Godzilla vs. Megalon
Encyclopedia
is a 1973 Japan
ese science fiction
kaiju
film directed and co-written by Jun Fukuda
with special effects by Teruyoshi Nakano
. It was the thirteenth film in the Godzilla franchise. It is the second film to feature Gigan
and the first and only film to feature Megalon and Jet Jaguar
.
In 1991, the film was shown on the television show Mystery Science Theater 3000
.
On the surface, an inventor named Goro Ibuki, his kid brother Rokuro and their friend Hiroshi Jinkawa are off on an outing near a lake when Seatopia makes itself known to the Earth by drying up the lake the trio was relaxing nearby and using it as a base of operation (unknown to our heroes.) As they return home they are ambushed by agents of Seatopia who are trying to steal Jet Jaguar
, a humanoid robot under construction by the trio of inventors. However the Agents's first attempt is botched and they are forced to flee to safety.
Some time later, Jet Jaguar is completed but the trio of inventors are knocked unconscious by the returning seatopian agents. The agents's plan is to use Jet Jaguar to guide and direct Megalon to destroy whatever city Seatopia commands. Goro and Rokuro are sent to be killed, while Hiroshi is taken hostage. Megalon is finally released to the surface while Jet Jaguar is put under the control of the Seatopians and is used to guide Megalon to attack Tokyo with the Japan Self Defense Forces failing to defeat the monster. Eventually, the trio of heroes manage to escape their situation with the Seatopians and reunite to devise a plan to send Jet Jaguar to get Godzilla
's help using Jet Jaguar's secondary control system.
After uniting with Japan's Defense Force, Goro manages to regain control of Jet Jaguar and sends the robot to Monster Island to bring Godzilla to fight Megalon. Without a guide to control its actions, Megalon flails around relentlessly and aimlessly fighting with the Defense Force and destroying the outskirts of Tokyo. The Seatopians learn of Jet Jaguar's turn and thus send out a distress call to the Nebula M aliens (from the previous film
) to send Gigan
to assist them.
As Godzilla journeys to fight Megalon, Jet Jaguar programs into a safeguard mode and grows to gigantic proportions to face Megalon himself until Godzilla arrives. The battle is roughly at a standstill between robot and monster, until Gigan arrives and both Megalon and Gigan double team Jet Jaguar. Godzilla finally arrives to assist Jet Jaguar and the odds become evened. After a long and brutal fight, Gigan and Megalon both retreat and Godzilla and Jet Jaguar shake hands on a job well done. Godzilla returns to Monster Island, and Jet Jaguar returns to his previous, human-sized state and reunites with his inventors.
student, who submitted the drawing of a robot called Red Arone, which superficially resembled both Ultraman
and Mazinger Z
. The robot was renamed Jet Jaguar and was set to star in Jet Jaguar vs. Megalon, which pitted him against Megalon. However, after doing some screen tests and storyboards, Toho figured Jet Jaguar would not be able to carry the film on his own, either in screen appearance or marketing value, so they shut the project down during pre-production. Nearly a month later, producer Tomoyuki Tanaka
called in screenwriter Shinichi Sekizawa
to revise the script to add Godzilla
and Gigan
. To make up for lost production time, the film was shot in a hasty three weeks. The production time totaled at nearly six months, from planning to finish.
According to Teruyoshi Nakano, the Godzilla suit made for this film (known as the Megaro-Goji) was made in a week, the fastest featured Godzilla suit ever made to date. Godzilla was portrayed by stunt actor Shinji Takagi.
There are, interestingly, no major female characters in the movie, making this the only Godzilla film without a female lead.
Toho's popular kaiju character Anguirus appears in some stock footage from Destroy All Monsters
and in two newly-filmed scenes on Monster Island. In the second new scene, Anguirus appears largely as he did in the previous film, Godzilla vs. Gigan
. The first brief scene of Anguirus shows the monster without his fangs. This modification would carry over into his last appearance the next year in Godzilla vs. Mechagodzilla
.
