David Hammons
Encyclopedia
David Hammons is an African-American artist mostly known for his works in and around New York City
during the 1970s and 1980s.
Much of his work, including Spade with Chains (1973), reflects his commitment to the civil rights and Black Power
movements. In this particular work, the artist employs a provocative, derogatory term, coupled with the literal gardening instrument
, in order to make a statement about the issues of bondage and resistance.
Along with these cultural overtones, Hammons’s work also blurs the notions of public and private spaces, as well as what constitutes a valuable commodity. An illustration of these concepts can be seen in Bliz-aard Ball Sale (1983), a performance piece in which Hammons situates himself alongside street vendors in downtown Manhattan in order to sell snowballs which are priced according to size. This act serves both as a parody on commodity exchange and a commentary on the capitalistic nature of art fostered by art galleries. Furthermore, it puts a satirical premium on 'whiteness', ridiculing the superficial luxury of racial classification as well as critiquing the hard social realities of street vending experienced by those who have been discriminated against in terms of race or class.
Also noteworthy is the artist's use of discarded or object materials, including but not limited to elephant dung, chicken parts, strands of African-American hair, and bottles of cheap wine. Many critics see these objects as evocative of the desperation of the poor, Black urban class, but Hammons reportedly saw a sort of sacrosanct or ritualistic power in these materials, which is why he utilized them so extensively.
Hammons has also explored the video medium, collaborating with artist Alex Harsley on a number of video works, including Phat Free (originally titled Kick the Bucket), which was included in the Whitney Biennial and other venues. Hammons and Harsley have also collaborated on installations at New York's 4th Street Photo Gallery, a noted East Village artist exhibition and project space.
Among the artists whose works reference similar movements such as arte povera
and artistic forebears including Marcel Duchamp
are Jimmie Durham
, Gabriel Orozco
, Chakaia Booker
, Lorna Simpson
, and Rirkrit Tiravanija
.
Hammons’s African American Flag is a part of the permanent collection of New York’s the Museum of Modern Art.
Hammons received the MacArthur Fellowship (also known as the Genius Grant) in July 1991.
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
during the 1970s and 1980s.
Much of his work, including Spade with Chains (1973), reflects his commitment to the civil rights and Black Power
Black Power
Black Power is a political slogan and a name for various associated ideologies. It is used in the movement among people of Black African descent throughout the world, though primarily by African Americans in the United States...
movements. In this particular work, the artist employs a provocative, derogatory term, coupled with the literal gardening instrument
Spade
A spade is a tool designed primarily for the purpose of digging or removing earth. Early spades were made of riven wood. After the art of metalworking was discovered, spades were made with sharper tips of metal. Before the advent of metal spades manual labor was less efficient at moving earth,...
, in order to make a statement about the issues of bondage and resistance.
Along with these cultural overtones, Hammons’s work also blurs the notions of public and private spaces, as well as what constitutes a valuable commodity. An illustration of these concepts can be seen in Bliz-aard Ball Sale (1983), a performance piece in which Hammons situates himself alongside street vendors in downtown Manhattan in order to sell snowballs which are priced according to size. This act serves both as a parody on commodity exchange and a commentary on the capitalistic nature of art fostered by art galleries. Furthermore, it puts a satirical premium on 'whiteness', ridiculing the superficial luxury of racial classification as well as critiquing the hard social realities of street vending experienced by those who have been discriminated against in terms of race or class.
Also noteworthy is the artist's use of discarded or object materials, including but not limited to elephant dung, chicken parts, strands of African-American hair, and bottles of cheap wine. Many critics see these objects as evocative of the desperation of the poor, Black urban class, but Hammons reportedly saw a sort of sacrosanct or ritualistic power in these materials, which is why he utilized them so extensively.
Hammons has also explored the video medium, collaborating with artist Alex Harsley on a number of video works, including Phat Free (originally titled Kick the Bucket), which was included in the Whitney Biennial and other venues. Hammons and Harsley have also collaborated on installations at New York's 4th Street Photo Gallery, a noted East Village artist exhibition and project space.
Among the artists whose works reference similar movements such as arte povera
Arte Povera
Arte Povera is a modern art movement. The term was introduced in Italy during the period of upheaval at the end of the 1960s, when artists were taking a radical stance. Artists began attacking the values of established institutions of government, industry, and culture, and even questioning whether...
and artistic forebears including Marcel Duchamp
Marcel Duchamp
Marcel Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. Considered by some to be one of the most important artists of the 20th century, Duchamp's output influenced the development of post-World War I Western art...
are Jimmie Durham
Jimmie Durham
Jimmie Durham is an American-born sculptor, essayist and poet, currently living in Europe.-Life and work:Durham was born in Washington, Arkansas and became active in theatre, performance and literature related to the US civil rights movement in the 1960s. His first solo exhibition as a visual...
, Gabriel Orozco
Gabriel Orozco
Gabriel Orozco is a Mexican artist, who in 1998 was called "one of the most influential artists of this decade, and probably the next one too." He was born in Jalapa, Veracruz, Mexico and educated in the Escuela Nacional de Artes Plásticas between 1981 and 1984. He then continued his education...
, Chakaia Booker
Chakaia Booker
Chakaia Booker is an African American artist who was born in Newark, New Jersey in 1953.-Background:Booker received a Bachelor of Art in Sociology from Rutgers University in 1976. She then received her Master of Fine Arts from the City College of New York in 1993...
, Lorna Simpson
Lorna Simpson
Lorna Simpson is an African American artist and photographer who made her name in the 1980s and 1990s with artworks such as Guarded Conditions and Square Deal. Her work often portrays black women combined with text to express contemporary society's relationship with race, ethnicity and sex...
, and Rirkrit Tiravanija
Rirkrit Tiravanija
Rirkrit Tiravanija is a contemporary artist residing in New York. He was born in Buenos Aires, Argentina in 1961. His installations often take the form of stages or rooms for sharing meals, cooking, reading or playing music; architecture or structures for living and socializing are a core element...
.
Hammons’s African American Flag is a part of the permanent collection of New York’s the Museum of Modern Art.
Hammons received the MacArthur Fellowship (also known as the Genius Grant) in July 1991.