Christus. Mysterium in a Prelude and Three Oratorios, opp.70-3
Encyclopedia
Christus: Ein Mysterium in einem Vorspiele und drei Oratorien is a musical composition by Felix Draeseke
consisting of a prelude and three oratorio
s completed in September, 1899.
Beginning as early as the 1860s, Draeseke and his brother-in-law, the Reverend Adolf Schollmeyer, began gathering ideas for the project. According to the composer's own program notes,
Christus was premiered in Berlin in 1912, with Bruno Kittel conducting. Later that same year, Kittel conducted a second full performance in Dresden; these remain the work's only full performances.
Though the work is composed of three oratorio
s, it bears more resemblance to Wagner's Ring Cycle
than to traditional oratorio. Draeseke intended for it to fit into the category of Wagner's "Musikdrama," and in fact he used leitmotif
throughout the work. Because of its length, a performance of Christus spans three evenings. The work was only performed twice in its entirety and, unlike Wagner's Ring Cycle, Draeseke preferred that his work be performed in a church. Draeseke wrote in program notes following the Christus premiere,
Unlike traditional oratorio, the work contains no narrator, no Evangelist, and no recitative. Instead, a chorus of 150-200 members serves to advance the plot.
Felix Draeseke
Felix August Bernhard Draeseke was a composer of the "New German School" admiring Liszt and Richard Wagner. He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music.-Life:Felix Draeseke was born in the Franconian ducal town of...
consisting of a prelude and three oratorio
Oratorio
An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias...
s completed in September, 1899.
History
It was Felix Draeseke's most impressive accomplishment took him over thirty years to prepare and five years to compose. It spans opus numbers 70-73.Beginning as early as the 1860s, Draeseke and his brother-in-law, the Reverend Adolf Schollmeyer, began gathering ideas for the project. According to the composer's own program notes,
"The words of the piece have been taken exclusively from the Holy Scriptures....Individual alterations of minor significance had to be converted to dramatic speech frequently; things not found in the bible only appear very rarely."
Christus was premiered in Berlin in 1912, with Bruno Kittel conducting. Later that same year, Kittel conducted a second full performance in Dresden; these remain the work's only full performances.
Structure
Christus is composed of four separate sections:- Prelude - The Birth and Death of the Lord
- First Oratorio - The manifestation of the Christ
- Second Oratorio - Christ the Prophet
- Third Oratorio - Death and Triumph of the Lord
Though the work is composed of three oratorio
Oratorio
An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias...
s, it bears more resemblance to Wagner's Ring Cycle
Der Ring des Nibelungen
Der Ring des Nibelungen is a cycle of four epic operas by the German composer Richard Wagner . The works are based loosely on characters from the Norse sagas and the Nibelungenlied...
than to traditional oratorio. Draeseke intended for it to fit into the category of Wagner's "Musikdrama," and in fact he used leitmotif
Leitmotif
A leitmotif , sometimes written leit-motif, is a musical term , referring to a recurring theme, associated with a particular person, place, or idea. It is closely related to the musical idea of idée fixe...
throughout the work. Because of its length, a performance of Christus spans three evenings. The work was only performed twice in its entirety and, unlike Wagner's Ring Cycle, Draeseke preferred that his work be performed in a church. Draeseke wrote in program notes following the Christus premiere,
"The composer never intended his work to be performed on the stage. It would be contrary to his intentions....A representation in the church would always be preferable to that in the concertroom."
Unlike traditional oratorio, the work contains no narrator, no Evangelist, and no recitative. Instead, a chorus of 150-200 members serves to advance the plot.