In 1976, Cinema Shares released Godzilla vs. Megalon theatrically. Riding the coattails of Dino De Laurentiis' big-budget King Kong
remake, poster art showed Godzilla and Megalon battling on top of the World Trade Center
, despite the fact that no scenes were set in New York City
. As it would with its later Godzilla
releases, Cinema Shares opted to use the English dub created by Toho.
Cinema Shares originally released the film with very few edits. Eventually, more cuts were made, supposedly to keep a "G"-rating from the MPAA. Edits include:
With this being the first of the three Cinema Shares Godzilla releases, the publicity factor was high. Along with the poster, buttons with one of the four monsters' faces on them were released. Given away at theatrical showings was a comic herald that told a simplified version of the film. There were several errors like monster's names and locations and events. The theatrical trailer for the film also contain these errors, most notably Jet Jaguar being called "Robotman."
The press kit also included Godzilla, Megalon, Gigan, and Jet Jaguar in cars. This is a reflection of the Aurora kits with Godzilla riding a race car. Along with the press kit was a "Vote Godzilla for President" ad that, if mailed in, resulted in the receipt of a free ticket to the film.
Godzilla vs. Megalon was given a high-profile prime-time NBC
network premiere in 1977, with an introduction and bumper segments by John Belushi
in a Godzilla suit also used on Saturday Night Live
. NBC extensively cut the film so that it would fit in a one-hour time slot.
The film was a huge success in American theaters, earning $383,744 in its first three days in Texas and Louisiana alone.
indicates that it opened there in June, and The New York Times
indicates that it opened in New York City
on July 11. New York Times film critic Vincent Canby
, who a decade before had given a negative review to Ghidorah, the Three-Headed Monster
, gave Godzilla vs. Megalon a generally positive review. In his review on July 12, 1976, Canby said, "Godzilla vs. Megalon completes the canonization of Godzilla...It's been a remarkable transformation of character - the dragon has become St. George...It's wildly preposterous, imaginative and funny (often intentionally). It demonstrates the rewards of friendship, between humans as well as monsters, and it is gentle."
In particular, the special effects of the film have been heavily criticized. One review described the Godzilla costume as appearing to be "crossed with Kermit the Frog
" and another sneeringly compared it to Godzilla vs. Gigan
, stating that it did "everything wrong that Gigan
did, and then some." However, most of the criticism is of the lack of actual special effects work, as most of it consists of stock footage
from previous films, including Godzilla vs. Gigan and Ghidorah, the Three-Headed Monster
, and a few pieces of effects work has garnered praise, specifically a scene where Megalon breaks through a dam and the draining of the lake.
The other aspects of the film have been similarly skewered. The acting is usually described as flat and generally poor, and as not improving, or sometimes, worsening, the already weak script. One part of the film, on the other hand, has garnered almost universal praise: Godzilla's final attack on Megalon, a flying kick. It has been called the saving grace of the film, and was made famous by the mock exclamations of shock and awe displayed on Godzilla vs. Megalon' s appearance on Mystery Science Theater 3000
Through the end of season three to the middle of season five, that clip would be shown at the opening of each show.
Despite all this, the film is also one of the most widely seen Godzilla films in the United States — it was popular in its initial theatrical release, largely due to an aggressive marketing campaign, including elaborate posters of the two title monsters battling atop New York City
's World Trade Center
towers, presumably to capitalize on the hype surrounding the Dino De Laurentiis remake of King Kong
, which used a similar image for its own poster.
has acquired the DVD rights to Godzilla vs. Megalon and Destroy All Monsters
. Both films will be released on DVD and Blu-ray in their original Japanese formats with additional features under the company's division, Tokyo Shock. Godzilla vs. Megalon will be released on November 22, 2011.
