Bronze sculpture
Overview
Bronze
Bronze is a metal alloy consisting primarily of copper, usually with tin as the main additive. It is hard and brittle, and it was particularly significant in antiquity, so much so that the Bronze Age was named after the metal...
is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze".
Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mold. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mold. Their strength and ductility (lack of brittleness) is an advantage when figures in action are to be created, especially when compared to various ceramic
Ceramic
A ceramic is an inorganic, nonmetallic solid prepared by the action of heat and subsequent cooling. Ceramic materials may have a crystalline or partly crystalline structure, or may be amorphous...
or stone materials (such as marble sculpture
Marble sculpture
Marble sculpture is the art of creating three-dimensional forms from marble. Sculpture is among the oldest of the arts. Even before painting cave walls, early humans fashioned shapes from stone. From these beginnings, artifacts have evolved to their current complexity...
).
Discussions
Encyclopedia
Bronze
is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze".
Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mold. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mold. Their strength and ductility (lack of brittleness) is an advantage when figures in action are to be created, especially when compared to various ceramic
or stone materials (such as marble sculpture
). These qualities allow the creation of extended figures, as in Jeté, or figures that have small cross sections in their support, such as the equestrian statue of Richard the Lionheart. Modern statuary bronze is 90% copper
and 10% tin
; older bronze alloys varied only slightly from this composition.
But the value of the bronze for uses other than making statues is disadvantageous to the preservation of sculptures; few large ancient bronzes have survived, as many were melted down to make weapons or ammunition in times of war or to create new sculptures commemorating the victors, while far more stone and ceramic works have come through the centuries, even if only in fragments. As recently as 2007 several life sized bronze sculptures by John Waddell were stolen, likely because of the value of the metal after the work has been melted.
The ancient Chinese knew both lost-wax casting and section mould casting, and in the Shang Dynasty
created large ritual vessels covered with complex decoration which have survived in tombs. Over the long creative period of Egyptian dynastic art, small lost-wax bronze figurines were made in large numbers; several thousand of them have been conserved in museum collections.
From the ninth through the thirteenth century the Chola dynasty
in South India represented the pinnacle of bronze casting in India .
), sand casting
and centrifugal casting.
model for smaller sculptures or for sculptures to be developed over an extended period (water-based clays must be protected from drying), and water-based clay for larger sculptures or for sculptures for which it is desired to capture a gestural quality - one that transmits the motion of the sculptor in addition to that of the subject. A mold is made from the clay pattern, either as a piece mold from plaster, or using flexible gel or similar rubber-like materials stabilized by a plaster jacket of several pieces. Often a plaster
master will be made from this mold for further refinement. Such a plaster is a means of preserving the artwork until a patron may be found to finance a bronze casting, either from the original molds or from a new mold made from the refined plaster positive.
Once a production mold is obtained, a wax (hollow for larger sculptures) is then cast from the mold. For a hollow sculpture, a core
is then cast into the void, and is retained in its proper location (after wax melting) by pins of the same metal used for casting. One or more wax sprues are added to conduct the molten metal into the sculptures - typically directing the liquid metal from a pouring cup to the bottom of the sculpture, which is then filled from the bottom up in order to avoid splashing and turbulence. Additional sprues may be directed upward at intermediate positions, and various vents may also be added where gases could be trapped. (Vents are not needed for ceramic shell casting, allowing the sprue to be simple and direct.) The complete wax structure (and core, if previously added) is then invested in another kind of mold or shell, which is heated in a kiln until the wax runs out and all free moisture is removed. The investment is then soon filled with molten bronze. The removal of all wax and moisture prevents the liquid metal from being explosively ejected from the mold by steam and vapor.
Students of bronze casting will usually work in direct wax, where the model is made in wax, possibly formed over a core, or with a core cast in place, if the piece is to be hollow. If no mold is made and the casting process fails, the artwork will also be lost. After the metal has cooled, the external ceramic/clay is chipped away, revealing an image of the wax form, including core pins, sprues, vents, and risers. All of these are removed with a saw and tool marks are polished away, and interior core material is removed to reduce the likelihood of interior corrosion. Incomplete voids created by gas pockets or investment inclusions are then corrected by welding and carving. Small defects where sprues and vents were attached are filed or ground down and polished.
, a process that allows some control over the color and finish.
Another form of sculptural art that uses bronze is ormolu
, a finely cast soft bronze that is gilded (coated with gold) to produce a matte gold finish. Ormolu was popularized in the 18th century in France and is found in such forms as wall sconces (wall-mounted candle holders), inkstands, clocks and garnitures. Ormolu wares can be identified by a clear ring when tapped, showing that they are made of bronze, not a cheaper alloy such as spelter
or pewter
.
