Godzilla vs. Megaguirus
Encyclopedia
Godzilla vs. Megaguirus, released in Japan as is a 2000 science fiction
kaiju
film directed by Masaaki Tezuka and written by Hiroshi Kashiwabara and Wataru Mimura. It was the twenty-fourth film released in the Godzilla franchise, and the second film in terms of the franchise's Millennium series.
It premiered at the Tokyo International Film Festival
on November 3, 2000 the 46th anniversary of the series' rise to fame . Much like Godzilla 2000
and Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
, Godzilla vs. Megaguirus ignores previous film continuity
and is a semi-sequel to the original Godzilla
.
-based weapon that fires miniature black hole
s, called the Dimension Tide, opens a wormhole
through which a prehistoric dragonfly enters the present and deposits a single egg before exiting through the wormhole. A boy finds the egg and takes it with him when he moves to Tokyo
. The egg starts oozing a strange liquid, so the boy throws the egg in the sewer
. The egg, actually a mass of hundreds of eggs, splits up and starts growing when exposed to water, hatching into large dragonfly larva called Meganulon that come out of the sewer to feed. They flood a portion of the city and moult on the sides of buildings, becoming adult Meganula.
Meanwhile, the atomic dinosaur Godzilla
appears, in search of a source of nuclear energy, despite the edict shutting down all such attractants after his three previous appearances. While Godzilla is fighting the G-Graspers (the anti-Godzilla section of the Japan Self Defense Forces) who are assisted by rebellious scientist Hajime Kudo, the swarm of Meganula are attracted in turn to Godzilla's energy, and attack him. Most Meganula are killed, but a few drain some of Godzilla's energy and return to the sewer. With the last of their strength, the Meganula inject Godzilla's energy into a huge, sleeping larva that is in a giant, pulsating cocoon. It molts and appears from the water as Megaguirus, the queen of the Meganula.
After destroying part of the city with shock waves generated by her beating wings, Megaguirus heads to the waterfront and faces Godzilla. Being territorial, Megaguirus considers the city to be her hunting ground. As they engage in a lengthy battle, she uses her speed to avoid Godzilla's attacks, but Godzilla eventually uses her speed against her. As she flies toward Godzilla, he lunges forward with his dorsal fins in her path. She flies into the fins, and one of her arms is severed.
During the battle, a special ability of Megaguirus is revealed: Having been mutated by Godzilla's energy, she can generate a blast similar to his atomic breath. She fires a huge ball of radiation, knocking Godzilla down. He gets back up, and Megaguirus goes in for the kill. She speeds forward with the stinger on her long tail lowered, trying to stab Godzilla between the eyes. In a climactic moment, Godzilla catches the stinger in his mouth. He bites down, crushing the stinger. Megaguirus rears up in pain, and Godzilla takes the chance to finally blast her with his atomic breath. She bursts into flames and Godzilla blasts her a second time and destroys her.
It is revealed that Godzilla was attracted to the energy of a secret nuclear project housed at the Science Institute, in violation of the ban, by Professor Yoshino Yoshizawa. The G-Graspers are now wanting to kill Godzilla (even though he just saved them from Megaguirus), but with the Dimension Tide falling out of orbit
they are unable to get a lock on Godzilla, until the vengeful Major Kiriko Tsujimori pilots a ship called Gryphon towards Godzilla, ejecting only at the last second. The Dimension Tide is able to lock on to the craft and fires just before burning up on reentry; Godzilla vanishes and everyone celebrates. In a postlude, however, Major Tsujimori again enlists Kudo to investigate suspicious seismic activity; then in an after-credits scene, Godzilla's roar is heard again as an earthquake strikes Tokyo.
of Godzilla vs. Megaguirus are predominantly new faces to the Godzilla series, but the film began a tradition in the Millennium series of casting veteran genre cast members, especially from the Shōwa era
, in older, authoritarian roles: Yuriko Hoshi, who played photographer Junko in Mothra vs. Godzilla
and reporter Naoko in Ghidorah, the Three-Headed Monster
, cameos as Professor Yoshizawa, director of the Dimension Tide project.
reportedly took the blame for the film's weak box office performances.
