Fear of Fours is the title of Lamb

Lamb (band)

Lamb is an electronic music duo from Manchester, England, whose music is influenced by trip hop and drum and bass. The duo consists of producer Andy Barlow, who also produces under the pseudonym Hipoptimist, and singer-songwriter Lou Rhodes...

's 1999 album.

Track listing

1. "Soft Mistake" – 3:15
2. "Little Things" – 3:18
3. "B Line" – 2:51
4. [untitled] – 0:07
5. "All in Your Hands" – 4:38
6. "Less Than Two" – 1:18
7. "Bonfire" – 4:23
8. "Ear Parcel" – 7:54
9. "Softly" – 3:55
10. "Here" – 3:22
11. "Fly" – 5:14
12. "Alien" – 4:08
13. "Five" – 5:46
14. "Lullaby" – 2:56
    • On the CD release of the album, an alternate version of "Lullaby" is hidden in the pregap
      Pregap
      The pregap on a Red Book audio CD is the portion of the audio track that precedes "index 01" for a given track in the table of contents . The pregap is typically two seconds long and usually, but not always, contains silence...
      
      , which can be found by rewinding the CD back before the first track. The Australian version has extra remixes of the album's tracks.

Notable Themes

The fourth track is not included on the album's track listing. It is a single struck chord which effectively ends the song "B Line" preceding it. This deliberate omission is a nod to the album's title, whose sentiment is revealed in a deeper level throughout the album: unusual time signatures. "Soft Mistake" is in 10/8. "B Line" is driven by a prominent bass line in 6/8, followed by the single note track 4. "Less Than Two" is in 12/8, backed by a repeating twelve beat phrase "needing you wanting you loving you holding you", and "Softly" is in 6/8. "Alien" continues in 12/8, although the rhythms are at times ambiguous. "Five", the most intricate yet, is in 5/8,5/8,5/8,5/8,5/8,6/8,5/8,6/8, which could also be written as 10/4,10/4,11/4,11/4. "Lullaby" rounds off the album in a slow, lazy 3/4 time. "Little Things" has a rather complex rhythmic pattern, which nevertheless converges to 4/4, or a multiple, depending on notation.

However some of the tracks are more conventional: "All In Your Hands", "Bonfire", "Ear Parcel", "Fly" all have time signatures which are at least divisible by 2 or 4, even though they may not be written as 4/4 per se. "Here" again has a 4/4 structure to it, though the bass plays rhythms which stress this as 3+3+2/8.