Adrien Barrère
Encyclopedia
Adrien Barrère (1877 Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

 - 1931 Paris), was a French poster artist and painter, active in Paris during the Belle Époque
Belle Époque
The Belle Époque or La Belle Époque was a period in European social history that began during the late 19th century and lasted until World War I. Occurring during the era of the French Third Republic and the German Empire, it was a period characterised by optimism and new technological and medical...

.

After studying the law and medicine, Barrère turned to illustrating and particularly to the art of caricature
Caricature
A caricature is a portrait that exaggerates or distorts the essence of a person or thing to create an easily identifiable visual likeness. In literature, a caricature is a description of a person using exaggeration of some characteristics and oversimplification of others.Caricatures can be...

, also designing a large number of posters for Parisian cinemas and Grand Guignol
Grand Guignol
Le Théâtre du Grand-Guignol — known as the Grand Guignol — was a theatre in the Pigalle area of Paris . From its opening in 1897 until its closing in 1962 it specialized in naturalistic horror shows...

. His poster with caricatures of the Paris Medical Faculty, the original of which is held at University of Rouen
University of Rouen
The University of Rouen is a French university, in the Academy of Rouen.-See also:* List of public universities in France by academy...

 and twice the size (72 x 116 cm) of later copies, was immensely popular - no medical student left without a copy - and 420 000 copies were printed.

His collaboration with Pathé
Pathé
Pathé or Pathé Frères is the name of various French businesses founded and originally run by the Pathé Brothers of France.-History:...

 was particularly successful, including a famous poster titled "Tous y mènent leurs enfants". In 1912, Le Courrier Cinématographique, a corporate journal, described him as 'Pathé's man of the hour and designer of more than two hundred posters of unfettered verve and imagination'.

Barrère chronicled and caricatured performers of the Paris stage, adopting a kindlier approach than that of Toulouse-Lautrec.
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