. Both films were released on DVD six months later after their U.S. premiere.
Stomp Tokyo said "the music is pretty good" but "this movie isn't a step forward in the ways that it really should be." Mike Bogue of American Kaiju said, "Though not the best of the post-Showa Godzilla movies, Godzilla vs. Megaguirus is one of the most entertaining." Ian Jane of DVD Talk said, "While not the best entry in the Godzilla series, Godzilla vs. Megaguirus ... [is] still a really solid entry with some great special effects and a very memorable monster mash finale."
Matt Paprocki of Blog Critics called the film "a true classic in the series," adding: "It's impossible not to be entertained somewhat, whether you're looking for camp value or serious giant monster action. This one has everything that is required of the [kaiju
] genre." Andrew Pragasam of The Spinning Image called the film a "flawed, but entertaining comic book extravaganza" that "only partially delivers as a slam-bang monster epic" and suffers from "a lack of likeable characters."
Science fiction
Science fiction is a genre of fiction dealing with imaginary but more or less plausible content such as future settings, futuristic science and technology, space travel, aliens, and paranormal abilities...
kaiju
Kaiju
is a Japanese word that means "strange beast," but often translated in English as "monster". Specifically, it is used to refer to a genre of tokusatsu entertainment....
film directed by Masaaki Tezuka and written by Hiroshi Kashiwabara and Wataru Mimura. It was the twenty-fourth film released in the Godzilla franchise, and the second film in terms of the franchise's Millennium series.
It premiered at the Tokyo International Film Festival
Tokyo International Film Festival
Tokyo International Film Festival is a film festival established in 1985. The event was held biannually from 1985 to 1991 and annually thereafter...
on November 3, 2000 the 46th anniversary of the series' rise to fame . Much like Godzilla 2000
Godzilla 2000
is a 1999 Japanese science fiction kaiju film directed by Takao Okawara and written by Hiroshi Kashiwabara and Wataru Mimura. It was the twenty-third film released in the Godzilla series. It is the only film to feature Orga. The film was released on December 11, 1999...
and Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
is a 2001 science fiction kaiju film co-written and directed by Shūsuke Kaneko with a very catchy name. It was the twenty-fifth film to be released in the Godzilla film series. This is the eleventh film to feature Mothra, sixth to feature King Ghidorah, and third to feature Baragon. It is part of...
, Godzilla vs. Megaguirus ignores previous film continuity
Continuity (fiction)
In fiction, continuity is consistency of the characteristics of persons, plot, objects, places and events seen by the reader or viewer over some period of time...
and is a semi-sequel to the original Godzilla
Godzilla (1954 film)
is a 1954 Japanese science fiction film directed by Ishirō Honda and produced by Tomoyuki Tanaka. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata and Takashi Shimura. The film tells the story of Godzilla, a giant monster mutated by nuclear radiation, who ravages Japan, bringing back the...
.
Plot
An experimental satelliteSatellite
In the context of spaceflight, a satellite is an object which has been placed into orbit by human endeavour. Such objects are sometimes called artificial satellites to distinguish them from natural satellites such as the Moon....
-based weapon that fires miniature black hole
Black hole
A black hole is a region of spacetime from which nothing, not even light, can escape. The theory of general relativity predicts that a sufficiently compact mass will deform spacetime to form a black hole. Around a black hole there is a mathematically defined surface called an event horizon that...
s, called the Dimension Tide, opens a wormhole
Wormhole
In physics, a wormhole is a hypothetical topological feature of spacetime that would be, fundamentally, a "shortcut" through spacetime. For a simple visual explanation of a wormhole, consider spacetime visualized as a two-dimensional surface. If this surface is folded along a third dimension, it...
through which a prehistoric dragonfly enters the present and deposits a single egg before exiting through the wormhole. A boy finds the egg and takes it with him when he moves to Tokyo
Tokyo
, ; officially , is one of the 47 prefectures of Japan. Tokyo is the capital of Japan, the center of the Greater Tokyo Area, and the largest metropolitan area of Japan. It is the seat of the Japanese government and the Imperial Palace, and the home of the Japanese Imperial Family...
