7.5 cm Infanteriegeschütz 42
Overview
 
The 7.5 cm Infanteriegeschütz 42 (7.5 cm IG 42) was an infantry support gun
Infantry support gun
Infantry support guns are artillery weapons designed and used to increase fire power of infantry units they are intrinsic to, offering immediate tactical response to the needs of the unit's commanding officer. The designs are typically with short low velocity barrels, and light construction...

, used by Germany
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...

, during World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...

. The requirement for this weapon came out of combat experience in 1940 when the existing IG 18
7.5 cm leichtes Infanteriegeschütz 18
The 7.5 cm leichtes Infanteriegeschütz 18 was an infantry support gun of the German Wehrmacht used during World War II.- History :...

 was felt to be outdated.

However by the time Krupp
Krupp
The Krupp family , a prominent 400-year-old German dynasty from Essen, have become famous for their steel production and for their manufacture of ammunition and armaments. The family business, known as Friedrich Krupp AG Hoesch-Krupp, was the largest company in Europe at the beginning of the 20th...

 had completed the design a hollow charge shell had been designed for the IG 18 and the gun was not put into production.

In 1944 the requirement was raised again and the barrel from the original design was mated with the carriage from the PAW 600
8 cm PAW 600
The PAW 600 was a lightweight anti-tank gun that used the high-low pressure system to fire hollow charge warheads. It was used operationally by Wehrmacht in 1945 in small numbers.-Background:...

 gun.
Quotations

All good writing is swimming under water and holding your breath.

Undated letter to his daughter "Scottie" (Frances Scott Fitzgerald|Frances Scott Fitzgerald).

The idea that to make a man work you've got to hold gold in front of his eyes is a growth, not an axiom. We’ve done that for so long that we've forgotten there’s any other way.

"Amory Blaine" in This Side of Paradise|This Side of Paradise (1920) Bk. 2, Ch. 5

Whenever you feel like criticizing any one... just remember that all the people in this world haven't had the advantages that you've had.

The Great Gatsby (1925)

So we beat on, boats against the current, borne back ceaselessly into the past.

The Great Gatsby (1925)

Sometimes it is harder to deprive oneself of a pain than of a pleasure.

Tender is the Night (1934)

One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There open wounds, shrunk sometimes to the size of a pinprick, but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.

Tender Is the Night (1934) Bk. 3, Ch. 13

Either you think — or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.

Tender Is the Night (1934)

I hate the place like poison with a sincere hatred.

Responding to a suggestion that he return to Hollywood to work on a script of Tender is the Night in a letter to his agent (10 January 1935)

In a real dark night of the soul it is always three o'clock in the morning, day after day.

The Crack-Up|The Crack-Up (1936)

Before I go on with this short history, let me make a general observation– the test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.One should, for example, be able to see that things are hopeless and yet be determined to make them otherwise. This philosophy fitted on to my early adult life, when I saw the improbable, the implausible, often the "impossible," come true.

The Crack-Up (1936)

 
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