Guerra Manuscript
Encyclopedia
The Guerra Manuscript is an important musical manuscript copied by the nobleman and scribe José Miguel de Guerra y Villegas for the capilla real
Capilla real
with small text capilla real:* One of the musical Chapel Royals serving the kings of Spainwith capitalized text Capilla Real:* Royal Chapel of Granada, a mausoleum...

 of Charles II of Spain
Charles II of Spain
Charles II was the last Habsburg King of Spain and the ruler of large parts of Italy, the Spanish territories in the Southern Low Countries, and Spain's overseas Empire, stretching from the Americas to the Spanish East Indies...

 around 1680.

The manuscript, Ms 265 at the Royal University of Santiago de Compostela, was only fully analysed edited and published in 1998. It contains 100 tonos humanos for soprano and continuo. Many of the songs exist in other sources, such as excerpts from zarzuela
Zarzuela
Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance...

s, and the composers can be identified. Composers include the senior theatre composer and master of the capilla real Juan Hidalgo, José Marín
José Marín
José Marín is a retired Spanish race walker.-Achievements:-External links:*...

, Cristóbal Galán
Cristóbal Galán
Cristóbal Galán was a Spanish baroque composer.The first record of Galán is that in 1651 he was rejected as maestro de capilla in Sigüenza because he was married. From 1653 singer and organist, then later maestro de capilla in Cagliari, Sardinia. Then from 1656 to 1559 in Morella, Castellon...

, Juan del Vado
Juan del Vado
Juan del Vado y Gomez was a Spanish composer, organist and violinist. He is noted for the enigmatic canons, symbolic musical puzzles, dedicated to his king Charles II of Spain.He came from a family of violinists...

, Matías Ruiz
Matías Ruiz
Fray Matías Ruiz was a Spanish baroque composer. He was probably the one same Matías Ruiz who was maestro de capilla at León Cathedral in 1665, and then at the Encarnación 1676-1678, and who, still referred to as maestro at the Convent of the Incarnation, Madrid though he no longer could have...

, and the then young harpist Juan de Navas
Juan de Navas
Juan de Navas was a Spanish baroque composer and harpist. As court harpist to Charles II of Spain he was sought as approver of Torres y Martínez Bravo's treatise on thoroughbass.-Works, editions and recordings:...

.
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