Four discourses
Encyclopedia
The French psychoanalyst Jacques Lacan
Jacques Lacan
Jacques Marie Émile Lacan was a French psychoanalyst and psychiatrist who made prominent contributions to psychoanalysis and philosophy, and has been called "the most controversial psycho-analyst since Freud". Giving yearly seminars in Paris from 1953 to 1981, Lacan influenced France's...

 argued that there were four fundamental types of discourse. He defined four discourses, which he called Master, University, Hysteric and Analyst, and showed how these relate dynamically to one another.
  • Discourse of the Master - Struggle for mastery / domination / penetration. Based on Hegel's Master-slave dialectic
    Master-slave dialectic
    The Master-Slave dialectic is a famous passage of Hegel's Phenomenology of Spirit. It is widely considered a key element in Hegel's philosophical system, and has heavily influenced many subsequent philosophers...

  • Discourse of the University - Provision and worship of "objective" knowledge - usually in the unacknowledged service of some external master discourse.
  • Discourse of the Hysteric - Symptoms embodying and revealing resistance to the prevailing master discourse.
  • Discourse of the Analyst - Deliberate subversion of the prevailing master discourse.


Lacan's theory of the four discourses was initially developed in 1969, perhaps in response to the events of May 1968 in France, but also through his discovery of deficiencies in the orthodox reading of the Oedipus Complex
Oedipus complex
In psychoanalytic theory, the term Oedipus complex denotes the emotions and ideas that the mind keeps in the unconscious, via dynamic repression, that concentrate upon a boy’s desire to sexually possess his mother, and kill his father...

. The theory is presented in his seminar L'envers de la psychanalyse and in Radiophonie, where he starts using "discourse" as a social bond founded in intersubjectivity
Intersubjectivity
Intersubjectivity is a term used in philosophy, psychology, sociology and anthropology to describe a condition somewhere between subjectivity and objectivity, one in which a phenomenon is personally experienced but by more than one subject....

. He uses the term discourse to stress the transindividual nature of language: speech always implies another subject.

Necessity of Formalising Psychoanalysis

Prior to the development of the Four Discourses, the primary guideline for clinical psychoanalysis was the Oedipus Complex. In Lacan's Seminar of 1969-70, he discovers a major problem with the Oedipus complex, namely that the father is already castrated at the point of intervention, rendering the orthodox Freudian reading, where the father becomes a terrifying figure, a neurotic fantasy. Lacan's solution to the tendency of analysts to invoke their own imaginary readings and neurotic fantasies was to begin to formalise psychoanalytic theory, and express it in mathematical functions. This would ensure not only that a minimum of the teaching is lost when communicated, but also limit the associations
Free association (psychology)
Free association is a technique used in psychoanalysis which was originally devised by Sigmund Freud out of the hypnotic method of his mentor and coworker, Josef Breuer....

 of the analyst with the concepts employed.

Structure

Discourse, in the first place, refers to a point where speech and language intersect. The four discourses represent the four possible formulations of the symbolic network which social bonds can take and can be expressed as the permutations of a four-term configuration showing the relative positions—the agent, the other, the product and the truth—of four terms, the subject, the master signifier, knowledge
Knowledge
Knowledge is a familiarity with someone or something unknown, which can include information, facts, descriptions, or skills acquired through experience or education. It can refer to the theoretical or practical understanding of a subject...

 and objet petit a
Objet Petit a
In the psychoanalytic theory of Jacques Lacan, objet petit a stands for the unattainable object of desire. It is sometimes called the object cause of desire...

.

The four positions in each discourse are:

Agent = Upper left. This is the speaker of the discourse.

Other = Upper right. This is what the discourse is addressed to

Product = Lower right. This is what the discourse has created

Truth = Lower left. This is what the discourse attempted to express.

The four variables which occupy these positions are:

S1 = the master signifier

S2 = knowledge (le savoir)

$ = the subject (barred)

a = the objet petit a
Objet Petit a
In the psychoanalytic theory of Jacques Lacan, objet petit a stands for the unattainable object of desire. It is sometimes called the object cause of desire...

 or surplus-jouissance

S1 refers to "the marked circle of the field of the Other," it is the Master-Signifier. S2 is the "battery of signifiers, already there" at the place where "one wants to determine the status of a discourse as status of statement," that is knowledge - savoir. S1 comes into play in a signifying battery conforming the network of knowledge. $ is the subject, marked by the unbroken line - trait unaire - which represents it and is different from the living individual who is not the locus of this subject. Add the objet petit a, the object-waste or the loss of the object that occurred when the originary division of the subject took place - the object that is the cause of desire: the plus-de-jouir.

Discourse of the Master:

It is the basic discourse from which the other three derive. The dominant position is occupied by the master signifier, S1, which represents the subject, S, for all other signifiers: S2. In this signifying operation there is a surplus: objet a. All attempts at totalisation are doomed to fail. This discourse masks the division of the subject, it illustrates the structure of the dialectic of the master and the slave. The master, S1, is the agent who puts the slave, S2, to work: the result is a surplus, objet a, that the master struggles to appropriate.

Discourse of the University:

It is caused by an anticlockwise quarter turn of the previous discourse. The dominant position is occupied by knowledge - savoir. An attempt to mastery can be traced behind the endeavors to impart neutral knowledge: domination of the other to whom knowledge is transmitted. This hegemony is visible in modernity with science.

Discourse of the Hysteric:

It is effected by a clockwise quarter turn of the discourse of the master. It is not simply "that which is uttered by the hysteric," but a certain kind of articulation in which any subject may be inscribed. The divided subject, $, the symptom, is in the pole position. This discourse points toward knowledge. "The cure involves the structural introduction of the discourse of the hysteric by way of artificial conditions": the analyst hystericizes the analysand's discourse.

Discourse of the Analyst:

It is produced by a quarter turn of the discourse of the hysteric in the same way as Freud develops psychoanalysis by giving an interpretative turn to the discourse of his hysterical patients. The position of the agent - the analyst - is occupied by objet a: the analyst becomes the cause of the analysand's desire. This discourse being the reverse of the discourse of the master, does it make psychoanalysis an essentially subversive practice which undermines attempts at domination and mastery?

Relevance for cultural studies

Slavoj Žižek
Slavoj Žižek
Slavoj Žižek is a Slovenian philosopher, critical theorist working in the traditions of Hegelianism, Marxism and Lacanian psychoanalysis. He has made contributions to political theory, film theory, and theoretical psychoanalysis....

 uses the theory to explain various cultural artefacts, including Don Giovanni
Don Giovanni
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...

 and Parsifal
Parsifal
Parsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival and his quest for the Holy Grail, and on Chrétien de Troyes' Perceval, the Story of the Grail.Wagner first conceived the work...

.
Discourse Don Giovanni Parsifal Characteristics
Master Don Ottavio Amfortas inauthentic, inconsistent
University Leporello Klingsor inauthentic, consistent
Hysteric Donna Elvira Kundry authentic, inconsistent
Analyst Donna Anna Parsifal authentic, consistent

External links

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