Papa Don't Take No Mess
Encyclopedia
"Papa Don't Take No Mess" is a funk
song performed by James Brown
. An edited version of the song released as a two-part single
in 1974
was Brown's final number one R&B
hit and peaked at number thirty-one on the Hot 100. The full-length version, nearly 14 minutes long, appeared on the double album
Hell.
Like "The Payback
," "Papa Don't Take No Mess" was originally recorded for a rejected soundtrack
to the blaxploitation
film Hell Up in Harlem
.
with Fred Wesley
and The J.B.'s
:
A piano solo, performed by Brown, is included in the longer edit that appears on the Hell album.
Funk
Funk is a music genre that originated in the mid-late 1960s when African American musicians blended soul music, jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground...
song performed by James Brown
James Brown
James Joseph Brown was an American singer, songwriter, musician, and recording artist. He is the originator of Funk and is recognized as a major figure in the 20th century popular music for both his vocals and dancing. He has been referred to as "The Godfather of Soul," "Mr...
. An edited version of the song released as a two-part single
Single (music)
In music, a single or record single is a type of release, typically a recording of fewer tracks than an LP or a CD. This can be released for sale to the public in a variety of different formats. In most cases, the single is a song that is released separately from an album, but it can still appear...
in 1974
1974 in music
-January–April:*January 3 – Bob Dylan and The Band kick off their 40-date concert tour at Chicago Stadium. It's Dylan's first time on the road since 1966.*January 17...
was Brown's final number one R&B
Rhythm and blues
Rhythm and blues, often abbreviated to R&B, is a genre of popular African American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a...
hit and peaked at number thirty-one on the Hot 100. The full-length version, nearly 14 minutes long, appeared on the double album
Double album
A double album is an audio album which spans two units of the primary medium in which it is sold, typically records and compact discs....
Hell.
Like "The Payback
The Payback (song)
"The Payback" is a funk song by James Brown, the title track from his 1973 album of the same name. The song's lyrics, originally written by trombonist and bandleader Fred Wesley but heavily revised by Brown himself soon before it was recorded, concern the revenge he plans to take against the man...
," "Papa Don't Take No Mess" was originally recorded for a rejected soundtrack
Soundtrack
A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the...
to the blaxploitation
Blaxploitation
Blaxploitation or blacksploitation is a film genre which emerged in the United States circa 1970. It is considered an ethnic sub-genre of the general category of exploitation films. Blaxploitation films were originally made specifically for an urban black audience, although the genre's audience...
film Hell Up in Harlem
Hell Up in Harlem
Hell Up in Harlem is a 1973 blaxploitation film, starring Fred Williamson and Gloria Hendry. The film was written and directed by Larry Cohen...
.
Personnel
- James Brown - lead vocal
with Fred Wesley
Fred Wesley
Fred Wesley is an American jazz and funk trombonist, best known for his work with James Brown in the 1960s and 1970s.-Biography:...
and The J.B.'s
The J.B.'s
The J.B.'s were James Brown's band during the first half of the 1970s. On record the J.B.'s were sometimes billed under various alternate names such as The James Brown Soul Train, Maceo and the Macks, A.A.B.B., The First Family and The Last Word...
:
- Fred Wesley - trombone
- Ike Oakley - trumpet
- Maceo ParkerMaceo ParkerMaceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, as well as Parliament-Funkadelic in the 1970s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones...
- alto saxophone - St. Clair PinckneySt. Clair PinckneySt. Clair Pinckney was a saxophonist who performed with James Brown as a member of the James Brown Orchestra and The J.B.'s. He played tenor and baritone saxophone.-External links:*...
- tenor saxophone - Jimmy NolenJimmy NolenJimmy Nolen was an American guitarist, known for his distinctive "chicken scratch" lead guitar playing in James Brown's bands.-Early life and career:...
- guitar - Hearlon "Cheese" Martin - guitar
- Fred Thomas or Charles Sherrell - bass
- John "Jabo" Starks - drums
- John Morgan or Johnny Griggs - percussion
A piano solo, performed by Brown, is included in the longer edit that appears on the Hell album.