Exhibition of National Portraits
Encyclopedia
The Exhibition of National Portraits was a series of three grand exhibitions in London at the South Kensington Museum between 1866 and 1868. The first one opened in April 1866, and contained portraits of people from or linked to the history of England until the Glorious Revolution
. The second exhibition displayed portraits between the Glorious Revolution and 1800, with the final exhibition showing portraits from people living after 1800, including living people. The second and third exhibition also included portraits that by right should have been present in one of the previous exhibiotns, but weren't shown then. The third exhibition for example showed 9 works attributed to Hans Holbein, 9 works by Anthony van Dyck
, 27 by Reynolds and 34 by Gainsborough, even though they should normally have been shown in the previous exhibitions.
The 1866 exhibition, lasting from April 16th until August 18th, had 73,156 visitors for 1035 pictures, including works by Hans Memling
and Hans Holbein the Younger
. The 1867 exhibition, held between May 2nd and August 31st, showed 866 portraits, many of them by Joshua Reynolds
and Thomas Gainsborough
, and received 49,385 visitors. The third exhibition opened on April 13 1868, with 951 portraits. When it closed on August 22nd, there had been 58,336 visitors. The catalogues of the three exhibitions sold over 16,000 copies for the first year, and over 8,000 copies each for the other two years.
Glorious Revolution
The Glorious Revolution, also called the Revolution of 1688, is the overthrow of King James II of England by a union of English Parliamentarians with the Dutch stadtholder William III of Orange-Nassau...
. The second exhibition displayed portraits between the Glorious Revolution and 1800, with the final exhibition showing portraits from people living after 1800, including living people. The second and third exhibition also included portraits that by right should have been present in one of the previous exhibiotns, but weren't shown then. The third exhibition for example showed 9 works attributed to Hans Holbein, 9 works by Anthony van Dyck
Anthony van Dyck
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next...
, 27 by Reynolds and 34 by Gainsborough, even though they should normally have been shown in the previous exhibitions.
The 1866 exhibition, lasting from April 16th until August 18th, had 73,156 visitors for 1035 pictures, including works by Hans Memling
Hans Memling
Hans Memling was a German-born Early Netherlandish painter.-Life and works:Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden...
and Hans Holbein the Younger
Hans Holbein the Younger
Hans Holbein the Younger was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history...
. The 1867 exhibition, held between May 2nd and August 31st, showed 866 portraits, many of them by Joshua Reynolds
Joshua Reynolds
Sir Joshua Reynolds RA FRS FRSA was an influential 18th-century English painter, specialising in portraits and promoting the "Grand Style" in painting which depended on idealization of the imperfect. He was one of the founders and first President of the Royal Academy...
and Thomas Gainsborough
Thomas Gainsborough
Thomas Gainsborough was an English portrait and landscape painter.-Suffolk:Thomas Gainsborough was born in Sudbury, Suffolk. He was the youngest son of John Gainsborough, a weaver and maker of woolen goods. At the age of thirteen he impressed his father with his penciling skills so that he let...
, and received 49,385 visitors. The third exhibition opened on April 13 1868, with 951 portraits. When it closed on August 22nd, there had been 58,336 visitors. The catalogues of the three exhibitions sold over 16,000 copies for the first year, and over 8,000 copies each for the other two years.