Bronze
Bronze is a metal alloy consisting primarily of copper, usually with tin as the main additive. It is hard and brittle, and it was particularly significant in antiquity, so much so that the Bronze Age was named after the metal...
is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze".
Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mold. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mold. Their strength and ductility (lack of brittleness) is an advantage when figures in action are to be created, especially when compared to various ceramic
Ceramic
A ceramic is an inorganic, nonmetallic solid prepared by the action of heat and subsequent cooling. Ceramic materials may have a crystalline or partly crystalline structure, or may be amorphous...
or stone materials (such as marble sculpture
Marble sculpture
Marble sculpture is the art of creating three-dimensional forms from marble. Sculpture is among the oldest of the arts. Even before painting cave walls, early humans fashioned shapes from stone. From these beginnings, artifacts have evolved to their current complexity...
). These qualities allow the creation of extended figures, as in Jeté, or figures that have small cross sections in their support, such as the equestrian statue of Richard the Lionheart. Modern statuary bronze is 90% copper
Copper
Copper is a chemical element with the symbol Cu and atomic number 29. It is a ductile metal with very high thermal and electrical conductivity. Pure copper is soft and malleable; an exposed surface has a reddish-orange tarnish...
and 10% tin
Tin
Tin is a chemical element with the symbol Sn and atomic number 50. It is a main group metal in group 14 of the periodic table. Tin shows chemical similarity to both neighboring group 14 elements, germanium and lead and has two possible oxidation states, +2 and the slightly more stable +4...
; older bronze alloys varied only slightly from this composition.
But the value of the bronze for uses other than making statues is disadvantageous to the preservation of sculptures; few large ancient bronzes have survived, as many were melted down to make weapons or ammunition in times of war or to create new sculptures commemorating the victors, while far more stone and ceramic works have come through the centuries, even if only in fragments. As recently as 2007 several life sized bronze sculptures by John Waddell were stolen, likely because of the value of the metal after the work has been melted.
History
The great civilizations of the old world worked in bronze for art, from the time of the introduction of the alloy for edged weapons. The Greeks were the first to scale the figures up to life size. Few examples exist in good condition; one is the seawater-preserved bronze now called "The Victorious Athlete," which required painstaking efforts to bring it to its present state for museum display. Far more Roman bronze statues have survived.The ancient Chinese knew both lost-wax casting and section mould casting, and in the Shang Dynasty
Shang Dynasty
The Shang Dynasty or Yin Dynasty was, according to traditional sources, the second Chinese dynasty, after the Xia. They ruled in the northeastern regions of the area known as "China proper" in the Yellow River valley...
created large ritual vessels covered with complex decoration which have survived in tombs. Over the long creative period of Egyptian dynastic art, small lost-wax bronze figurines were made in large numbers; several thousand of them have been conserved in museum collections.
From the ninth through the thirteenth century the Chola dynasty
Chola Dynasty
The Chola dynasty was a Tamil dynasty which was one of the longest-ruling in some parts of southern India. The earliest datable references to this Tamil dynasty are in inscriptions from the 3rd century BC left by Asoka, of Maurya Empire; the dynasty continued to govern over varying territory until...
in South India represented the pinnacle of bronze casting in India .
Process
Making bronzes is highly skilled work, and a number of distinct casting processes may be employed, including lost-wax casting (and its modern-day spin-off investment castingInvestment casting
Investment casting is an industrial process based on and also called lost-wax casting, one of the oldest known metal-forming techniques. From 5,000 years ago, when beeswax formed the pattern, to today’s high-technology waxes, refractory materials and specialist alloys, the castings allow the...
), sand casting
Sand casting
Sand casting, also known as sand molded casting, is a metal casting process characterized by using sand as the mold material.It is relatively cheap and sufficiently refractory even for steel foundry use. A suitable bonding agent is mixed or occurs with the sand...
and centrifugal casting.
