Giorgio Belloni
Encyclopedia
Giorgio Belloni was an Italian painter.

Biography

A pupil of Giuseppe Bertini
Giuseppe Bertini
Giuseppe Bertini was an Italian painter, active in Milan.He studied at the Brera under Luigi Sabatelli and Giuseppe Bisi, and in 1845 was awarded the prix de Rome on the strength of a picture of the meeting between Dante and Fra Ilario. He also painted the Triumphal entry of the allied sovereigns...

 at the Brera Academy
Brera Academy
The Academy of Fine Arts of Brera, also known as Brera Academy is a public academic institution located in Milan, Italy. It was founded in 1776 by HIM Maria Theresa of Austria.- Overview :...

, Belloni made his debut in 1879 with two perspective views of interiors. After a stay in Verona
Verona
Verona ; German Bern, Dietrichsbern or Welschbern) is a city in the Veneto, northern Italy, with approx. 265,000 inhabitants and one of the seven chef-lieus of the region. It is the second largest city municipality in the region and the third of North-Eastern Italy. The metropolitan area of Verona...

, during which he painted his first landscapes en plein air, he settled in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...

, where he established himself as a landscape painter as from 1882. The success achieved in Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...

at the Esposizione Nazionale Artistica di Venezia of 1887 made him known beyond the regional borders. He came under the influence of Lombard Naturalism as from the beginning of the 1880s and specialised in seascapes, painted from life during summer stays at Sturla, Noli and Forte dei Marmi but distinguished by a poetic and evocative atmosphere. While continuing to work primarily as a landscape painter, producing large-scale views of the Alpine area and Brianza, he also turned his hand to portraits and still lifes. The influence of Divisionism at the turn of the century was developed through his own interpretation of light. Belloni’s assiduous participation in major exhibitions at the national and international level culminated in the allocation of a personal room at the Venice Biennale in 1914 and a show at the Galleria Pesaro in 1919.
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