Cesare Sterbini
Encyclopedia
Cesare Sterbini was an Italian writer.
Sterbini was born at Rome
. He is known for two libretti
for opera
s by Gioacchino Rossini
: Torvaldo e Dorliska
(1815) and The Barber of Seville
(1816).
Sterbini was born at Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
. He is known for two libretti
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
for opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
s by Gioacchino Rossini
Gioacchino Rossini
Gioachino Antonio Rossini was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces...
: Torvaldo e Dorliska
Torvaldo e Dorliska
Torvaldo e Dorliska is an operatic dramma semiserio in two act by Gioachino Rossini to an Italian libretto by Cesare Sterbini, based on Les amours du chevalier de Faublas by the revolutionary Jean-Baptiste Louvet de Couvrai, whose work was the source of the Lodoïska libretto set by Luigi Cherubini...
(1815) and The Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
(1816).