L'arbore di Diana is an opera

Opera

Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 composed in 1787 by Vicente Martín y Soler

Vicente Martín y Soler

Vicente Martín y Soler was a Spanish composer of opera and ballet. Although relatively obscure today, in his own day he was compared favorably with his contemporary, Wolfgang Amadeus Mozart, as a composer of opera buffa. He has been called the Valencian Mozart.He was born in Valencia and studied...

, with an original libretto

Libretto

A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Lorenzo da Ponte

Lorenzo Da Ponte

Lorenzo Da Ponte was a Venetian opera librettist and poet. He wrote the librettos for 28 operas by 11 composers, including three of Mozart's greatest operas, Don Giovanni, The Marriage of Figaro and Così fan tutte....

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Da Ponte's only other libretto not taken from an existing plot was Così fan tutte

Così fan tutte

Così fan tutte, ossia La scuola degli amanti K. 588, is an opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte....

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Its premiere on 1 October 1787 marked the wedding of Joseph II

Joseph II, Holy Roman Emperor

Joseph II was Holy Roman Emperor from 1765 to 1790 and ruler of the Habsburg lands from 1780 to 1790. He was the eldest son of Empress Maria Theresa and her husband, Francis I...

's niece, the Archduchess Maria Teresa to Prince Anton Clemens of Saxony. The work was enormously successful in its day, but Martín's operas have since fallen from the repertoire. A revival was performed during the 2007 / 2008 season at the Theater Bielefeld in North Rhine Westphalia, Germany.

Roles

Role	Voice type	Premiere Cast 1 October 1787
Amore	soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...	Luisa Laschi-Mombelli
Diana	soprano	Anna Bosello-Marichelli
Doristo	bass	Stefano Mandini
Endimione	tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...	Vincenzo Calvesi Vincenzo Calvesi Vincenzo Calvesi was an Italian operatic tenor and impresario. A skillful lyric tenor, he began his career performing in opera houses in Italy during the 1770s. He was active in Dresden in 1782 to 1783 and then spent most of his time performing in Vienna from 1785 to 1794...
Silvio	bass	Nicolò del Sole
Britomarte	soprano
Chloe	contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
Clizia	mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

Recordings

Some arias are available in various compilations.
No complete recording appears to have been released.

Scholarly articles

Martin's L'arbore di Diana,
Roy Jesson,
The Musical Times, Vol. 113, No. 1552 (Jun., 1972), pp. 551-553

Score

Edición crítica de Leonardo Waisman,
ISBN 84-8048-379-2, IBERAUTOR/ICCMU. Madrid, 2001, 544 págs.