The Mystery Science Theater 3000 Collection, Volume 10
Madman Entertainment
Japan
Japan is an island nation in East Asia. Located in the Pacific Ocean, it lies to the east of the Sea of Japan, China, North Korea, South Korea and Russia, stretching from the Sea of Okhotsk in the north to the East China Sea and Taiwan in the south...
ese science fiction
Science fiction
Science fiction is a genre of fiction dealing with imaginary but more or less plausible content such as future settings, futuristic science and technology, space travel, aliens, and paranormal abilities...
kaiju
Kaiju
is a Japanese word that means "strange beast," but often translated in English as "monster". Specifically, it is used to refer to a genre of tokusatsu entertainment....
film directed and co-written by Jun Fukuda
Jun Fukuda
, was a Japanese director. He was born in Manchuria. He has directed dozens of films, perhaps best known for his contributions to the Godzilla film series in the 1970s...
with special effects by Teruyoshi Nakano
Teruyoshi Nakano
, is a Japanese special effects director, most notable for his contributions to the Godzilla film series and other tokusatsu movies. Nakano was a special guest at G-Fest XI, where he was the recipient of the Mangled Skyscraper Award....
. It was the thirteenth film in the Godzilla franchise. It is the second film to feature Gigan
Gigan
is a kaiju from the Godzilla series, introduced in the 1972 film Godzilla vs. Gigan. Gigan is a cybernetic monster sporting a buzzsaw weapon in its frontal abdominal region and large metallic hooks for hands. Gigan is considered Godzilla's most brutal and violent opponent, alongside Destroyah,...
and the first and only film to feature Megalon and Jet Jaguar
Jet Jaguar
is a fictional character who appears in the Godzilla film Godzilla vs. Megalon .-History:In Godzilla vs. Megalon, Jet Jaguar is a robot created by the protagonist, Goro Ibuki. He is initially depicted as a mindless automaton, and is controlled by the evil Seatopians for most of the film...
.
In 1991, the film was shown on the television show Mystery Science Theater 3000
Mystery Science Theater 3000
Mystery Science Theater 3000 is an American cult television comedy series created by Joel Hodgson and produced by Best Brains, Inc., that ran from 1988 to 1999....
.
Plot
For years, Seatopia, the undersea civilization, has been heavily affected by nuclear testing conducted by the surface nations of the world. Upset by this, they plan to unleash their civilization's god, Megalon, to the surface to destroy the world out of vengeance.On the surface, an inventor named Goro Ibuki, his kid brother Rokuro and their friend Hiroshi Jinkawa are off on an outing near a lake when Seatopia makes itself known to the Earth by drying up the lake the trio was relaxing nearby and using it as a base of operation (unknown to our heroes.) As they return home they are ambushed by agents of Seatopia who are trying to steal Jet Jaguar
Jet Jaguar
is a fictional character who appears in the Godzilla film Godzilla vs. Megalon .-History:In Godzilla vs. Megalon, Jet Jaguar is a robot created by the protagonist, Goro Ibuki. He is initially depicted as a mindless automaton, and is controlled by the evil Seatopians for most of the film...
, a humanoid robot under construction by the trio of inventors. However the Agents's first attempt is botched and they are forced to flee to safety.
Some time later, Jet Jaguar is completed but the trio of inventors are knocked unconscious by the returning seatopian agents. The agents's plan is to use Jet Jaguar to guide and direct Megalon to destroy whatever city Seatopia commands. Goro and Rokuro are sent to be killed, while Hiroshi is taken hostage. Megalon is finally released to the surface while Jet Jaguar is put under the control of the Seatopians and is used to guide Megalon to attack Tokyo with the Japan Self Defense Forces failing to defeat the monster. Eventually, the trio of heroes manage to escape their situation with the Seatopians and reunite to devise a plan to send Jet Jaguar to get Godzilla
Godzilla
is a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd. The monster has appeared in numerous other media incarnations including video games,...
's help using Jet Jaguar's secondary control system.
