Baton Records
Encyclopedia
Baton Records was an independent New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...

 based record label
Record label
In the music industry, a record label is a brand and a trademark associated with the marketing of music recordings and music videos. Most commonly, a record label is the company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing and promotion,...

 pioneered in the 1950s by record producer
Record producer
A record producer is an individual working within the music industry, whose job is to oversee and manage the recording of an artist's music...

 Sol Rabinowitz
Sol Rabinowitz
Sol Rabinowitz was the founder and lead producer of Baton Records, an independent record label in New York City during the 1950s.-References:**Baton Records...

.

Baton's first record, and subsequent hit, was "A Thousand Stars" by the R&B group The Rivileers. The label's most enduring hit is arguably "I've Got My Mo-Jo Working" written by Preston Foster and first recorded by singer Ann Cole
Ann Cole
Ann Cole was an American R&B and former gospel singer, who was the first artist signed to the 1950s record label, Baton Records. From 1956-1962 she scored three Top 40 hit singles before she stopped recording...

 in 1957. Muddy Waters
Muddy Waters
McKinley Morganfield , known as Muddy Waters, was an American blues musician, generally considered the "father of modern Chicago blues"...

 claimed to have written the song and put out a recording of it on Chess Records
Chess Records
Chess Records was an American record label based in Chicago, Illinois. It specialized in blues, R&B, soul, gospel music, early rock and roll, and occasional jazz releases....

the same week as Cole's record was released on Baton. Waters had heard Cole sing the song while they were on tour together and adoptend it as his own. A court later ruled that the song was indeed written by Foster, who [as of 1998] is still receiving royalties for "Mojo".
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