Granaína
Encyclopedia
GRANAÍNA is a flamenco
style of singing and guitar
playing from Granada
.
Belonging to the fandango
family of cante
s, it was originally danceable, but now has lost its rhythm, is much slower, and is usually only sung or played as a guitar solo.
The famous singer Don Antonio Chacón (1869–1929) is attributed with freeing the granaína from its rhythmic ties and making it popular.
Singers usually finish their rendering of the granaína with a media granaína, a similar tune but rising to a higher pitch. Manuel Vallejo (1891–1960) was a famous exponent of this latter cante, or song style
Flamenco
Flamenco is a genre of music and dance which has its foundation in Andalusian music and dance and in whose evolution Andalusian Gypsies played an important part....
style of singing and guitar
Guitar
The guitar is a plucked string instrument, usually played with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with...
playing from Granada
Granada
Granada is a city and the capital of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the confluence of three rivers, the Beiro, the Darro and the Genil. It sits at an elevation of 738 metres above sea...
.
Belonging to the fandango
Fandango
Fandango is a lively couple's dance, usually in triple metre, traditionally accompanied by guitars and castanets or hand-clapping . Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones"...
family of cante
Canté
Canté is a commune in the Ariège department in southwestern France.-Population:-References:*...
s, it was originally danceable, but now has lost its rhythm, is much slower, and is usually only sung or played as a guitar solo.
The famous singer Don Antonio Chacón (1869–1929) is attributed with freeing the granaína from its rhythmic ties and making it popular.
Singers usually finish their rendering of the granaína with a media granaína, a similar tune but rising to a higher pitch. Manuel Vallejo (1891–1960) was a famous exponent of this latter cante, or song style