After uniting with Japan's Defense Force, Goro manages to regain control of Jet Jaguar and sends the robot to Monster Island to bring Godzilla to fight Megalon. Without a guide to control its actions, Megalon flails around relentlessly and aimlessly fighting with the Defense Force and destroying the outskirts of Tokyo. The Seatopians learn of Jet Jaguar's turn and thus send out a distress call to the Nebula M aliens (from the previous film
Godzilla vs. Gigan
Godzilla vs. Gigan, released in Japan as and also known as Godzilla on Monster Island when first released to U.S. theaters, is a 1972 Science Fiction Kaiju film. The 12th of Toho Studio's Godzilla series, it was directed by Jun Fukuda with special effects by Teruyoshi Nakano. It is the fourth film...
) to send Gigan
Gigan
is a kaiju from the Godzilla series, introduced in the 1972 film Godzilla vs. Gigan. Gigan is a cybernetic monster sporting a buzzsaw weapon in its frontal abdominal region and large metallic hooks for hands. Gigan is considered Godzilla's most brutal and violent opponent, alongside Destroyah,...
to assist them.
As Godzilla journeys to fight Megalon, Jet Jaguar programs into a safeguard mode and grows to gigantic proportions to face Megalon himself until Godzilla arrives. The battle is roughly at a standstill between robot and monster, until Gigan arrives and both Megalon and Gigan double team Jet Jaguar. Godzilla finally arrives to assist Jet Jaguar and the odds become evened. After a long and brutal fight, Gigan and Megalon both retreat and Godzilla and Jet Jaguar shake hands on a job well done. Godzilla returns to Monster Island, and Jet Jaguar returns to his previous, human-sized state and reunites with his inventors.
Production
Godzilla Vs. Megalon was originally planned as a non-Godzilla film, a solo vehicle for Jet Jaguar, which was the result of a contest Toho had for children in mid-to-late 1972. The winner of the contest was an elementary schoolElementary school
An elementary school or primary school is an institution where children receive the first stage of compulsory education known as elementary or primary education. Elementary school is the preferred term in some countries, particularly those in North America, where the terms grade school and grammar...
student, who submitted the drawing of a robot called Red Arone, which superficially resembled both Ultraman
Ultraman
is Japanese television series that first aired in 1966. Ultraman, the first and best-known of the "Ultra-Crusaders," made his debut in the tokusatsu SF/kaiju/superhero TV series, , a follow-up to the television series Ultra Q...
and Mazinger Z
Mazinger Z
, known briefly as Tranzor Z in United States, is a Super Robot manga and anime series created by Go Nagai. The first manga version was serialized in Shueisha Weekly Shōnen Jump from October 1972 to August 1973, and it later continued in Kodansha TV Magazine from October 1973 to September 1974. In...
. The robot was renamed Jet Jaguar and was set to star in Jet Jaguar vs. Megalon, which pitted him against Megalon. However, after doing some screen tests and storyboards, Toho figured Jet Jaguar would not be able to carry the film on his own, either in screen appearance or marketing value, so they shut the project down during pre-production. Nearly a month later, producer Tomoyuki Tanaka
Tomoyuki Tanaka
----Tomoyuki Tanaka was a Japanese film producer, most famous for creating the Godzilla series. He was born in Kashiwara, Osaka, Japan on April 26, 1910, and died in Tokyo on April 2, 1997. He died of a stroke at the age of 86....
called in screenwriter Shinichi Sekizawa
Shinichi Sekizawa
was a Japanese screenwriter. His very first screenplay was for the Shintoho Studios film Fearful Attack of the Flying Saucers, which is now considered to be lost. He went on to script several films by Ishirō Honda, including several classic Godzilla films...
to revise the script to add Godzilla
Godzilla
is a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd. The monster has appeared in numerous other media incarnations including video games,...
and Gigan
Gigan
is a kaiju from the Godzilla series, introduced in the 1972 film Godzilla vs. Gigan. Gigan is a cybernetic monster sporting a buzzsaw weapon in its frontal abdominal region and large metallic hooks for hands. Gigan is considered Godzilla's most brutal and violent opponent, alongside Destroyah,...
. To make up for lost production time, the film was shot in a hasty three weeks. The production time totaled at nearly six months, from planning to finish.
