L'infedeltà delusa
Encyclopedia
L'infedeltà delusa Hob.
28/5, is an opera
tic burletta per musica by Joseph Haydn
. The Italian
libretto
was by Marco Coltellini
, perhaps reworked by Carl Friberth who also took part in the first performance.
on 26 July 1773. This was the name day of the Dowager Princess Estaházy and this date is given in the printed libretto. It was revived for the visit of Empress Maria Theresa
on 1 September 1773, and again on 1 July 1774.
Bampton Classical Opera
gave performances of the opera in 2004 and 2005, in English.
Act 1
Filippo, brother and sister Nanni and Vespina, and rich farmer Nencio admire the beauty of the summer evening. Filippo is concluding a deal with Nencio. Sandrina, Filippo's daughter enters, the others leave her alone with her father, who tells here that he has found her a husband. She protests that she loves only Nanni but Filippo dismisses the thought of her marrying a poor man. When Nanni arrives, Sandrina is sad, and torn between love for him and respect for her father. Nanni vows vengeance on Filippo and the man chosen to be Sandrina's husband.
In a room in Nanni and Vespina's house; Vespina sings of the pain of love but longs for its pleasures. She reveals that she is in love with Nencio, whose behaviour puzzles her. Nanni tells her that Nencio wishes to marry Sandrina and both swear vengeance.
Outside Filippo's house, Nencio sings a serenade to Sandrina. Vespina and Nanni eavesdrop on him as he asks Filippo to send Sandrina to him. Despite Sandrina's tears, Nencio says he will marry her come what may. Vespina enters and slaps him; Nencio and Filippo refuse to budge, Vespina and Nanni are furious while Sandrina laments her predicament.
Act 2
Vespina has disguised herself as an old woman, so that when Filippo and Sandrina come out of the house she will tell them that Nencio was secretly married but abandoned her daughter. Filippo, angry at Nencio's supposed duplicity hurls insults at him; Nencio, baffled by this, is next approached by Vespina this time disguised as a German servant who says that her master, a marquis will be taking Sandrina as his wife. Nencio thinks he now understands the reason for Filippo's anger, but Vespina reappears now as the Marquis de Ripafratta, saying that although he promised to marry Sandrina he wouldn't marry below his station and will therefore trick her into marrying one of his scullions. Nencio is pleased by the anticipated humiliation of Filippo and offers to be a witness. Vespina assures Nanni that her ruses will succeed.
Filippo is delighted by Sandrina's prospects as the wife of a marquis, but his daughter says that she wants love, not luxury. In her fourth disguise, Vespina enters as a notary accompanied by Nanni disguised as a servant and Nencio. A marriage contract is signed and witnessed, Filippo believing the bridegroom to be the marquis, Nencio thinking it the servant. When the disguises are thrown off, Sandrina is shown to be married to her beloved Nanni. Vespina confesses her tricks, Filippo accepts the outcome, and Vespina looks forward to wedding the chastened Nencio.
Hoboken-Verzeichnis
The Hoboken-Verzeichnis is the catalogue of over 750 works by Joseph Haydn as compiled by Anthony van Hoboken.Unlike Ludwig von Köchel's catalogue of Wolfgang Amadeus Mozart's works, or Otto Erich Deutsch's catalogue of Franz Schubert's works, which are both arranged chronologically by date of...
28/5, is an opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic burletta per musica by Joseph Haydn
Joseph Haydn
Franz Joseph Haydn , known as Joseph Haydn , was an Austrian composer, one of the most prolific and prominent composers of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms...
. The Italian
Italian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...
libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
was by Marco Coltellini
Marco Coltellini
Marco Coltellini was an Italian opera librettist and printer.He was probably born in Livorno and embarked on a career in the Church, but had to leave after fathering four daughters. He set up a printing shop in Livorno to publish the works of Enlightenment figures such as Francesco Algarotti and...
, perhaps reworked by Carl Friberth who also took part in the first performance.
