Culturcide - AbsoluteAstronomy.com

Culturcide was a Houston-based experimental punk

Punk rock

Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom, and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed perceived excesses of mainstream 1970s rock...

band, active from 1980 to 1990 and from 1993 to the present day. They were notorious for their 1986

1986 in music

This is a list of notable events in music that took place in the year 1986.-January-June:*January 23 – The first induction into the Rock and Roll Hall of Fame takes place...

album Tacky Souvenirs of Pre-Revolutionary America, which earned the band a cult following

Cult following

A cult following is a group of fans who are highly dedicated to a specific area of pop culture. A film, book, band, or video game, among other things, will be said to have a cult following when it has a small but very passionate fan base...

, but also several legal threats.

Members

Perry Webb (founding member); Jim Craine (founding member), (1980-82); Dan Workman (from 1980); Bill Loner (1981-82); Ralf Armin (from 1982).

History

Culturcide's first single, "Another Miracle"/"Consider Museums as Concentration Camps", was released in 1980, unsupported by any live appearances. However demand grew for the band to perform, and this they did, relying on banks of portable cassette recorders to provide their samples. This was enough of a success for their debut LP Year One (1982) to be composed entirely of live material.
However, Craine left the band after the album's release. A remastered version of the album that also includes the first single was rereleased in 2007 as "Year One (Again)" by Hotbox Review

Another Miracle/Consider Museums 45

The single was recorded at MRS Studio in Houston at the beginning of 1980, with Bobby Ginsburg doing the engineering on an 8-track board. Craine's earlier band, AK47, had recorded 'The Badge Means You Suck' there and Legionnaire's Disease had recorded their 'I'd Rather See You Dead' single in the studio, both using Ginsburg. Webb came equipped with lyrics for both songs while Craine had preworked the drum machine sounds and some synth sounds. Webb provided tape loops (the 'Don' and 'Adele' yells and screams denoted on the record sleeve) and Craine has said in previous interviews that he taped the climatic scene of the movie 'Attica' to provide the gunshots used at the end of 'Concentration Camps'. The tape loops were then 'treated' by running them through Craine's synth and the resulting output was duly recorded (Craine is alleged to have been a major Eno enthusiast). Webb and Craine enlisted guitarists Al Trazz (Plastic Idols) and Dan Workman To flesh out the initial sparse sound. While the Trazz parts were worked out and rehearsed in the studio, Workman's guitar tracks were improvised and done in one take in keeping with the band's initial Throbbing Gristle philosophy. Recording and mixing was done over two or three nights with no overdubbing or studio effects other than studio reverb supplied by Ginsburg. The cover illustration was done by Webb and the first pressing also included a self-addressed postcard showing the Houston Museum of Fine Art. Reviews were generally strong, including one that likened the band's sound to that of a 'stalking metronome'. Breaking their initial vow to never play live, Webb and Craine added Workman to the line-up and began to gig. After one such show, Bill Loner (Plastic Idols) declared the trio needed a bass player and he too was added to the band's ranks.

Tacky Souvenirs of Pre-Revolutionary America

In 1986 the band released their most famous work. Tacky Souvenirs of Pre-Revolutionary America comprised 14 tracks of the band's satirical lyrics overdubbed

Overdubbing

Overdubbing is a technique used by recording studios to add a supplementary recorded sound to a previously recorded performance....

onto popular songs by the original artists. For example, the Beach Boys' California Girls

California Girls

"California Girls" is a song by American rock band The Beach Boys, featured on their ninth studio album Summer Days . Written by band-members Brian Wilson and Mike Love, the song features contrasting verse-chorus form...

was turned into "They Wish They All Could Be California Punks", a sideswipe at unoriginality in Punk Rock. There were also overdubs of tape loop

Tape loop

In music, tape loops are loops of prerecorded magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound. Contemporary composers such as Steve Reich and Karlheinz Stockhausen used tape loops to create phase patterns and rhythms...

s and other sound effect

Sound effect

For the album by The Jam, see Sound Affects.Sound effects or audio effects are artificially created or enhanced sounds, or sound processes used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media...

s. The lyric sheet carried the message "Home-taping is killing the record industry, so keep doing it."http://google.com/search?q=cache:u7XwpU44IscJ:www.metamute.org/en/html2pdf/view/5758+culturcide+Tacky+Souvenirs+of+Pre-Revolutionary+America.&hl=en&ct=clnk&cd=20 The backing tracks were used without permission and the band soon faced legal threats from some of the original copyright

Copyright is a legal concept, enacted by most governments, giving the creator of an original work exclusive rights to it, usually for a limited time...

holders.

The album was listed in the British New Musical Express yearlist for 1987.http://www.rocklistmusic.co.uk/1987.html

1990s

Despite the band's new-found cult status (which led to tours of the US West Coast and even Europe), financial and intra-band problems led to a split in 1990. One problem was that most record label

Record label

In the music industry, a record label is a brand and a trademark associated with the marketing of music recordings and music videos. Most commonly, a record label is the company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing and promotion,...

s shied away from releasing their material after Tacky Souvenirs.

However, in 1993 the band reconvened to work on a new album, Short CD (1995). Home Made Authority followed in 1998.

Discography

1980: "Another Miracle"/"Consider Museums as Concentration Camps" (7" single)
1981: Reset split LP with Hiroshima Chair; most of Culturcide's material later appeared on Year One.(Dogfood Production System)
1982: Year One (LP)(CIA Records)
1986: Tacky Souvenirs of Pre-Revolutionary America (LP)(no label)
1991: "A Day at My Job"/"Mommy and I Are One" (7" single)(Nuf Sed)
1995: Short CD (CD)(Double Naught)
1998: Home Made Authority (CD)(Delayed)
Undated: "Santa Claus Was My Lover"/"Depressed Christmas" (7" single)
Undated: split single with Caroliner Rainbow; two untitled tracks. (7" single) (cover states - "Collector's item! First 250,000 pressed on black vinyl")
2007: "Year One (Again) CD (HotBox Review), remastered version plus "Another Miracle" 45
2008: Gigs For An Imaginary Audience (CD) remastered versions of demos, previously unreleased tracks, and selected live tracks from 1980 to 1986

Compilation appearances

1982: "Disco" on cassette Endzeit (Datenverarbeitung)
1984: "Bestiality and Sex" on 4-cassette compilation of the same name (Bain Total).
1988: "Industrial Band" on the cassette Songs I Like to Sing (Statutory Tape).
2002: "They Aren't the World" on Illegal Art Exhibit CD (Illegal Art)
2005: "A Day at My Job (unreleased studio version)" on God Came Between Us CD (777 was 666)

Undated: "Atomic Bomb" appeared on cassette compilation The Dog That Wouldn't Die.

External links

Sources

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