According to Teruyoshi Nakano, the Godzilla suit made for this film (known as the Megaro-Goji) was made in a week, the fastest featured Godzilla suit ever made to date. Godzilla was portrayed by stunt actor Shinji Takagi.
There are, interestingly, no major female characters in the movie, making this the only Godzilla film without a female lead.
Toho's popular kaiju character Anguirus appears in some stock footage from Destroy All Monsters
Destroy All Monsters
Destroy All Monsters, released in Japan as , is a 1968 Japanese horror Science fiction Kaiju film. The ninth in Toho Studios' Godzilla series, it was directed by Ishirō Honda with special effects by Sadamasa Arikawa This is the fifth film to feature Mothra, third to feature King Ghidorah, fourth...
and in two newly-filmed scenes on Monster Island. In the second new scene, Anguirus appears largely as he did in the previous film, Godzilla vs. Gigan
Godzilla vs. Gigan
Godzilla vs. Gigan, released in Japan as and also known as Godzilla on Monster Island when first released to U.S. theaters, is a 1972 Science Fiction Kaiju film. The 12th of Toho Studio's Godzilla series, it was directed by Jun Fukuda with special effects by Teruyoshi Nakano. It is the fourth film...
. The first brief scene of Anguirus shows the monster without his fangs. This modification would carry over into his last appearance the next year in Godzilla vs. Mechagodzilla
Godzilla vs. Mechagodzilla
, originally known in the United States as Godzilla vs. Bionic Monster and subsequently Godzilla vs. Cosmic Monster, is a 1974 science fiction kaiju film. This was the 14th of the Toho studio's Godzilla series , it was directed by Jun Fukuda with special effects by Teruyoshi Nakano and the...
.
English versions
King Kong (1976 film)
King Kong is a 1976 American monster movie produced by Dino De Laurentiis and directed by John Guillermin. It is a remake of the 1933 classic film of the same name, about a giant ape that is captured and imported to New York City for exhibition....
remake, poster art showed Godzilla and Megalon battling on top of the World Trade Center
World Trade Center
The original World Trade Center was a complex with seven buildings featuring landmark twin towers in Lower Manhattan, New York City, United States. The complex opened on April 4, 1973, and was destroyed in 2001 during the September 11 attacks. The site is currently being rebuilt with five new...
, despite the fact that no scenes were set in New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
. As it would with its later Godzilla
Godzilla
is a daikaijū, a Japanese movie monster, first appearing in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd. The monster has appeared in numerous other media incarnations including video games,...
releases, Cinema Shares opted to use the English dub created by Toho.
Cinema Shares originally released the film with very few edits. Eventually, more cuts were made, supposedly to keep a "G"-rating from the MPAA. Edits include:
- The opening credits, except for the title and a "Produced by Toho-Eizo Co., Ltd." credit.
- Rokuro being abducted by Seatopian agents, who pull him into their car.
- The Seatopian agents knocking out Rokuro and barging inside.
- Scenes in the container truck that showed pin-ups on the back wall.
- A scene of the bearded Caucasian Seatopian agent being thrown down a cliff by the truck drivers.
- The lead Seatopian is hit in the face with the model jet, causing him to bleed.
- The same Seatopian agent is crushed by a boulder hurled by Megalon.
With this being the first of the three Cinema Shares Godzilla releases, the publicity factor was high. Along with the poster, buttons with one of the four monsters' faces on them were released. Given away at theatrical showings was a comic herald that told a simplified version of the film. There were several errors like monster's names and locations and events. The theatrical trailer for the film also contain these errors, most notably Jet Jaguar being called "Robotman."
The press kit also included Godzilla, Megalon, Gigan, and Jet Jaguar in cars. This is a reflection of the Aurora kits with Godzilla riding a race car. Along with the press kit was a "Vote Godzilla for President" ad that, if mailed in, resulted in the receipt of a free ticket to the film.
