Fountain of Light (newspaper)
Encyclopedia
Fountain of Light was a hippie underground newspaper
of the 1960s published monthly in tabloid format in Taos, New Mexico
from 1968 to 1970. At least 14 issues were published before the paper went under in mid-1970. Members of the The Family and Lorien communes outside Taos launched the paper in the Lorien Building, a converted warehouse north of town on the Santa Fe Trail. Timothy Miller, in The Sixties Communes: Hippies and Beyond gives the following brief account of the origins:
In addition to the services Miller mentions there was also a bookstore, a mobile security patrol, a small research library, and a shortwave radio network connecting some of the outlying communes without phone service. Along with most of the rest of these facilities Fountain of Light perished when the money ran out in 1970, all of the above mentioned services having collectively run through a quarter of a million dollars in 2 years.
In the paper's final months of existence local writer Jim Levy took over as editor and tried to convert it from a hippie commune paper to a local alternative newspaper covering actual news for the broader Taos community, abandoning psychedelic design motifs in favor of a more traditional newspaper look. Contributors included local poet Harvey Mudd; Roger Thomas was the paper's graphic designer.
A small part of the paper's spirit might be gathered from a 1969 editorial entitled "Why Taos":
Concluding,
Underground press
The underground press were the independently published and distributed underground papers associated with the counterculture of the late 1960s and early 1970s in the United States, Canada, United Kingdom, and other western nations....
of the 1960s published monthly in tabloid format in Taos, New Mexico
Taos, New Mexico
Taos is a town in Taos County in the north-central region of New Mexico, incorporated in 1934. As of the 2000 census, its population was 4,700. Other nearby communities include Ranchos de Taos, Cañon, Taos Canyon, Ranchitos, and El Prado. The town is close to Taos Pueblo, the Native American...
from 1968 to 1970. At least 14 issues were published before the paper went under in mid-1970. Members of the The Family and Lorien communes outside Taos launched the paper in the Lorien Building, a converted warehouse north of town on the Santa Fe Trail. Timothy Miller, in The Sixties Communes: Hippies and Beyond gives the following brief account of the origins:
"Seeing a need for services to the hippies who were descending on Taos in droves, The Family prevailed upon a wealthy local counterculturalist—one of the young heirs who played such vital roles in sponsoring communes—to underwrite a natural foods general store, a free medical clinic, an alternative newspaper called the Fountain of Light, and a sort of hippie switchboard, the Taos Community Information Center. The group also ran an alternative school. These enterprises never produced much income, however."
In addition to the services Miller mentions there was also a bookstore, a mobile security patrol, a small research library, and a shortwave radio network connecting some of the outlying communes without phone service. Along with most of the rest of these facilities Fountain of Light perished when the money ran out in 1970, all of the above mentioned services having collectively run through a quarter of a million dollars in 2 years.
In the paper's final months of existence local writer Jim Levy took over as editor and tried to convert it from a hippie commune paper to a local alternative newspaper covering actual news for the broader Taos community, abandoning psychedelic design motifs in favor of a more traditional newspaper look. Contributors included local poet Harvey Mudd; Roger Thomas was the paper's graphic designer.
A small part of the paper's spirit might be gathered from a 1969 editorial entitled "Why Taos":
"While it may be said we are fleeing the deplorable conditions of contamination of the urban areas, both physical and spiritual, the real motivation seems to be a quest for a more natural way of life. Away from the plastic and putrefying conditions in the cities. We mean to establish for ourselves new life styles that are basically simple and agrarian. Our concern is with the real—real food grown by ourselves for the most part, real and useful products produced by heads and hands and hearts, expressions in art forms that manifest individual energies of human beings rather than the faceless and soulless work of mechanized existence. To plant and cultivate and to ultimately harvest worthwhile things from joyous labors, this is what we are about."
Concluding,
"We are not reformers and do not seek directly to influence social or political order, but only to be unmolested and live our lives in peace and let those lives speak for themselves."