Dangerous Corner
Encyclopedia
Dangerous Corner was the first play by the English writer J. B. Priestley
J. B. Priestley
John Boynton Priestley, OM , known as J. B. Priestley, was an English novelist, playwright and broadcaster. He published 26 novels, notably The Good Companions , as well as numerous dramas such as An Inspector Calls...

. It was premiered in May 1932 by Tyrone Guthrie
Tyrone Guthrie
Sir William Tyrone Guthrie was an English theatrical director instrumental in the founding of the Stratford Festival of Canada, the Guthrie Theater in Minneapolis, Minnesota and the Tyrone Guthrie Centre, at his family's home, Annaghmakerrig, in County Monaghan, Ireland.-Life and career:Guthrie...

 at the Lyric Theatre, London, and filmed in 1934 by Phil Rosen
Phil Rosen
Phil Rosen was an American film director and cinematographer. He directed 142 films between 1915 and 1949....

.

Priestley had recently collaborated with Edward Knoblock
Edward Knoblock
Edward Knoblock was an American-born British playwright and novelist most remembered for the often revived 1911 play, Kismet-Biography:...

 on the dramatisation of The Good Companions
The Good Companions
The Good Companions is a novel by the English author J. B. Priestley.Written in 1929 , it focuses on the trials and tribulations of a concert party in England between World War I and World War II. It is arguably Priestley's most famous novel, and the work which established him as a national figure...

and now wished "to prove that a man might produce long novels and yet be able to write effectively, using the strictest economy, for the stage." While it was praised highly by James Agate
James Agate
James Evershed Agate was a British diarist and critic. In the period between the wars, he was one of Britain's most influential theatre critics...

, Dangerous Corner received extremely poor reviews and after three days he was told that the play would be taken off, a fate that he averted by buying out the syndicate. It then ran for six months. Priestley's action was further vindicated by the worldwide success the play was to enjoy, although he soon lowered his estimate of this work and as early as 1938 remarked "It is pretty thin stuff when all is said and done."

Plot introduction

Robert and Freda Caplan are entertaining guests at their country retreat. A chance remark by one of the guests ignites a series of devastating revelations, revealing a hitherto undiscovered tangle of clandestine relationships and dark secrets, the disclosures of which have tragic consequences. The play ends with time slipping back to the beginning of the evening and the chance remark not being made, the secrets remaining hidden and the "dangerous corner" avoided.

Act I

The play begins in darkness with a muffled gunshot and scream. Lights are turned on to reveal a drawing-room containing four women who have been listening to a radio play after dinner. Two of them, Freda and Betty, are the wives of directors of a publishing firm, while Olwen is contemplating marriage to a third director. With them is Maud, a novelist.

Their chat has turned to the suicide last year of Freda's brother-in-law Martin Caplan when they are interrupted by the entry of the husbands, Robert and Gordon, along with Charles. Freda offers Olwen a cigarette from a musical box which Olwen innocently recognizes. Her recognition arouses Freda's suspicion and she demands to know when Olwen saw the box; Olwen responds evasively and Robert chides her. Eventually Freda claims she sent the box to Martin shortly before his suicide, but this is then challenged by Gordon. Robert is angry and both Freda and Olwen are forced to admit that they visited Martin just hours before his suicide. At this point, Maud takes her leave, and soon all the guests depart except Olwen.

Robert, Freda and Olwen are discussing last year's theft of £500 from the firm, on which they had blamed Martin's suicide, when they realize that Charles has systematically misled them and that he must have stolen the money himself. Robert snatches the telephone and demands that Gordon and Charles return.

Act II

Charles admits that he took the money, but insists that he was planning to return it within a week and that it was not the cause of Martin's suicide. It emerges that Freda and Gordon were both in love with Martin. At this point Betty arrives at the house, indignant at being left out, to discover the men on the brink of fighting.

Act III

Olwen admits that she shot Martin while he was in a drug-fuelled rage; he had lunged at her with a gun and tried to rape her. Afterwards she had driven to Charles's cottage for help, but left immediately after realizing that Betty was spending the night there.

After a great deal of bitter discussion, all the guests but Olwen leave, totally alienated from one another.

The firm is certain to collapse. Robert is in despair; he goes to his room. Freda suddenly remembers that Robert keeps a revolver there, and tears out after him. The lights fade, and we hear a shot and a scream.

When the lights are turned back on, we find ourselves at the beginning of Act I. The opening scene is repeated in a shortened version. Olwen recognizes the box, but Freda makes no remark, and their conversation dwindles after Gordon turns on the radio for dance music.

Characters

  • Robert Caplan
  • Freda Caplan
  • Betty Whitehouse
  • Gordon Whitehouse
  • Olwen Peel
  • Charles Trevor Stanton
  • Maud Mockridge

External links

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