Godzilla vs. Megalon was given a high-profile prime-time NBC
NBC
The National Broadcasting Company is an American commercial broadcasting television network and former radio network headquartered in the GE Building in New York City's Rockefeller Center with additional major offices near Los Angeles and in Chicago...
network premiere in 1977, with an introduction and bumper segments by John Belushi
John Belushi
John Adam Belushi was an American comedian, actor, and musician, best known as one of the original cast members of the NBC sketch comedy show Saturday Night Live, The Star of the Films National Lampoon's Animal House and the The Blues Brothers and for fronting the American blues and soul...
in a Godzilla suit also used on Saturday Night Live
Saturday Night Live
Saturday Night Live is a live American late-night television sketch comedy and variety show developed by Lorne Michaels and Dick Ebersol. The show premiered on NBC on October 11, 1975, under the original title of NBC's Saturday Night.The show's sketches often parody contemporary American culture...
. NBC extensively cut the film so that it would fit in a one-hour time slot.
Box office
In Japan, Godzilla vs. Megalon sold approximately 980,000 tickets. It was the first Godzilla film to sell less than one million admissions.The film was a huge success in American theaters, earning $383,744 in its first three days in Texas and Louisiana alone.
Critical reception
Godzilla vs. Megalon was released theatrically in America on May 9, 1976, though the San Francisco ChronicleSan Francisco Chronicle
thumb|right|upright|The Chronicle Building following the [[1906 San Francisco earthquake|1906 earthquake]] and fireThe San Francisco Chronicle is a newspaper serving primarily the San Francisco Bay Area of the U.S. state of California, but distributed throughout Northern and Central California,...
indicates that it opened there in June, and The New York Times
The New York Times
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization...
indicates that it opened in New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
on July 11. New York Times film critic Vincent Canby
Vincent Canby
Vincent Canby was an American film critic who became the chief film critic for The New York Times in 1969 and reviewed more than 1000 films during his tenure there.-Life and career:...
, who a decade before had given a negative review to Ghidorah, the Three-Headed Monster
Ghidorah, the Three-Headed Monster
Ghidorah, the Three-Headed Monster, released in Japan as and originally released in the US as Ghidrah, the Three-Headed Monster, is a 1964 science fiction kaiju film, and is the 5th film in Toho's Godzilla series...
, gave Godzilla vs. Megalon a generally positive review. In his review on July 12, 1976, Canby said, "Godzilla vs. Megalon completes the canonization of Godzilla...It's been a remarkable transformation of character - the dragon has become St. George...It's wildly preposterous, imaginative and funny (often intentionally). It demonstrates the rewards of friendship, between humans as well as monsters, and it is gentle."
Legacy
Godzilla vs. Megalon has attracted the ire of many Godzilla fans in the decades since its original release. The film contributed to the reputation of Godzilla films in the United States as cheap children's entertainment that should not be taken seriously. It's been described as "incredibly, undeniably, mind-numbingly bad" and one of the "poorer moments" in the history of kaiju films.In particular, the special effects of the film have been heavily criticized. One review described the Godzilla costume as appearing to be "crossed with Kermit the Frog
Kermit the Frog
Kermit the Frog is puppeteer Jim Henson's most famous Muppet creation, first introduced in 1955. He is the protagonist of many Muppet projects, most notably as the host of The Muppet Show, and has appeared in various sketches on Sesame Street, in commercials and in public service announcements over...
" and another sneeringly compared it to Godzilla vs. Gigan
Godzilla vs. Gigan
Godzilla vs. Gigan, released in Japan as and also known as Godzilla on Monster Island when first released to U.S. theaters, is a 1972 Science Fiction Kaiju film. The 12th of Toho Studio's Godzilla series, it was directed by Jun Fukuda with special effects by Teruyoshi Nakano. It is the fourth film...
