Frank Ernest Howard
Encyclopedia
Frank Ernest Howard was an English architect who worked exclusively in the area of ecclesiastical furnishings and fittings. He was a pupil of Sir Ninian Comper
Ninian Comper
Sir John Ninian Comper was a Scottish-born architect. He was one of the last of the great Gothic Revival architects, noted for his churches and their furnishings...

 and carried out much of his work under the auspices of the Warham Guild. He published several books and articles on medieval ecclesiastical architecture and church furnishings which continue to be regarded as authoritative.

Biographical summary

Frank Ernest Howard (1888–1934), commonly referred to as F.E. Howard, was a prolific designer of church furnishings based on his deep knowledge of ecclesiastical art and architecture in the Middle Ages. His work can be found throughout Great Britain but especially within the south of England close to his home base of Oxford where he lived for all his adult life. He also carried out commissions outside the British Isles as a result of his connection with the Warham Guild. His particular expertise and interest was in medieval church woodwork and he was the author, with F.H. Crossley, of an extensive and authoritative work on the subject, English church woodwork : a study in craftsmanship during the mediaeval period A.D. 1250-1550 (1917), a lavishly illustrated volume which was produced to a remarkably high standard, considering its date of publication during the depths of the Great War
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...

. Howard was responsible for all of the text and for the majority of the drawings. A second edition appeared in 1927 and was reissued in 1933. A facsimile reprint appeared in 2007, the work still being regarded as an authoritative source on the subject. His other major published work was Mediæval styles of the English parish church, which was published posthumously in 1936. It is a wide-ranging and detailed guide to the ways in which church architecture evolved during the Middle Ages and is still frequently cited as an authority; a facsimile reprint of this work too appeared in 2007. He was an active member of the Royal Archaeological Institute of Great Britain and Ireland from 1909 until his death; he contributed several weighty articles to its transactions, the Archaeological Journal, and presented papers on similar subjects at meetings of the Institute which were not subsequently published.

Howard was a pupil of Sir Ninian Comper
Ninian Comper
Sir John Ninian Comper was a Scottish-born architect. He was one of the last of the great Gothic Revival architects, noted for his churches and their furnishings...

 whose style and teachings had a strong influence on his own work. He was connected with the Warham Guild following its establishment in 1912 and under its auspices he designed many altars and altar screens (i.e. reredos
Reredos
thumb|300px|right|An altar and reredos from [[St. Josaphat's Roman Catholic Church|St. Josaphat Catholic Church]] in [[Detroit]], [[Michigan]]. This would be called a [[retable]] in many other languages and countries....

es), all of which were examples of the English altar favoured by Comper
Ninian Comper
Sir John Ninian Comper was a Scottish-born architect. He was one of the last of the great Gothic Revival architects, noted for his churches and their furnishings...

. Further work was carried out for the church fitters, A.R. Mowbray, or was commissioned directly by the churches concerned. His work was always in a medieval style, within which he was capable of producing work that was both historically correct and aesthetically satisfying. As well as designing church furnishings and fittings he was also responsible for the restoration or extension of several churches, work which was always done sensitively and with a feel for the original structure, although by the time he was in a position to undertake such work the opportunities were rare.

Howard died in a nursing home in Oxford at the age of 46 on 15 April 1934. His funeral took place in St Margaret's church, Oxford and he is buried in Abingdon cemetery. Many of his design and working drawings of interior fittings are now held by the National Monuments Record.

Publications

  • 'Les chantry-chapels anglaises' (with Paul Biver), Bulletin Monumental, 72 (1908), 314-47
  • 'Chantry chapels in England' (with Paul Biver), Archaeological Journal, 66 (1909), 1-32
  • 'Screens and rood-lofts in the parish churches of Oxfordshire', Archaeological Journal, 67 (1910), 151-201
  • 'Fan Vaults', Archaeological Journal, 68 (1911), 1-42
  • 'On the construction of mediaeval roofs', Archaeological Journal, 71 (1914), 293-352
  • Old houses in Oxford; architectural notes and illustrations by F.E. Howard ; and historical notes by H.E. Salter (Oxford : Oxford Architectural and Historical Society, 1914; 2nd ed 1920). pp 16
  • English church woodwork : a study in craftsmanship during the mediaeval period A.D. 1250-1550 (with F.H. Crossley) (London : Batsford, 1917; 2nd ed 1927. Facsimile repr., Huddersfield : Jeremy Mills Publishing, 2007). pp xxxiii, 370
  • The Chancel screen (London : Warham Guild, 1919) pp 20
  • A Guide to Campden parish church, Glos. (London : S.P.C.K., 1929)
  • The Parish church, West Hanney : a short description of its features (Wantage : Nichols, c1925)
  • The Mediæval styles of the English parish church : a survey of their development, design and features (London : Batsford, 1936. Facsimile repr., Huddersfield : Jeremy Mills Publishing, 2007). pp xi, 99

Architectural work

No complete corpus of Howard's work is known to exist. The following list is derived from searches of published works in the fields of church history and architecture (e.g. The Buildings of England and related series) and of the internet. It is very likely that that it can be enlarged to a considerable extent from descriptions of his work in local parish histories and similar works. It is also likely that work attributed generically to the Warham Guild, e.g. in Anson's Fashions in church furnishings 1840-1940, p. 312 are in fact by Howard.

