Antonina Nezhdanova
Encyclopedia
Antonina Vasilievna Nezhdanova was a Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...

n lyric-coloratura soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

. An outstanding opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 singer, she represented the Russian vocal school at its best.

Nezhdanova was born near Odessa
Odessa
Odessa or Odesa is the administrative center of the Odessa Oblast located in southern Ukraine. The city is a major seaport located on the northwest shore of the Black Sea and the fourth largest city in Ukraine with a population of 1,029,000 .The predecessor of Odessa, a small Tatar settlement,...

. In 1899, she entered the Moscow Conservatory
Moscow Conservatory
The Moscow Conservatory is a higher musical education institution in Moscow, and the second oldest conservatory in Russia after St. Petersburg Conservatory. Along with the St...

. Upon her graduation three years later she joined the Bolshoi Theatre
Bolshoi Theatre
The Bolshoi Theatre is a historic theatre in Moscow, Russia, designed by architect Joseph Bové, which holds performances of ballet and opera. The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world...

, rapidly becoming its leading soprano. She sang often, too, at the Mariinsky Theatre
Mariinsky Theatre
The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. The...

 in St Petersburg and also in Kiev and Odessa. Paris heard her in 1912, when she appeared opposite the great tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

 Enrico Caruso and Caruso's baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...

 equivalent, Titta Ruffo
Titta Ruffo
Titta Ruffo , born as Ruffo Titta Cafiero, was an Italian opera star who had a major international singing career. Known as the "Voce del leone" , he was greatly admired, even by rival baritones, such as Giuseppe De Luca, who said of Ruffo: "His was not a voice, it was a miracle" Titta Ruffo (9...

.

Nezhdanova was the dedicatee of Sergei Rachmaninoff
Sergei Rachmaninoff
Sergei Vasilievich Rachmaninoff was a Russian composer, pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music...

's Vocalise
Vocalise (Rachmaninoff)
Vocalise, Op. 34, No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Op. 34. Written for voice with piano accompaniment, it contains no words, but is sung using any one vowel...

, and she was the first performer of the arrangement for soprano and orchestra, with the composer conducting. She created a number of operatic roles. After the 1917 Russian Revolution she stayed on at the Bolshoi, unlike some of her fellow opera singers, who left their native country for the West. In 1936, she began to teach singing in Moscow and was appointed a professor at the city's conservatory in 1943.

She was married to the conductor Nikolai Golovanov and died in Moscow in 1950.

Nezhdanova made a number of recordings that display the beauty and flexibility of her voice and the excellence of her technique. She is considered by opera historians and critics to have been one of the finest sopranos of the 20th century.
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