, stating that it did "everything wrong that Gigan
Gigan
is a kaiju from the Godzilla series, introduced in the 1972 film Godzilla vs. Gigan. Gigan is a cybernetic monster sporting a buzzsaw weapon in its frontal abdominal region and large metallic hooks for hands. Gigan is considered Godzilla's most brutal and violent opponent, alongside Destroyah,...
did, and then some." However, most of the criticism is of the lack of actual special effects work, as most of it consists of stock footage
Stock footage
Stock footage, and similarly, archive footage, library pictures and file footage are film or video footage that may or may not be custom shot for use in a specific film or television program. Stock footage is of beneficial use to filmmakers as it is sometimes less expensive than shooting new...
from previous films, including Godzilla vs. Gigan and Ghidorah, the Three-Headed Monster
Ghidorah, the Three-Headed Monster
Ghidorah, the Three-Headed Monster, released in Japan as and originally released in the US as Ghidrah, the Three-Headed Monster, is a 1964 science fiction kaiju film, and is the 5th film in Toho's Godzilla series...
, and a few pieces of effects work has garnered praise, specifically a scene where Megalon breaks through a dam and the draining of the lake.
The other aspects of the film have been similarly skewered. The acting is usually described as flat and generally poor, and as not improving, or sometimes, worsening, the already weak script. One part of the film, on the other hand, has garnered almost universal praise: Godzilla's final attack on Megalon, a flying kick. It has been called the saving grace of the film, and was made famous by the mock exclamations of shock and awe displayed on Godzilla vs. Megalon
Mystery Science Theater 3000
Mystery Science Theater 3000 is an American cult television comedy series created by Joel Hodgson and produced by Best Brains, Inc., that ran from 1988 to 1999....
Through the end of season three to the middle of season five, that clip would be shown at the opening of each show.
Despite all this, the film is also one of the most widely seen Godzilla films in the United States — it was popular in its initial theatrical release, largely due to an aggressive marketing campaign, including elaborate posters of the two title monsters battling atop New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
's World Trade Center
World Trade Center
The original World Trade Center was a complex with seven buildings featuring landmark twin towers in Lower Manhattan, New York City, United States. The complex opened on April 4, 1973, and was destroyed in 2001 during the September 11 attacks. The site is currently being rebuilt with five new...
towers, presumably to capitalize on the hype surrounding the Dino De Laurentiis remake of King Kong
King Kong (1976 film)
King Kong is a 1976 American monster movie produced by Dino De Laurentiis and directed by John Guillermin. It is a remake of the 1933 classic film of the same name, about a giant ape that is captured and imported to New York City for exhibition....
, which used a similar image for its own poster.
DVD releases
Media BlastersMedia Blasters
Media Blasters is an entertainment corporation founded by John Sirabella and Sam Liebowitz, based in New York City. They are in the business of licensing, translating, and releasing to the North American market manga compilations and anime and live-action movies and television series to home-video...
has acquired the DVD rights to Godzilla vs. Megalon and Destroy All Monsters
Destroy All Monsters
Destroy All Monsters, released in Japan as , is a 1968 Japanese horror Science fiction Kaiju film. The ninth in Toho Studios' Godzilla series, it was directed by Ishirō Honda with special effects by Sadamasa Arikawa This is the fifth film to feature Mothra, third to feature King Ghidorah, fourth...
. Both films will be released on DVD and Blu-ray in their original Japanese formats with additional features under the company's division, Tokyo Shock. Godzilla vs. Megalon will be released on November 22, 2011.
The Mystery Science Theater 3000 Collection, Volume 10
- Released:August 29, 2006
- Aspect Ratio: 1.33:1
- Sound: English
- Region 1
- Note: The original release of this set included Godzilla vs. Megalon, which was replaced with The Giant Gila MonsterThe Giant Gila MonsterThe Giant Gila Monster is a 1959 black-and-white science fiction film directed by Ray Kellogg, and produced by Ken Curtis. It stars Don Sullivan, Lisa Simone, as well as Fred Graham, Shug Fisher and Bob Thompson. This low-budget B-Movie featured a cast of unknown actors, and the effects included a...
after Rhino attempted to license the film from a third party which had no claim to the movie.
Madman Entertainment
- Released: June 21, 2006
- Video: Widescreen
- Sound: English, Japanese
- Subtitles English
- Region 4
- Note: Contains both the original version (Japanese audio with English subtitles only) and the edited G version (English audio only).