Iain M Banks is a science fiction novel in his popular Culture series, first published in the UK on 7 October 2010 and the US on 28 October 2010. -Plot summary:...
.
It has been commented that the Idiran-Culture war, with its juxtaposition of a religiously fanatic species fighting (and eventually succumbing to) the atheistic Culture, shows the author's theme of "antipathy to religious belief, although nominally not to the believers". The commentator also refers to the war as a clash of civilizations in the sense of Samuel P. Huntington.
Overview
According to Banks' appendices to Consider Phlebas, the war began in 1327 AD, and continued for 48 years and one month, resulting in an eventual but total victory for the CultureThe Culture
The Culture is a fictional interstellar anarchist, socialist, and utopian society created by the Scottish writer Iain M. Banks which features in a number of science fiction novels and works of short fiction by him, collectively called the Culture series....
.
The conflict was one of principles; the Culture went to war because the Idirans' fanatical imperial expansion, justified on religious grounds, threatened the Culture's "moral right to exist". As the Culture saw it, the Idirans' extending sphere of influence would prevent them from improving the lives of those in less-advanced societies, and thus would greatly curtail the Culture's sense of purpose. As is the case with all major decisions, the decision on the part of the Culture to go to war was through direct vote
Direct democracy
Direct democracy is a form of government in which people vote on policy initiatives directly, as opposed to a representative democracy in which people vote for representatives who then vote on policy initiatives. Direct democracy is classically termed "pure democracy"...
of the entire population. Academics who have analysed Bank's universe in comparison with real-world political thought have remarked that the decision of the Culture to go to war was a moral choice, rather than one of necessity, as the Culture could have easily avoided war.
The Idirans' decision to go to war is described as being founded in their philosophical, moral and religious distaste for the almost symbiotic nature of the Culture and the threat that their artificial intelligences were considered to be posing to the primacy and significance of biological life in the universe. Such fears were also found in many of those who supported the Idiran side during the war, as exemplified by Horza
Bora Horza Gobuchul
Bora Horza Gobuchul is the protagonist of the 1987 science fiction novel Consider Phlebas by Iain M. Banks.The novel is the first to appear featuring the Culture, an advanced humanoid civilization. Inhabitants of the Culture enjoy long life, enhanced capabilities, and access to unlimited technology...
, the protagonist in Consider Phlebas.
As Horza, a mercenary for the Idirans observes: "the conflict was inevitable"; the Idirans would not halt their expansion, because their faith wouldn't allow it; the Culture was so ill-defined, having no borders or laws, that it would also have grown ceaselessly. The two cultures would have been unlikely to forge a peaceful co-existence.
Course of the war
The initial stages of the war were defined by a hasty withdrawal of the Culture from vast galactic spaces invaded by the Idirans, who tried to inflict as many civilian casualties as possible in the hope of making the Culture sue for peace. However, the Culture was able - often by bodily moving its artificial worlds out of harm's way - to escape into the vastness of space, while it in turn geared up its productive capabilities for war, eventually starting to turn out untold numbers of extremely advanced warships. This transformation provides a story backdrop in which the 'soft', hedonistic Culture is suddenly realised as standing up for their convictions.Initial stages of the conflict consisted of encounters in space, with Machine casualties (in the form of Drones and Modules of the Culture, and AI weapons of Idir) being the first losses of the war. During the process of consolidation of territories and volumes by both the Culture and Idir, warfare was initially limited to proxy warfare on selected planets, and the employment of mercenaries on both sides in order to use worlds at low levels of development as experimental laboratories for testing ideologies. Most proxy warfare was inconclusive, though it was coupled with the expansion of the Idiran Sphere.
The later stages of the war began with Culture strikes deep within the new Idiran zones of influence. As the Idirans were religiously committed to holding on to all of their conquests, these strikes forced them to divide their attentions. They were eventually overwhelmed by the Culture, a civilization they had not considered as having the requisite will to fight. Factors involved in the Culture victory were the vast productive capacities implied in its post-scarcity economy, its advanced technological level, and its superior war planning, all largely due to capabilities of Minds, the artificial sentiences leading the Culture.
The final stages of the war involved increasingly desperate attempts by the Idirans to stave off their defeat, the withdrawal of the Homomdan from the Idiran side (after suing for a separate peace with the Culture), and the confinement of the Idirans to limited, carefully watched zones.
Casualties
Total casualties amounted to 851.4±25.5 (0.3%) billion sentient creatures, including medjel (slaves of the Idirans), sentient machines and non-combatants, and wiped out various smaller species, including the Changers. The war resulted in the destruction of 91,215,660 (±200) starships above interplanetary, 14,334 orbitals, 53 planets and major moons, 1 ringRingworld
Ringworld is a Hugo, Nebula, and Locus award-winning 1970 science fiction novel by Larry Niven, set in his Known Space universe and considered a classic of science fiction literature. It is followed by three sequels, and preceded by four prequels, and ties into numerous other books set in Known Space...
and 3 spheres
Dyson sphere
A Dyson sphere is a hypothetical megastructure originally described by Freeman Dyson. Such a "sphere" would be a system of orbiting solar power satellites meant to completely encompass a star and capture most or all of its energy output...
, as well as the significant mass-loss or sequence-position alteration of 6 stars.
Despite the relatively small scale, in comparison with the rumoured conflicts of the past as referred to by the sublimed species of the galaxy, the Idiran-Culture war is considered one of the more significant events in the galactic history of the Culture setting.