. The egg starts oozing a strange liquid, so the boy throws the egg in the sewer
Sanitary sewer
A sanitary sewer is a separate underground carriage system specifically for transporting sewage from houses and commercial buildings to treatment or disposal. Sanitary sewers serving industrial areas also carry industrial wastewater...
. The egg, actually a mass of hundreds of eggs, splits up and starts growing when exposed to water, hatching into large dragonfly larva called Meganulon that come out of the sewer to feed. They flood a portion of the city and moult on the sides of buildings, becoming adult Meganula.
Meanwhile, the atomic dinosaur Godzilla
Godzilla
is a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd. The monster has appeared in numerous other media incarnations including video games,...
appears, in search of a source of nuclear energy, despite the edict shutting down all such attractants after his three previous appearances. While Godzilla is fighting the G-Graspers (the anti-Godzilla section of the Japan Self Defense Forces) who are assisted by rebellious scientist Hajime Kudo, the swarm of Meganula are attracted in turn to Godzilla's energy, and attack him. Most Meganula are killed, but a few drain some of Godzilla's energy and return to the sewer. With the last of their strength, the Meganula inject Godzilla's energy into a huge, sleeping larva that is in a giant, pulsating cocoon. It molts and appears from the water as Megaguirus, the queen of the Meganula.
After destroying part of the city with shock waves generated by her beating wings, Megaguirus heads to the waterfront and faces Godzilla. Being territorial, Megaguirus considers the city to be her hunting ground. As they engage in a lengthy battle, she uses her speed to avoid Godzilla's attacks, but Godzilla eventually uses her speed against her. As she flies toward Godzilla, he lunges forward with his dorsal fins in her path. She flies into the fins, and one of her arms is severed.
During the battle, a special ability of Megaguirus is revealed: Having been mutated by Godzilla's energy, she can generate a blast similar to his atomic breath. She fires a huge ball of radiation, knocking Godzilla down. He gets back up, and Megaguirus goes in for the kill. She speeds forward with the stinger on her long tail lowered, trying to stab Godzilla between the eyes. In a climactic moment, Godzilla catches the stinger in his mouth. He bites down, crushing the stinger. Megaguirus rears up in pain, and Godzilla takes the chance to finally blast her with his atomic breath. She bursts into flames and Godzilla blasts her a second time and destroys her.
It is revealed that Godzilla was attracted to the energy of a secret nuclear project housed at the Science Institute, in violation of the ban, by Professor Yoshino Yoshizawa. The G-Graspers are now wanting to kill Godzilla (even though he just saved them from Megaguirus), but with the Dimension Tide falling out of orbit
Orbit
In physics, an orbit is the gravitationally curved path of an object around a point in space, for example the orbit of a planet around the center of a star system, such as the Solar System...
they are unable to get a lock on Godzilla, until the vengeful Major Kiriko Tsujimori pilots a ship called Gryphon towards Godzilla, ejecting only at the last second. The Dimension Tide is able to lock on to the craft and fires just before burning up on reentry; Godzilla vanishes and everyone celebrates. In a postlude, however, Major Tsujimori again enlists Kudo to investigate suspicious seismic activity; then in an after-credits scene, Godzilla's roar is heard again as an earthquake strikes Tokyo.
Cast
The castCasting (performing arts)
In the performing arts, casting is a pre-production process for selecting a cast of actors, dancers, singers, models and other talent for a live or recorded performance.-Casting process:...
of Godzilla vs. Megaguirus are predominantly new faces to the Godzilla series, but the film began a tradition in the Millennium series of casting veteran genre cast members, especially from the Shōwa era
Showa era (daikaiju eiga)
In the terminology of daikaiju eiga the Shōwa Era refers not to the actual reign of the Shōwa emperor but to all daikaiju eiga made between 1954 and 1980...
, in older, authoritarian roles: Yuriko Hoshi, who played photographer Junko in Mothra vs. Godzilla
Mothra vs. Godzilla
is a 1964 science fiction kaiju film directed by Ishirō Honda. It was the fourth film to be released in the Godzilla series, produced by Toho Company Ltd...
and reporter Naoko in Ghidorah, the Three-Headed Monster
Ghidorah, the Three-Headed Monster
Ghidorah, the Three-Headed Monster, released in Japan as and originally released in the US as Ghidrah, the Three-Headed Monster, is a 1964 science fiction kaiju film, and is the 5th film in Toho's Godzilla series...