Lost wax method
In lost-wax or investment casting, the artist starts with a full-sized model of the sculpture, most often a non-drying oil-based clay such as PlasticinePlasticine
Plasticine, a brand of modelling clay, is a putty-like modelling material made from calcium salts, petroleum jelly and aliphatic acids. The name is a registered trademark of Flair Leisure Products plc...
model for smaller sculptures or for sculptures to be developed over an extended period (water-based clays must be protected from drying), and water-based clay for larger sculptures or for sculptures for which it is desired to capture a gestural quality - one that transmits the motion of the sculptor in addition to that of the subject. A mold is made from the clay pattern, either as a piece mold from plaster, or using flexible gel or similar rubber-like materials stabilized by a plaster jacket of several pieces. Often a plaster
Plaster
Plaster is a building material used for coating walls and ceilings. Plaster starts as a dry powder similar to mortar or cement and like those materials it is mixed with water to form a paste which liberates heat and then hardens. Unlike mortar and cement, plaster remains quite soft after setting,...
master will be made from this mold for further refinement. Such a plaster is a means of preserving the artwork until a patron may be found to finance a bronze casting, either from the original molds or from a new mold made from the refined plaster positive.
Once a production mold is obtained, a wax (hollow for larger sculptures) is then cast from the mold. For a hollow sculpture, a core
Core (manufacturing)
A core is a device used in casting and molding processes to produce internal cavities and reentrant angles. The core is normally a disposable item that is destroyed to get it out of the piece. They are most commonly used in sand casting, but are also used in injection molding.An intriguing example...
is then cast into the void, and is retained in its proper location (after wax melting) by pins of the same metal used for casting. One or more wax sprues are added to conduct the molten metal into the sculptures - typically directing the liquid metal from a pouring cup to the bottom of the sculpture, which is then filled from the bottom up in order to avoid splashing and turbulence. Additional sprues may be directed upward at intermediate positions, and various vents may also be added where gases could be trapped. (Vents are not needed for ceramic shell casting, allowing the sprue to be simple and direct.) The complete wax structure (and core, if previously added) is then invested in another kind of mold or shell, which is heated in a kiln until the wax runs out and all free moisture is removed. The investment is then soon filled with molten bronze. The removal of all wax and moisture prevents the liquid metal from being explosively ejected from the mold by steam and vapor.
Students of bronze casting will usually work in direct wax, where the model is made in wax, possibly formed over a core, or with a core cast in place, if the piece is to be hollow. If no mold is made and the casting process fails, the artwork will also be lost. After the metal has cooled, the external ceramic/clay is chipped away, revealing an image of the wax form, including core pins, sprues, vents, and risers. All of these are removed with a saw and tool marks are polished away, and interior core material is removed to reduce the likelihood of interior corrosion. Incomplete voids created by gas pockets or investment inclusions are then corrected by welding and carving. Small defects where sprues and vents were attached are filed or ground down and polished.
Creating large sculptures
For a large sculpture, the artist will usually prepare small study models until the pose and proportions are determined. An intermediate-sized model is then constructed with all of the final details. For very large works, this may again be scaled to a larger intermediate. From the final scale model, measuring devices are used to determine the dimensions of an armature for the structural support of a full-size temporary piece, which is brought to rough form by wood, cardboard, plastic foam, and/or paper to approximately fill the volume while keeping the weight low. Finally, plaster, clay or other material is used to form the full-size model, from which a mould may be constructed. Alternatively, a large refactory core may be constructed, and the direct-wax method then applied for subsequent investment. Before modern welding techniques, large sculptures were generally cast in one piece with a single pour. Welding allows a large sculpture to be cast in pieces, then joined.Finishing
After final polishing, corrosive materials may be applied to form a patinaPatina
Patina is a tarnish that forms on the surface of bronze and similar metals ; a sheen on wooden furniture produced by age, wear, and polishing; or any such acquired change of a surface through age and exposure...
, a process that allows some control over the color and finish.
Another form of sculptural art that uses bronze is ormolu
Ormolu
Ormolu is an 18th-century English term for applying finely ground, high-karat gold in a mercury amalgam to an object of bronze. The mercury is driven off in a kiln...
, a finely cast soft bronze that is gilded (coated with gold) to produce a matte gold finish. Ormolu was popularized in the 18th century in France and is found in such forms as wall sconces (wall-mounted candle holders), inkstands, clocks and garnitures. Ormolu wares can be identified by a clear ring when tapped, showing that they are made of bronze, not a cheaper alloy such as spelter
Spelter
Spelter, while sometimes used merely as a synonym for zinc, is often used to identify a zinc alloy. In this sense it might be an alloy of equal parts copper and zinc, i.e. a brass, used for hard soldering and brazing, or as an alloy, containing lead, that is used instead of bronze...
or pewter
Pewter
Pewter is a malleable metal alloy, traditionally 85–99% tin, with the remainder consisting of copper, antimony, bismuth and lead. Copper and antimony act as hardeners while lead is common in the lower grades of pewter, which have a bluish tint. It has a low melting point, around 170–230 °C ,...