Gloucestershire

Unless shown otherwise, details are from the appropriate entries in Pevsner
Nikolaus Pevsner
Sir Nikolaus Bernhard Leon Pevsner, CBE, FBA was a German-born British scholar of history of art and, especially, of history of architecture...

 or the Gloucester diocesan archives (Gloucestershire Archives. GDR/F1/1)
  • Abenhall. Stone and slate memorial tablet, 1924
  • Adelstrop. Marble war memorial tablet, 1920
  • Bishop's Cleeve. Choir stalls, 1928. Oak doors, 1929
  • Bledington. Restoration, 1928 (described by John Betjeman
    John Betjeman
    Sir John Betjeman, CBE was an English poet, writer and broadcaster who described himself in Who's Who as a "poet and hack".He was a founding member of the Victorian Society and a passionate defender of Victorian architecture...

     as "light and unspoiled") including the design of the sanctuary
  • Bourton-on-Water. Oak screen and rood, 1924. Altar with carved and painted reredos, 1928. Painted chancel ceiling, 1929 (described by Goodhart-Rendel
    Harry Stuart Goodhart-Rendel
    Harry Stuart Goodhart-Rendel was an English architect and writer, also a musician.-Life:He was educated at Eton College, and read music at Trinity College, Cambridge. He worked shortly for Sir Charles Nicholson, and then set up his own architectural practice...

     as one of the most beautiful coopered ceilings he had ever seen)
  • Gloucester, St Michael. Oak credence table, processional cross, cross and candlesticks, 1927
  • Lower Swell. Wooden screen and pulpit, 1925
  • Minchinhampton. Alterations to chancel (with G. Webb), 1911
  • Miserden. Chancel refurbishment, including altar and reredos, 1928
  • Mitcheldean. Pulpit, 1922.
  • Newent. Candlesticks, 1920
  • Northleach. High altar with riddel posts, 1923
  • South Cerney. Priest's seat, 1929
  • Welford. Oak screen and brass tablet as war memorial, 1921
  • Weston-on-Avon. Oak furniture, 1927
  • Wyck Rissington. Oak reredos, 1918. Pulpit, 1925-6

Hertfordshire

  • Lemsford. Chapel for Hall-Cain family, 1930
  • Tring. High altar with reredos and riddel posts

Lancashire

  • Bury, St Mary. Reredos and memorial to son of vicar, 1916
  • Golborne, St Thomas. Vestry

Nottinghamshire

  • Nottingham, St Catharine. Polychromatic rood cross, 1925 (This church has been declared redundant and many of the fittings have been transferred to other churches.)

Oxfordshire

  • Cuddesdon. Riddel posts, 1921
  • Northmoor. War memorial, 1919
  • Oxford, St Barnabas. Various fittings and vestments, c1929
  • Oxford, St Hilda's College. College chapel, 1925
  • Oxford, St Margaret. Reredos in north aisle, c1930

Suffolk

  • Bungay, St Mary. Chancel, 1926
  • Bury St Edmunds cathedral. Font cover (war memorial), c1920
  • Lavenham. Illustrated report on the condition of the roofs and other woodwork, 1925
  • Southwold, St Edmund. Restoration, including painting of pulpit and provision of font cover, c1930
  • Stowlangtoft. War memorial, c1920

Sussex

  • Bognor Regis, St Wilfrid. Reredos, 1919 (originally in St John's church, Bognor Regis, now demolished)
  • Egdean. Alterations, 1928
  • Henfield. Reredos in Parham chapel

Wales

  • Disserth, Radnorshire. Restoration, undated
  • Llansannor, Glamorgan. Reredos, 1926
  • Swansea, Home of the Good Shepherd, Eastmoor (former children's home). Unspecified architectural work, 1925
  • Swansea, St Gabriel. Altar with carved and painted reredos, screen enclosing Lady chapel, 1920. Choir stalls, 1928. Font, 1931

Scotland

  • North Berwick, East Lothian, St Baldred's Episcopal church. Conversion of south apse to Lady chapel, 1921

Canada

  • Halifax cathedral, Nova Scotia. Altar and reredos in St Stephen's chapel, c1929 and perhaps other work in this cathedral

Other sources

  • Directory of British architects, 1834-1914. Updated and expanded ed. / by Antonia Brodie [et al.] (London: Continuum, 2001) v 2, p 81. ISBN 0826449638
The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK