Argument from illusion
Encyclopedia
The argument from illusion is an argument for the existence of sense-data. It is posed as a criticism of direct realism. Naturally occurring illusions best illustrate the argument's points, a notable example concerning a stick: I have a stick, which appears to me to be straight, but when I hold it underwater it seems to bend and distort. I know that the stick is straight and that its apparent flexibility is a result of its being seen through the water, yet I cannot change the mental image I have of the stick as being bent. Since the stick is not in fact bent its appearance can be described as an illusion. Rather than directly perceiving the stick, which would entail our seeing it as it truly is, we must instead perceive it indirectly, by way of an image or "sense-datum". This mental representation
does not tell us anything about the stick's true properties, which remain inaccessible to us.
With this being the case, however, how can we be said to be certain of the stick's initial straightness? If all we perceive is sense-data then the stick's apparent initial straightness is just as likely to be false as its half-submerged bent appearance. Therefore, the argument runs, we can never gain any knowledge about the stick, as we only ever perceive a sense-datum, and not the stick itself.
A critical argument would be as follows: Because the stick provides a contrasting surface in the surrounding water, the bent appearance of the stick is evidence of the previously unaccounted for physical properties of the water. It would be a mistake to categorize an optical effect resulting from a physical cause as sensory fallibility because it results from an increase in information from another previously unaccounted for object or physical property. Unless the water is not taken into consideration, the example in fact reinforces the reliability of our visual sense to gather information accurately. This criticism, which was most strongly voiced by J.L. Austin, is that perceptual variation which can attributed to physical causes does not entail a representational disconnect between sense and reference, owing to an unreasonable segregation of parts from the perceived object.
Mental representation
A representation, in philosophy of mind, cognitive psychology, neuroscience, and cognitive science, is a hypothetical internal cognitive symbol that represents external reality, or else a mental process that makes use of such a symbol; "a formal system for making explicit certain entities or types...
does not tell us anything about the stick's true properties, which remain inaccessible to us.
With this being the case, however, how can we be said to be certain of the stick's initial straightness? If all we perceive is sense-data then the stick's apparent initial straightness is just as likely to be false as its half-submerged bent appearance. Therefore, the argument runs, we can never gain any knowledge about the stick, as we only ever perceive a sense-datum, and not the stick itself.
A critical argument would be as follows: Because the stick provides a contrasting surface in the surrounding water, the bent appearance of the stick is evidence of the previously unaccounted for physical properties of the water. It would be a mistake to categorize an optical effect resulting from a physical cause as sensory fallibility because it results from an increase in information from another previously unaccounted for object or physical property. Unless the water is not taken into consideration, the example in fact reinforces the reliability of our visual sense to gather information accurately. This criticism, which was most strongly voiced by J.L. Austin, is that perceptual variation which can attributed to physical causes does not entail a representational disconnect between sense and reference, owing to an unreasonable segregation of parts from the perceived object.