Cinderella (Prokofiev)
Encyclopedia
Cinderella is a ballet, Op.
Opus number
An Opus number , pl. opera and opuses, abbreviated, sing. Op. and pl. Opp. refers to a number generally assigned by composers to an individual composition or set of compositions on publication, to help identify their works...

 87, composed by Sergei Prokofiev
Sergei Prokofiev
Sergei Sergeyevich Prokofiev was a Russian composer, pianist and conductor who mastered numerous musical genres and is regarded as one of the major composers of the 20th century...

 to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. The piece was composed between 1940 and 1944. Part way through writing it he broke off to write his opera War and Peace
War and Peace (Prokofiev)
War and Peace is an opera in two parts , sometimes arranged as five acts, by Sergei Prokofiev to a Russian libretto by the composer and Mira Mendelson, based on the novel War and Peace by Leo Tolstoy...

. The premiere of Cinderella was conducted by Yuri Fayer on Wednesday, November 21st, 1945, at the Bolshoi Theatre
Bolshoi Theatre
The Bolshoi Theatre is a historic theatre in Moscow, Russia, designed by architect Joseph Bové, which holds performances of ballet and opera. The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world...

 with choreography by Rostislav Zakharov
Rostislav Zakharov
Rostislav Vladimirovich Zakharov was a Russian choreographer, dancer, ballet and opera director. He was a professor of Russian Academy of the Arts in Moscow...

. Galina Ulanova
Galina Ulanova
Galina Sergeyevna Ulánova is frequently cited as being one of the greatest 20th Century ballerinas. Her flat in Moscow is designated a national museum, and there are monuments to her in Saint Petersburg and Stockholm....

 danced the title role. Cinderella (or Cendrillon) is notable for its jubilant music, lush scenery, and for the hilarious double-roles of the stepsisters, more mad than bad in this treatment.

Cinderella (ballet)


Act I :
No 1 Introduction
No 2 Shawl Dance
No 3 Cinderella
No 4 The Father
No 5 The Fairy Godmother
No 6 The Sisters' New Clothes
No 7 The Dancing Lesson
No 8 Departure of the Stepmother and the Sisters for the Ball
No 9 Cinderella Dreams of the Ball
No 10 Gavotte
Gavotte
The gavotte originated as a French folk dance, taking its name from the Gavot people of the Pays de Gap region of Dauphiné, where the dance originated. It is notated in 4/4 or 2/2 time and is of moderate tempo...

No 11 Second Appearance of the Fairy Godmother
No 12 Spring Fairy
No 13 Summer Fairy
No 14 Grasshoppers and Dragonflies
No 15 Autumn Fairy
No 16 Winter Fairy
No 17 The Interrupted Departure
No 18 The Clock
No 19 Cinderella's Departure for the Ball

Act II
No 20 Dance of the Courtiers
No 21 Passepied
Passepied
The passepied is a 17th- and 18th-century dance that originated in Brittany. The term can also be used to describe the music to which a passepied is set...

No 22 Bourrée
Bourrée
The bourrée is a dance of French origin common in Auvergne and Biscay in Spain in the 17th century. It is danced in quick double time, somewhat resembling the gavotte. The main difference between the two is the anacrusis, or upbeat; a bourrée starts on the last beat of a bar, creating a...

No 23 Skinny's Variation
No 24 Dumpy's Variation
No 25 Dance of the Courtiers (Reprise)
No 26 Mazurka
Mazurka
The mazurka is a Polish folk dance in triple meter, usually at a lively tempo, and with accent on the third or second beat.-History:The folk origins of the mazurek are two other Polish musical forms—the slow machine...

 and Entrance of the Prince
No 27 Dance of the Prince's Four Companions
No 28 Mazurka
No 29 Cinderella's Arrival at the Ball
No 30 Grand Waltz
No 31 Promenade
No 32 Cinderella's Dance
No 33 Dance of the Prince
No 34 Refreshments for the Guests
No 35 Duet of the Sisters with the Oranges
No 36 Duet of the Prince and Cinderella
No 37 Waltz-Coda
No 38 Midnight

Act III
No 39 The Prince and the Cobblers
No 40 First Galop of the Prince
No 41 Temptation
No 42 Second Galop of the Prince
No 43 Orientalia
No 44 Third Galop of the Prince
No 45 Cinderella's Awakening
No 46 The Morning After the Ball
No 47 The Prince's Visit
No 48 The Prince Recognizes Cinderella
No 49 Waltz
No 50 Amoroso



Plot

Cinderella lives with her wicked stepsisters, until a beggar (who reveals herself to be a fairy) comes, and rewards Cinderella by giving her a coach and a new look.
At the ball, Cinderella falls in love with the prince. She stays only until midnight, when the spell wears off. But, she leaves her slipper behind, which the prince uses to find her again. The ballet is based on Charles Perrault
Charles Perrault
Charles Perrault was a French author who laid the foundations for a new literary genre, the fairy tale, with his works derived from pre-existing folk tales. The best known include Le Petit Chaperon rouge , Cendrillon , Le Chat Botté and La Barbe bleue...

's Cendrillon.

Ballet Trivia
  • Cinderella's stepsisters are sometimes played by men
  • In the story Cinderella there is no beggar, or seasonal fairies
  • The glass slipper is played by a regular ballet slipper

Orchestral suites extracted from Cinderella

  • Suite No. 1 from Cinderella, Op. 107
  • Suite No. 2 from Cinderella, Op. 108
  • Suite No. 3 from Cinderella, Op. 109

Pieces from Cinderella arranged for piano

  • Three Pieces from Cinderella, Op. 95
  • Ten Pieces from Cinderella, Op. 97
  • Six Pieces from Cinderella, Op. 102

See also

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