Performance history
The earliest recorded performance, which may have been the premiere, was at EszterházaEszterháza
Esterháza is a palace in Fertőd, Hungary, built by Prince Nikolaus Esterházy. Sometimes called the "Hungarian Versailles", it is Hungary's grandest Rococo edifice.-History:...
on 26 July 1773. This was the name day of the Dowager Princess Estaházy and this date is given in the printed libretto. It was revived for the visit of Empress Maria Theresa
Maria Theresa of Austria
Maria Theresa Walburga Amalia Christina was the only female ruler of the Habsburg dominions and the last of the House of Habsburg. She was the sovereign of Austria, Hungary, Croatia, Bohemia, Mantua, Milan, Lodomeria and Galicia, the Austrian Netherlands and Parma...
on 1 September 1773, and again on 1 July 1774.
Bampton Classical Opera
Bampton Classical Opera
Bampton Classical Opera is an opera company based in Bampton, Oxfordshire specialising in the production of lesser known opera from the Classical period...
gave performances of the opera in 2004 and 2005, in English.
Roles
| Role | Voice type | Premiere Cast, July 26, 1773 (Conductor: - ) |
|---|---|---|
| Vespina, a spirited young woman, sister of Nanni, in love with Nencio | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Maddalena Friberth |
| Nanni, a peasant, in love with Sandrina | bass Bass (voice type) A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C... |
Christian Specht |
| Sandrina, a simple girl, in love with Nanni | soprano | Barbara Dichtler |
| Filippo, an old peasant, father of Sandrina | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
Carl Friberth |
| Nencio, a well-to-do farmer | tenor | Leopold Dichtler |
Synopsis
The opera is set in the Tuscan countrysideAct 1
Filippo, brother and sister Nanni and Vespina, and rich farmer Nencio admire the beauty of the summer evening. Filippo is concluding a deal with Nencio. Sandrina, Filippo's daughter enters, the others leave her alone with her father, who tells here that he has found her a husband. She protests that she loves only Nanni but Filippo dismisses the thought of her marrying a poor man. When Nanni arrives, Sandrina is sad, and torn between love for him and respect for her father. Nanni vows vengeance on Filippo and the man chosen to be Sandrina's husband.
In a room in Nanni and Vespina's house; Vespina sings of the pain of love but longs for its pleasures. She reveals that she is in love with Nencio, whose behaviour puzzles her. Nanni tells her that Nencio wishes to marry Sandrina and both swear vengeance.
Outside Filippo's house, Nencio sings a serenade to Sandrina. Vespina and Nanni eavesdrop on him as he asks Filippo to send Sandrina to him. Despite Sandrina's tears, Nencio says he will marry her come what may. Vespina enters and slaps him; Nencio and Filippo refuse to budge, Vespina and Nanni are furious while Sandrina laments her predicament.
Act 2
Vespina has disguised herself as an old woman, so that when Filippo and Sandrina come out of the house she will tell them that Nencio was secretly married but abandoned her daughter. Filippo, angry at Nencio's supposed duplicity hurls insults at him; Nencio, baffled by this, is next approached by Vespina this time disguised as a German servant who says that her master, a marquis will be taking Sandrina as his wife. Nencio thinks he now understands the reason for Filippo's anger, but Vespina reappears now as the Marquis de Ripafratta, saying that although he promised to marry Sandrina he wouldn't marry below his station and will therefore trick her into marrying one of his scullions. Nencio is pleased by the anticipated humiliation of Filippo and offers to be a witness. Vespina assures Nanni that her ruses will succeed.
Filippo is delighted by Sandrina's prospects as the wife of a marquis, but his daughter says that she wants love, not luxury. In her fourth disguise, Vespina enters as a notary accompanied by Nanni disguised as a servant and Nencio. A marriage contract is signed and witnessed, Filippo believing the bridegroom to be the marquis, Nencio thinking it the servant. When the disguises are thrown off, Sandrina is shown to be married to her beloved Nanni. Vespina confesses her tricks, Filippo accepts the outcome, and Vespina looks forward to wedding the chastened Nencio.
Orchestration
The opera is scored for two oboes, two bassoons, two horns, timpani, strings, continuo.Sources
- Branscombe, Peter (1992), 'Infedeltà delusa, L in The New Grove Dictionary of OperaNew Grove Dictionary of OperaThe New Grove Dictionary of Opera is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes....
, ed. Stanley Sadie (London) ISBN 0-333-73432-7