Fu Baoshi
Encyclopedia
Fu Baoshi or Fu Pao-Shih, (1904-1965) was a Chinese
painter from Xinyu
, Jiangxi
Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition.
He was the Director of the Jiangsu Province Chinese Painting School and a Vice-Chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University
). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He has held many personal exhibitions in China and has won favourable comments.
Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.
As a leader of the so-called New Chinese Painting Movement, which reformed traditional Chinese painting after 1949, Fu stood out from most of his contemporaries with his great passion for art, and his innovative brushwork and unique picture composition.
Fu's reforms were followed by a group of artists in Nanjing where he then lived. He was recognized as the founder of the Nanjing-based New Jinling School of Fine Arts. The school included such important artists as Chen Zhifo (1896-1962), Qian Songyan (1898-1985), Song Wenzhi (1919-1999), Wei Zixi (1915-2003) and Ya Ming (1924-2002).
Fu Baoshi was a great admirer of Shi Tao and, at the age of 18, changed his name to "Bao Shi" - meaning embracing "Shi Tao". He even wrote a chronicle of Shi Tao, recording his life experiences and social activities as well as his art creations. Fu Baoshi admitted that he was obsessed with the study of Shi Tao's painting.
Wife: Luo Shi-Hui 羅時慧
Eldest Son: Fu Xiao-Shi 傅小石
Second Son: Fu Er-Shi 傅二石
Eldest Daughter: Fu Yi-Shan 傅益珊
Second Daughter: Fu Yi-Xuan (Fu Yick Suen) 傅益璇
Third Daughter: Fu Yi-Yao 傅益瑤
Youngest Daughter: Fu Yi-Yu 傅益玉
Granddaughter: Fu Shan-shan 傅珊珊 Jenny Pat
傅蕾蕾
Chinese people
The term Chinese people may refer to any of the following:*People with Han Chinese ethnicity ....
painter from Xinyu
Xinyu
-History:Xinyu has a history of more than 1,700 years. It became a county in 267 during the Three Kingdoms period.-Geography:Xinyu has an area of 3,178 km². It is located 135 km southwest of the city of Nanchang, the capital of the Jiangxi province - about two and half hours away by car via highway...
, Jiangxi
Jiangxi
' is a southern province in the People's Republic of China. Spanning from the banks of the Yangtze River in the north into hillier areas in the south, it shares a border with Anhui to the north, Zhejiang to the northeast, Fujian to the east, Guangdong to the south, Hunan to the west, and Hubei to...
Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition.
He was the Director of the Jiangsu Province Chinese Painting School and a Vice-Chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University
Nanjing University
Nanjing University , or Nanking University, is one of the oldest and most prestigious institutions of higher learning in China...
). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He has held many personal exhibitions in China and has won favourable comments.
Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.
Art historian
Fu wrote numerous fine arts theses, the earliest of which, "On the Evolution of Chinese Paintings", was written at the age of 25. He also carried out in-depth research into the history of landscape painting at the end of the 4th century BC, including the works of Gu Kaizhi of the Eastern Jin Dynasty (317-420), Zhan Ziqian of the Sui Dynasty (581-618) and Jing Hao of the Five Dynasties Period (907-960), as well as Wu Douzi, Li Sixu, Li Zhaodao and Zhang Yanyuan of the Tang Dynasty (618-907). He worked very hard to imitate paintings by Gao Kegong and Ni Zan of the Yuan Dynasty (1271-1368) Chen Hongshou of the Ming Dynasty (1368-1644), and Cheng Sui, Kun Can, Zha Shibiao, Gong Xian, Mei Qing, Wui Li, Yun Shouping and Shi Tao of the Qing Dynasty (1644-1911), finally becoming one of the master painters of his age. In this capacity he succeeded Huang Binhong, who had created a new style of landscape painting called "Baoshi wrinkle" basing on the cattle-hair wrinkle of Wang Meng of the Yuan Dynasty.Painter
As well as painting landscapes, Fu Baoshi was also an accomplished painter of figures. His paintings of ancient Chinese figures from the 3rd and 4th centuries BC are particularly acclaimed.As a leader of the so-called New Chinese Painting Movement, which reformed traditional Chinese painting after 1949, Fu stood out from most of his contemporaries with his great passion for art, and his innovative brushwork and unique picture composition.
Fu's reforms were followed by a group of artists in Nanjing where he then lived. He was recognized as the founder of the Nanjing-based New Jinling School of Fine Arts. The school included such important artists as Chen Zhifo (1896-1962), Qian Songyan (1898-1985), Song Wenzhi (1919-1999), Wei Zixi (1915-2003) and Ya Ming (1924-2002).
Fu Baoshi was a great admirer of Shi Tao and, at the age of 18, changed his name to "Bao Shi" - meaning embracing "Shi Tao". He even wrote a chronicle of Shi Tao, recording his life experiences and social activities as well as his art creations. Fu Baoshi admitted that he was obsessed with the study of Shi Tao's painting.
Family lineage
Father: Fu De-Tai 傅德泰Wife: Luo Shi-Hui 羅時慧
Eldest Son: Fu Xiao-Shi 傅小石
Second Son: Fu Er-Shi 傅二石
Eldest Daughter: Fu Yi-Shan 傅益珊
Second Daughter: Fu Yi-Xuan (Fu Yick Suen) 傅益璇
Third Daughter: Fu Yi-Yao 傅益瑤
Youngest Daughter: Fu Yi-Yu 傅益玉
Granddaughter: Fu Shan-shan 傅珊珊 Jenny Pat
Jenny Pat
Jenny Pat is a Chinese-Japanese Canadian television personality and a visual artist. She is a television presenter and Canadian actress affiliated with Fairchild TV. Studied in Maryknoll Convent School , and Prince of Wales Secondary School , she graduated from the University of British Columbia ...
傅蕾蕾