, cameos as Professor Yoshizawa, director of the Dimension Tide project.
- Misato Tanaka as Kiriko Tsujimori
- Shosuke TaniharaShosuke Taniharais a Japanese actor probably best known outside of Japan for his portrayal of Riki Fudoh in Fudoh: The New Generation.Tanihara hosts Tokyo Twenty-Four Living Supported by FLET’S Hikari, a podcast produced by TOKYO FM...
as Hajime Kudo - Patrick Castillo as DT Lt. Andre Ramirez
- Masatoh Eve as Motohiko Sugiura
- Yuriko Hoshi as Prof. Yoshino Yoshizawa
- Toshiyuki Nagashima as Takuji Miyagawa
- Tsutomu KitagawaTsutomu Kitagawais a Japanese actor and Stuntman.He is mostly known for playing Godzilla for the Millennium series.He also played King Ghidorah for Rebirth of Mothra III...
as GodzillaGodzillais a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd. The monster has appeared in numerous other media incarnations including video games,... - Minoru Watanabe as MegaguirusMegaguirusare fictional characters that were Paleozoic giant insects reanimated by mining operations in Kitamatsu village, Kumamoto Prefecture, in the 1956 kaiju eiga Rodan. The Meganulon made a return in the film Godzilla vs...
main villain
Box office
The budget of Godzilla vs. Megaguirus is estimated at $8,300,000. It opened in Japan on December 16, 2000, and during its box office run, it grossed approximately $10,000,000, making it the least popular entry in the Millennium Godzilla series in terms of revenue. Total admissions in Japan were approximately 1,350,000. Special effects director Kenji SuzukiKenji Suzuki (tokusatsu)
is a Japanese director and special effects director from Ibaraki Prefecture. He is most known for some of the country's major tokusatsu films and television series.-Assistant Director Filmography:*Sayonara Jupiter *Godzilla vs. King Ghidorah...
reportedly took the blame for the film's weak box office performances.
U.S. Release
The film premiered on cable TV August 2003 on the Sci-Fi Channel during their labor day movie marathon, which was then followed by GMKGodzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
is a 2001 science fiction kaiju film co-written and directed by Shūsuke Kaneko with a very catchy name. It was the twenty-fifth film to be released in the Godzilla film series. This is the eleventh film to feature Mothra, sixth to feature King Ghidorah, and third to feature Baragon. It is part of...
. Both films were released on DVD six months later after their U.S. premiere.
Reception
Critical reaction to Godzilla vs. Megaguirus has been mixed. Ed Godziszewski of Monster Zero said, "While not the best example of filmmaking, Godzilla vs. Megaguirus nonetheless succeeds as an entertaining film." Miles Imhoff of Toho Kingdom said, "Run-of-the-mill, mediocre, and sterile are the three words that best describe Godzilla vs. Megaguirus. It is a movie that attempts to be creative and edgy, but somehow fails, leaving one wanting with futility to really try to enjoy the film."Stomp Tokyo said "the music is pretty good" but "this movie isn't a step forward in the ways that it really should be." Mike Bogue of American Kaiju said, "Though not the best of the post-Showa Godzilla movies, Godzilla vs. Megaguirus is one of the most entertaining." Ian Jane of DVD Talk said, "While not the best entry in the Godzilla series, Godzilla vs. Megaguirus ... [is] still a really solid entry with some great special effects and a very memorable monster mash finale."
Matt Paprocki of Blog Critics called the film "a true classic in the series," adding: "It's impossible not to be entertained somewhat, whether you're looking for camp value or serious giant monster action. This one has everything that is required of the [kaiju
Kaiju
is a Japanese word that means "strange beast," but often translated in English as "monster". Specifically, it is used to refer to a genre of tokusatsu entertainment....
] genre." Andrew Pragasam of The Spinning Image called the film a "flawed, but entertaining comic book extravaganza" that "only partially delivers as a slam-bang monster epic" and suffers from "a lack of likeable characters."