.
Sculptors
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- Czesław Dźwigaj
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- Lorenzo GhibertiLorenzo GhibertiLorenzo Ghiberti , born Lorenzo di Bartolo, was an Italian artist of the early Renaissance best known for works in sculpture and metalworking.-Early life:...
- GiambolognaGiambolognaGiambologna, born as Jean Boulogne, incorrectly known as Giovanni da Bologna and Giovanni Bologna , was a sculptor, known for his marble and bronze statuary in a late Renaissance or Mannerist style.- Biography :...
- Maggi HamblingMaggi HamblingMaggi Hambling CBE is an English painter and sculptor. Perhaps her best known public works are a memorial to Oscar Wilde in central London and Scallop, a 4 metre high steel sculpture of two interlocking scallop shells on Aldeburgh beach dedicated to Benjamin Britten...
- Leone LeoniLeone LeoniLeone Leoni was an Italian sculptor of international outlook who travelled in Italy, Germany, Austria, France, the Spanish Netherlands and Spain. Leoni is regarded as the finest of the Cinquecento medallists. He made his reputation in commissions he received from the Habsburg monarchs Charles V,...
- Adriaen de VriesAdriaen de VriesAdriaen de Vries was a Northern Mannerist sculptor born in the Netherlands, whose international style crossed the threshold to the Baroque; he excelled in refined modelling and bronze casting and in the manipulation of patina and became the most famous European sculptor of his generation...
Modern
- Constantin BrancusiConstantin BrancusiConstantin Brâncuşi was a Romanian-born sculptor who made his career in France. As a child he displayed an aptitude for carving wooden farm tools. Formal studies took him first to Bucharest, then to Munich, then to the École des Beaux-Arts in Paris...
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- John ConnellJohn ConnellJohn Connell was a contemporary American artist. His works included sculpture, painting, drawing, and writing....
- Edgar DegasEdgar DegasEdgar Degas[p] , born Hilaire-Germain-Edgar De Gas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist...
- Eric FischlEric FischlEric Fischl is an American painter, sculptor and printmaker.-Early life:Fischl was born in New York City and grew up on suburban Long Island; his family moved to Phoenix, Arizona in 1967...
- Marshall FredericksMarshall FredericksMarshall Maynard Fredericks was an American sculptor.-Biography:Fredericks was born of Scandinavian heritage in Rock Island, Illinois on January 31, 1908. His family moved to Florida for a short time and then settled in Cleveland, Ohio, where he grew up...
- Anita HuffingtonAnita HuffingtonAnita Huffington is an American sculptor who is noted for her stone and Bronze representation of the female torso.-Biography:...
- László KutasLászló KutasLászló Kutas is a leading figure of contemporary Hungarian sculptural art. His figurative sculptures, commemorative coins and medals, major public and private statues can be found in museums, private collections and public squares including Windsor Palace in London, the International Coin...
- Henri MatisseHenri MatisseHenri Matisse was a French artist, known for his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter...
- Jorge MelícioJorge MelícioJorge Melício is a Portuguese sculptor. He was born in Angola in 1957 and has lived in Lisbon since he was seven years of age.-Biography:...
- Carl MillesCarl MillesCarl Milles was a Swedish sculptor, best known for his fountains. He was married to artist Olga Milles and brother to Ruth Milles and half brother to the architect Evert Milles...
- John W Mills
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- Enzo PlazzottaEnzo PlazzottaEnzo Plazzotta was an Italian-born British sculptor.He was born in Mestre, near Venice, and spent his working life in London...
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- Julian SchnabelJulian SchnabelJulian Schnabel is an American artist and filmmaker. In the 1980s, Schnabel received international media attention for his "plate paintings"—large-scale paintings set on broken ceramic plates....
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- M.L. SnowdenM.L. SnowdenM. L. Snowden is an American sculptor.Her works, largely in lost wax-cast bronze, explore the monumental forces and energies of geological phenomena and human figuration. They are intended to convey power and movement through abstract and representational elements...
- Stanisław Szukalski
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- George TsutakawaGeorge TsutakawaGeorge Tsutakawa , sculptor and painter, was born in Seattle, Washington. Tsutakawa spent much of his childhood in Okayama, Japan. He returned to Seattle at the age of 16, where he attended Broadway High School before earning a BFA at the University of Washington. One of his early mentors was...
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- Leonard Wells Volk
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, 55 statues, including:- Edward Lewis Bartlett
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contemplating a human skull.